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06-20-2008, 12:09 PM
| | Registered User | | Join Date: Feb 2007 Location: Tyneside, UK | | | I want to play prog-rock bass....where do I start?
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I LOVE anything to do with prog-rock and recent events have really pumped me up to learn a completely new type of music. So I've set my heart on learning how to play and write prog.
Question is....where do I start? What would you count as the essentials of prog and how should I go about writing prog-rock basslines?
Any help?
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Mediocre Bassist Club #706 P&W Club #71 LGBT #26 Keyboardist #40 Quote:
Originally Posted by LowDown Hal Bass Players - Do It Deep | | 
06-20-2008, 12:27 PM
| | Registered User | | Join Date: Feb 2003 Location: North Kingstown, Rhode Island | | | Play melodies and not roots. | 
06-20-2008, 12:35 PM
| | Registered User | | Join Date: Apr 2007 Location: Rochester, NY/Los Angeles, CA | | | Play some Rush. Take it from there. | 
06-20-2008, 12:36 PM
| | Registered User | | Join Date: Feb 2007 Location: Tyneside, UK | | Quote:
Originally Posted by MirageBass Play some Rush. Take it from there. | I'm thinking more of original basslines....
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Mediocre Bassist Club #706 P&W Club #71 LGBT #26 Keyboardist #40 Quote:
Originally Posted by LowDown Hal Bass Players - Do It Deep | | 
06-20-2008, 12:41 PM
| | | | If you're not already, take bass lessons, as theory is key to prog, due to the odd scales & time signatures.
It also depends on what you mean by prog?
To some its RadioHead & Mew, to others it's Yes & King Crimson, to others its Mastodon. | 
06-20-2008, 12:46 PM
| | Notes we play > Gear we play them on | | Join Date: Sep 2000 Location: Wisconsin | | | Theory and a high level of techincal proficiency are pretty key. | 
06-20-2008, 12:52 PM
|  | Jazz Chicken | | Join Date: Jul 2003 Location: Ennui, IN USA | | | Start practicing scales and modes. All of them. Master those in all keys.That will get you started.
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06-20-2008, 01:26 PM
| | Banned | | Join Date: Nov 2007 Location: New York City | | Quote:
Originally Posted by Barkless Dog If you're not already, take bass lessons, as theory is key to prog, due to the odd scales & time signatures. |
I don't believe the original progenitors of "prog rock" knew much music theory at all.
King Crimson, Genesis, Yes, Emerson Lake & Palmer, Moody Blues... almost none of those guys had a musical education beyond singing in church or taking some private guitar lessons. (I know Rick Wakeman is an exception, studying at the Royal College Of Music).
What they did have was big ears, copious instrumental facility that allowed them to execute whatever ideas they conceived, a willingness to explore different sounds & expose themselves to a wide variety of music, and the conviction to pursue their muse without worrying whether or not it sounded like what everyone else was doing. | 
06-20-2008, 01:55 PM
|  | Evil Alien | | Join Date: Aug 2007 Location: Sacramento, CA | | | Prog rock is such a broad term, and the bass styles vary tremendously across the spectrum. So it would really depend on the type(s) of prog rock you want to play.
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06-20-2008, 02:48 PM
| | Registered User | | Join Date: May 2004 Location: St. Louis, MO, U.S. | | Quote:
Originally Posted by Fassa Albrecht I'm thinking more of original basslines.... | You can't write a prog rock bassline if you don't know what a prog rock bassline is. Learn a few lines from bands you like, and you'll have a much better perspective on the style.
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06-20-2008, 03:47 PM
| | Registered User | | Join Date: Dec 2005 Location: Millcreek Township, UT | | If you haven't already, visit the Progressive Rock Archives.
There are a lot of bands and genres represented. Loads of free mp3s too. Might give you some ideas.
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06-20-2008, 04:30 PM
|  | I Know Nothing | | Join Date: Dec 2003 Location: Columbia River Gorge, WA. | | Quote:
Originally Posted by Fassa Albrecht Question is....where do I start? What would you count as the essentials of prog ? | Get a really spiffy cape. Maybe John Turner'll sell you one of his.
Failing that, I always start learning a new style by immersing myself in it through listening to everything I can get my hands on. Once you can sing the lines, playing them and eventually making up your own lines is cake.
Last edited by Passinwind : 06-20-2008 at 04:35 PM.
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06-20-2008, 04:53 PM
| | Registered User | | Join Date: Jan 2006 Location: Boston & Arizona, USA | | | A couple of more suggestions...
In addition to listening to a lot of prog rock, listen to a lot of classical music. Start transcribing and analyzing the parts that interest you.
Peace,
S | 
06-20-2008, 05:30 PM
| | Registered User | | Join Date: Feb 2007 Location: Tyneside, UK | | Quote:
Originally Posted by Passinwind Get a really spiffy cape. Maybe John Turner'll sell you one of his.
Failing that, I always start learning a new style by immersing myself in it through listening to everything I can get my hands on. Once you can sing the lines, playing them and eventually making up your own lines is cake. |
Like this guy? Quote:
Originally Posted by TheSuzie A couple of more suggestions...
In addition to listening to a lot of prog rock, listen to a lot of classical music. Start transcribing and analyzing the parts that interest you.
Peace,
S | My radio/CD player seems stuck on ClassicFM (the UKs biggest classical station).....
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Mediocre Bassist Club #706 P&W Club #71 LGBT #26 Keyboardist #40 Quote:
Originally Posted by LowDown Hal Bass Players - Do It Deep | | 
06-21-2008, 11:10 AM
| | Registered User | | Join Date: Dec 2002 Location: Germany | | | Let's see, my second band calls itself a prog rock band and here's why we think or songs are prog:
-most of our songs are pretty long
-they have many different parts
-we use a lot of odd meters
-we often use unusual chord progressions and key changes
-we try to mix rock with lots of different musical styles
This pretty much covers it, I guess. We also swore to ourselves not to overdo it so that the results still sound musical (which is always a good idea, in my opinion.)
I can't really explain how I come up with bass lines, though, I simply try to work out something that sounds good, fits the music and isn't all over the place. I only try to add "extra" stuff to it (e. g. high notes, more melodic parts) when I think there's room for it. When I write music/riffs, I try to come up with interesting rhythms, chord changes and not-so-common note choices.
By the way, when we write music, I'm usually the "hey, let's add a key change/chord change here" guy; I don't like it very much when a long song keeps on droning around the same tonality, a well-done key change can really spice a song up, but of course it isn't always needed.
Last edited by phxlbrmpf : 06-21-2008 at 11:15 AM.
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06-21-2008, 12:31 PM
|  | Registered User | | Join Date: May 2004 Location: State college, PA | | | To me prog is mainly just being creative and open minded...
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06-21-2008, 12:36 PM
| | | | Learn a lot of 2 octave scales, the modes, altered scales such as Super Locrian etc.. and try not repeating the same riff twice. Just be creative. | 
06-21-2008, 01:09 PM
| | Registered User | | Join Date: Jan 2008 Location: Virginia Beach, VA | | From a previous post of yours I think you're already familiar with them, but Muse is a great band in my opinion, even from a strictly Prog Rock perspective. Practice improvising to some of their music, that should keep you busy for a while. 
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