I would've put this in off-topic were it not for the references to music.
I will present the disclaimer now: if you don't particularly care to hear the whinings of a mere 17 year old teen, please depart the page now.
Just kidding, haha.

No whining here, just some thoughts and a welcome for feedback.
My name is Sean, a humble teen musician from Virginia Beach, VA. Over the past couple years since I picked up bass, I have learned a few valuable lessons regarding both music and life, and have assessed certain things that I would like to happen in my future, and perhaps career-wise.
I have been able to discern three passions over the past few years that I have: music, water (as in swimming, sailing, and just the physical properties in general), and teaching. 2 of these I can see becoming a career, and all 3 a hobby.
I was originally thinking, as most "teen musicians" who fall under my category do, that I would like to "hit it big" as some sort of bass playing virtuoso, or something along those lines. Thankfully, I have had a few wise words not necessarily steering me away from this end, but asking me to reconsider, and that I have done to great extent.
Sure, I wouldn't mind too terribly having something like that happen in my future, honestly, who wouldn't? But looking at the world of music business out there made me think, "Geez, it's such a nasty and unpredictable place, where you 'make it' not necessarily by how good you are, but if you get in the right place at the right time. Do I really want to get wrapped up in that?"
The answer is no. If it fell in my lap? Sure. But I see trying to make that my only career option very much alike to buying lottery tickets every week as a career.
I've been thinking, then, about my biggest areas of interest and how I can use them to settle myself into perhaps a tad more concrete a career.
A couple things came to mind: scoring, composing, and being a teacher. All of them are honorable career paths, and I can get a jumpstart on any of them by doing one thing:
Attending music school. To keep this thread from becoming a mile long, I'll abridge this part as much as possible: I don't want something too deeply "classically" rooted (Julliard), although I do want something that has a certain amount of prestige to its name (MI?). I want to focus on a composition course rather than a performance course.
Any thoughts about anything said above are most certainly welcome.
Thanks for reading and listening. Keep the groove alive.
-Sean