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  #1  
Old 12-14-2005, 02:27 PM
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Unhappy One-chord song

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So a friend of mine, a guitarist, made a song the other day. We have very good recording equipment at school, so he decided we should record it for fun. A drummer and me agree to help him, so my guitarist friend says he'll record his part first. I hadn't heard the song before really. He does 18 layers of guitars first and shows it to us in the studio.
Basically I have no clue what to make of it, as the entire thing is composed of a guitar playing an open Em and some lead voices on top. It lasts for pretty much exactly three minutes, and I really still don't know what to do. I can't exactly play an E for three minutes, it sounds dull to me. Now, don't get me wrong. Songs based around few chords can be good, like Ozric Tentacles (one of my favourites). But usually these don't focus entirely on the guitar, so I haven't the slightest clue how to work this out.
I don't want to take over the song and make actual progression in it, since it's his and all. Got any tips for what I can make of the three minute Em?
Hope I made my point clear, feel free to ask questions of course (:
  #2  
Old 12-14-2005, 02:38 PM
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Well, not knowing the song's tempo or mood, I'm just gonna shoot off what I normally do in such situations (other than kill the guitarist, of course )

Sit down with your drummer, and see if you can get him/her to create a drum line that has a lot of groove to it. Off hand, I'm thinking Zep's "When the Levee Breaks" Or "Delicate Tendrils" by Les Claypool, but I'm sure there's tons more. If the groove is solid, you should have no problems doing either A.) Putting some thump in the right places or, hopefully B.) Creating a strong riff that would be so much fun to play, those 3 minutes will whiz on by.

If you can create such a riff (Which shouldn't be too hard, since the key of E kind of naturally lends itself to mean sounding riffs in my opinion) You can add some fills here and there, sync up with the drums for some of his/her fills, or add emphasis to a few guitar lines.......pretty much anything you want.

So to summarize, create a groove, which should be easy, since you don't have to worry about upcoming chord changes, and then lay it down nice and mean.
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  #3  
Old 12-14-2005, 03:36 PM
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this reminds me of "one note song" by tenacious d.
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  #4  
Old 12-14-2005, 04:09 PM
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Why fight it? Many great songs were written around a single chord or a single riff. What's boring to you may not be boring to others, so unless it just plain sucks, go with it. I'm sure you have other songs.
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Old 12-14-2005, 04:13 PM
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Most "riffs" tend to be "one chord" by that I mean make no movements through a progression. If you can figure out what scale his leads are in, you can use that to your advantage and write a riff in that scale that locks in with the drummer. In that situation from the sounds of it, something sparce would be nice, but that doesn't mean you have to hide in the shadows. I'm just saying, don't be afraid to leave some space.
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Old 12-14-2005, 05:09 PM
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try 'effing around in dorian
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Old 12-14-2005, 06:33 PM
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For some 'one-chord' grooves, check out Loop.
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  #8  
Old 12-14-2005, 09:28 PM
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Is it a song with lyrics? If so, can you play along with and/or off of the vocal melody?

If it's just an instrumental, I'd have to hear it to be helpful...
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Old 12-14-2005, 09:42 PM
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I wrote a whole song (2 guitars, 1 bass, 1 trumpet, drums) on only one chord. I named it after the chord, E7aug9. hehehe, I love it.
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  #10  
Old 12-15-2005, 03:52 PM
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Thanks for the help and quick replies (:
Yeah, I realize I forgot to mention what the song sounds like. It's rather slow, about 100bpm, with an intro half as slow. The main scale he uses is plain minor as far as I can remember (I only heard it that evening) with an occasional major third. The melody has this almost folk music feel to it. Also, the drum beat is pretty much just accents on the 1, and rest just fluttering on the cymbals.
The rest of the story about the recording apparently ended today. I was out taking driving lessons earlier today, and the guitarist had the studio at the same time, so he got another (note: much more talented than me ) bassist and redid the drums and bass. It apparently turned out pretty cool (: I'll ask if I can have the song and upload it so you can hear what it turned out like.
Edit: It's purely instrumental.

Last edited by Purvel : 12-15-2005 at 04:00 PM.
  #11  
Old 12-15-2005, 09:06 PM
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The last band that I was in, and the one that I'm in now, does "Dreams" by Molly Hatchet. It's primarily on a D with a decent grooving bass line. Our guitarist was bored out of his mind, but I had a pretty good time because it had a decent groovin' bass line.

Point is, even if it's a single chord song, you can make a memorable bass line without "hogging" the spotlight from the guitarist and the singer. "Stranglehold" by Nugent is pretty much the same way.
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  #12  
Old 12-31-2005, 03:22 PM
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A great song that is a one chord vamp is "Low Rider" - that song sounds great, and no one ever realizes it's only one chord.
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Old 01-02-2006, 03:55 AM
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*clears throat* "Smoke On The Water" anyone?
I mean seriously the only thing 'really' good in that song is the G-Blues main riff (the intro that appears at various times throughout the song)
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  #14  
Old 01-02-2006, 07:31 AM
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Chain of Fools - great one chord tune...
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