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  #1  
Old 10-09-2006, 07:18 PM
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Tired of washed out pictures of your gear? Tutorial!

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Alright, then. I noticed in another thread, someone mentioned how the groove shoppe supplies such amazing pictures of their gear. I would like to help you all out, and get you some really great looking pics of your wooden children (pirates need not apply -- call a professional.). I will make this easy for everyone to understand, and compose it as though none of you have *any* previous photography skill or experience.

I will write this piece briefly, updating it over the next few days or so, because I'm a bit short on time for right now. This will not be the end-all thread for shooting frame-quality pics, but rather a good way for you to provide excellent shots for classified listings, or even just for general eye candy. Ready? Here goes.

1. Buy a tripod. This will allow you to have the camera steady and level at all times. this is especially important, because this brings us to our next point....

2. Turn off your flash! I cannot stress this enough. A flash will highlight a small area, and generally leave the rest dark. It also gives a great margin of error for reflection directly into the lens, causing a "burst" or lens flare effect. This is bad.
Example:

See how awful that looks? Trying to convince someone how beautiful that is in person is a stretch, at best.

if you are unsure of how to turn the flash off on your camera, consult your user's manual. It's generally VERY easy to do, and the results are extremely rewarding.

3. Now that you have a tripod, and the flash is off, mount the camera. When your flash is off, the camera will become subject to blurring, even from minor vibrations. Make sure the tripod is anchored flat, and won't move. from here, locate the "self-timer" setting. This allows you to set up a shot, press the button, and step back. Even so much as pressing the button to take the pic may blur your shot, so anything that can be done to avoid this is certainly your friend.

4. As is, you're pretty much set to start taking some pictures! But wait -- what about lighting? Snap a few shots to determine if the ambient lighting is sufficient to bring out detail in your shots. if it is, snap away. you will have plenty of opportunities later on to adjust lighting positions and intensity. If your pictures look good, you're very lucky.

5. Lighting -- this gets tricky. Typically, normal household incandescent lighting (read: lightbulbs) will tend to soften your colors, and give a somewhat yellowish tinge to your subject. I use GE Reveal bulbs, and the color is very good. I won't delve into buying bulbs with different color temperatures, because this really isn't necessary for joe blow taking guitar pictures. If you have previous experience, go ahead and experiment. I prefer using 5300k lighting from the front and sides, and occasionally a 6000k bulb out back. Ignore this if you don't have a clue what I'm talking about.

Cliff notes: GE Reveal bulbs are a great, inexpensive way to enhance detail and provide true color replication in your photos.

6. The "Hobo Light Tent" -- Light tents are used to diffuse direct lighting onto reflective, or even semi-reflective surfaces, and can (and are) still be useful for shooting matte surfaces. The easiest way to do this is find some white sheets. You can probably find some cheapo-ones from Kmart/target/WalMart, etc. Hang them around your instrument in a back/left side/right side orientation. Position some lighting on the outside of the sheets, and voila! You've got a cheap, effective light tent. you may choose to go to other lengths to build one, and the MAKE online blog has some great tutorials. (http://makezine.com/blog/)

Play with the distance of the lighting from the sheets, and make sure you are getting good light diffucion, but not TOO much. You don't want dark pictures. Those of you without Photoshop or other image editing programs, take note of how important this is, and how much your results may vary.

7. After all this nonsense, play around with the number of lights, distancing lights from the "tent", and distancing your "tent" from your instrument. Every setting will be different, so don't be afraid to move things around.

For right now, this should be good enough to get you on your way. In my next installment, I will provide you all with some instruction about other camera functions such as White Balance and Exposure Time. Without touching on these subjects right now, feel free to play around a bit with some settings on your camera, just to see what it can do. Your manual will provide a "Master Reset" command if you get stuck in a position where you don't know how to return to all of your normal settings.

And, as a quickie bonus, here's a quick pic I took. this is using NO TENT, with 8 GE Reveal bulbs (3 shaded) in my bedroom with a TV on. I performed a quick black+white level adjustment in Photoshop CS2, and made a quickie clipping path to edit out the background. It is by no means a great picture, but it is a LOT better than just some hack flash picture. I was able to setup lighting, take the pic, edit, save and upload in less than 10 minutes. It was taken using a Nikon Coolpix 7600 (no need for a $1200 DSLR, see?), with only the flash off and using the self-timer.


Any questions can be PM'ed to me, and I will do my best to respond to you very quickly.

Happy shooting!

--Phil


Edit: Per SuperDuck's suggestion,WIPE YOUR FINGERPRINTS OFF! It may seem like common sense, but it's pretty darn important. Imagine walking into Guitar Center and seeing 2 identical basses, but one is smudged -- which would you be more inclined to pick up first?
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Last edited by Yell03SpecV : 10-13-2006 at 01:21 PM.
  #2  
Old 10-09-2006, 07:30 PM
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In an era of low-rez camera phone pix, thank you for bringing beauty to bass depiction.
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  #3  
Old 10-09-2006, 08:31 PM
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Excellent post, I'm taking notes
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  #4  
Old 10-09-2006, 08:35 PM
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Hopefully tomorrow at work, I can use my light tent/box to snap a few shots of smaller gear, and then side-by side it with some typical "bad picture!" techniques.
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  #5  
Old 10-09-2006, 08:39 PM
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All good stuff. I have been experimenting with the same stuff. This kind of thing makes my crappy 2 megapixel camera take great shots.
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  #6  
Old 10-10-2006, 08:06 PM
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Very Cool!

