| Larger indie labels have generally solid reputations: Matador, Fat Wreck, Epitaph, Touch & Go and SubPop all have had oodles of praise laid on them by the bands who are on them. As far as I know there haven't been any stories of being screwed out of royalties or bands being forced into unfavorable contracts. The people who run these labels have a genuine love for the music they put out and aside from limited resources (despite their size, most of those labels can't compete with the marketing and promotion power of Capitol & co.) and questionable quality of some releases (bad bands), and nitpicky ethical issues (SubPop, Epitaph accused of 'selling out'). They're good places for bands to end up. I have heard of bands feeling they didn't get enough attention from indie labels of similar size, but most of those bands sucked.
What you need to be careful of is some of the smaller indie labels. I know that some labels, like Mystic, has (had) a history of signing bands, getting copyright control of the bands songs and releasing the albums and not paying the band. Because the band's are so small, they don't have the resources to pursue legal action and they lose their music. Also, some indie labels have folded and the bands on their roster have lost their albums because the label's assets were frozen.
Overall, though they don't have the vast resources that majors have, indies are a good choice if you're concerned by corporate skuldruggery and loss of creative control. But it is important to be cautious and do your homework in any case.
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Ameeeeeericaaaaaaaa/Eatin' my lunch from a single bowl/In my paaaaaarents basssssement/Where I'm livin'/Happy Birthday!/I'm 43.
Last edited by Against Will : 12-19-2004 at 09:07 PM.
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