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  #1  
Old 11-14-2011, 04:21 PM
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I read a lot about people making charts for tunes that they play. For bureaucratic interests, how are they laid out? What information do you have on them? I would go first, but I don't have any...part of the reason I'm asking. So, let's see your charts!
  #2  
Old 11-14-2011, 06:47 PM
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This isn't technique related. Moved to Misc.
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Old 11-14-2011, 07:57 PM
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Hoo boy. Have you seen charts?

A lead sheet would be a good way to document your compositions if they are simple pop tunes. This typically consists of staff paper with the melody on the staff, chord changes above the staff, and lyrics below. If you expect specific rhythms for the instruments, you could expand this into a score, where each instrument is on its own line. You use chord symbols, slash notation, or written-out notation as needed depending on the extent to which you want the players to play specific rhythms and notes.

This eBay listing appears to show a fairly detailed score of a pop tune:

EARTH,WIND & FIRE BEST JAPAN BAND SCORE TAB | eBay

Musicnotes.com has sample pages for many of their charts. You might be able to find something that looks like what you need for the genre that you are working in.

It's a great idea to have charts -- they are like an insurance policy against mishaps such as your bassist evaporating just before a high profile gig. Every town has a small cadre of players who enjoy the challenge of taking care of bands that run into these situations. I've played more than my share of "one rehearsal, one gig" engagements.

Even for players who are not singing or playing melody, having those things on the chart is very helpful if we get lost.
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Old 11-14-2011, 09:19 PM
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I hate doing a gig where I have to spend the whole time with my nose in a book. I enjoy eye contact with the other players and the audience so my charts if used at all are as minimal as possible. If I have enough lead time I prefer to learn the tunes from recordings by ear. I am a very good ear player and this is my preferred method. The less on the page the less I have to rely on the chart.
  #5  
Old 11-14-2011, 10:41 PM
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Hi.

In the rare even't I'm drawing a chart, there's just the part sequence, and the key.

Since most of the tunes I (we) play have the "standard" Intro-A-A-B-A-B-B-A-B-B "rock" progression or a slight variation of that, I usually don't bother. Only when the intro is played in an unusual place as a bridge for example, or if there's C & D parts, I draw a chart. But only for rehearsal NEVER for a gig unless I can conceal it as a set-list.

The not-so-good guitarist I used to play with once saw such a sketch I was rehearsing from and he said: "But I tought there was more than the chords A, B, and C in that tune". To add to the insult, none of those chords were used in that particular tune...

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  #7  
Old 11-15-2011, 02:19 AM
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My charts are simply lyrics with chord changes right above. If you google the (name of the song and chords) you will get pretty much what I use. If I get a call for a sit in gig on Monday, I'm ready to go by Wednesday (provided they give me a set list). My charts are in WORD format but any program that handles text will do.

A couple tips. Make the font as large as you can and move the margins as close to the edge as you can. Block the different sections so it's easy to find that second verse or solo section or bridge etc. Keep it all on 2 pages so theres no page turning. I frequently underline the chorus so its easy to find as well. Get creative, a slash (/) means stop or dashes (-------) mean let the note sustain etc. If there is a stumbling block in a song I get the sharpie and make that section stand out with my notes. If there is a specific bass intro I might tab that so we get started well.

I rarely play with my nose in the book. A simple glance usually reminds me what I need to do.

My book allows me to focus on the crowd instead of having to ask "how does that song go" "what key is it in" "how does this start".

If a song is only 1 page, I put a joke on the other. I can work the crowd instead of worrying about the next song cuz I'm ready as soon as the last song is over.

Good luck on making your charts and you will only hear musicians belittle your music stand. No one else cares.
  #8  
Old 11-15-2011, 04:56 PM
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Sure, most pop music fans prefer to see a band that's playing tunes from memory. But an occasional gig where a sideman has to read charts seems preferable to canceling gigs. A couple of experiences:

1. I got a call with just a few hours notice, from a bassist who was stranded in a distant airport. This band had complicated arrangements with written-out bass parts. I had to read the gig. There was no other option.

2. Another band booked me for a series of local gigs. They called an informal rehearsal (unplugged, without the vocalist), most of the time spent just discussing the tunes. This also gave them a chance to check me out and make sure that I was for real. I read the first couple of gigs. By the fourth gig, the music stand was off to the side. Both of these bands were playing mostly originals. These bands were also voted "best of Madison" in subsequent years, so they must be doing something right.

I'm not a world class bassist, but subbing is one of my specialties.

Another use of charts is to help make the best use of rehearsal time.
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  #9  
Old 11-18-2011, 08:43 PM
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Sorry about the posting error. Thanks for all the feedback, guys!
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