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  #7  
Old 10-10-2006, 08:25 PM
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cool, I can see the tv was on in the reflection on that 4-string
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  #8  
Old 10-10-2006, 09:23 PM
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Quote:
Originally Posted by spudmaster34
cool, I can see the tv was on in the reflection on that 4-string

Right, which is the kind of thing you want to avoid. It just clutters up your focal point, and tends to detract from the bass overall.

For a quick picture, though, it's not too bad.
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  #9  
Old 10-10-2006, 09:26 PM
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Has anyone got access to the old photo tutorial that was put together by BunnyBass? It basically reinforced everything said by Yell03SpecV with lots of examples to help you along.

Edit:- I found it. Click on the link.

http://www.bunnybass.com/e-zine/phototips/intro.shtml
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Last edited by Petebass : 10-10-2006 at 09:31 PM.
  #10  
Old 10-10-2006, 09:30 PM
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I had figured there may be such a beast around here somewhere, but the recent spell of awful classifieds pics sparked my typing spree.
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  #11  
Old 10-10-2006, 11:37 PM
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thanks.
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  #12  
Old 10-11-2006, 05:31 PM
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If I may add just one thing to this well-written post, it would be to WIPE THE FINGERPRINTS OFF YOUR BASS!
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  #13  
Old 10-11-2006, 06:52 PM
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That post was Awesome!!!!!!, Ive been playing around with my new 6 mp camera with a 10x optical zoom and was just starting to look into this type of thing.....THANK YOU!!!!
  #14  
Old 10-13-2006, 08:15 AM
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This is great. Should be a sticky.
I'd repeat the advice to wipe off the finger prints.

IMHO in most cases you're better off indoors with controlled light than trying to photograph out doors in natural light, but that's just a general guide.

Buy a section of black cloth or a black table cloth to place behind the instrument. That can make life easy especially if you want to Photoshop in a background


Also, you can do some fun things with reflections. I set up a solid black bass across from a brick wall. Angled for the reflection and to keep the photographer out of the picture.
The result was subtle, this isn't the best shot, but you get the idea.


The idea of using the TV to privide a blue- or color-cast is a pretty cool.

Oh, and take a shot down the neck with the strings going to infinity if you must, just rest assured it's been done a million times before and really doesn't show off the guitar all that well.
  #15  
Old 10-13-2006, 12:32 PM
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Sucks for me because I have 11 foot ceilings, so the room light is too far away for good picture-taking lighting.
  #16  
Old 10-13-2006, 12:57 PM
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"Sucks for me because I have 11 foot ceilings, so the room light is too far away for good picture-taking lighting"

Check again Lefty. I have a cathedrel ceiling in the room where those, and other shots were taken. Combined natural and artifical light.

Depends on your camera. If you have control, open up a full or half stop

If you can't adjust EV, wait till you have more natural light in the room or try this: focus your camera on the darkest spot in the room, press the shutter button half way so the camera meters the light; then, with the button still halfway down, shift back to the guitars. That will leave the camera adjust for the lower light. May take a couple tries.
  #17  
Old 10-13-2006, 01:22 PM
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Quote:
Originally Posted by JohnBarr
Depends on your camera. If you have control, open up a full or half stop.

I will hopefully touch on this subject over the weekend.
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  #18  
Old 10-13-2006, 01:34 PM
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Quote:
Originally Posted by JohnBarr
Oh, and take a shot down the neck with the strings going to infinity if you must, just rest assured it's been done a million times before and really doesn't show off the guitar all that well.
While I agree and don't personally care about those pictures when trying to decide, I almost always take them. Because they do look cool, and a lot of the time what is going to move gear is how well it's marketed rather than how good the gear actually is.
  #19  
Old 10-13-2006, 01:49 PM
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Quote:
Originally Posted by msquared
While I agree and don't personally care about those pictures when trying to decide, I almost always take them. Because they do look cool, and a lot of the time what is going to move gear is how well it's marketed rather than how good the gear actually is.

Actually, those pictures are typically bad, and only appeal to a few. You get a very small focal point, and within that space is typically nothing of pleasing detail. Most people don't care what your string windings look like.... and that's usually all you see.


The only time this may be useful is to show that the neck is in good form.
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  #20  
Old 10-14-2006, 02:55 PM
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Quote:
Originally Posted by JohnBarr
wait till you have more natural light in the room
That's my other problem: I have very little natural light.

I basically live in a cave: 11 foot ceilings and only 10 feet wide floor. Gotta love NYC living. One window has an AC unit, and the other has some light that comes in. Of course, I have little floor space, so I have no room for lamps. All my pictures are terrible because of the flash.
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