| IMO the best way to practice is to first identify what is not going well, try to pinpoint exactly why and work to solve that problem. That will often involving stripping the passage down to bare elements - for example practice only right hand, or isolate a problematic arpeggio and make sure your left hand is arriving in a timely manner, or any number of other solutions.
You don't need to practice what you CAN play and you should not practice your mistakes.
Really, in a nutshell, figure out what is not great, and work on a systematic approach to solving that problem specifically.
In general practice terms, when you practice technical exercises, make sure you are actually working on something . When you play a scale, there are any number of specific areas you can work on such as rhythm, tone, dynamics, left/right hand coordination, etc. NEVER play a scale without thinking about what it is you are trying to achieve that particular time. You will never improve if you don't. |