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06-03-2006, 12:27 PM
| | Registered User | | Join Date: Jun 2005 Location: West-Flanders, Belgium | | | What to play 'on the way' to bass
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I'm thinking about enrolling into adult music academy classes (the typical way kids learn how to play music). Unfortunatly, they consider electric bass to be a 'jazz only' instrument. This means that I can only play classical instruments for 3 years and then I have to switch to 'jazz and light music' where I can play electric bass.
So now I'd have to pick an instrument to play for 3 years before I can start to play bass there (I've been playing bass for a couple of years so I won't be 'dropping' that, I'll just do something alongside it) My choices are:
1) guitar. I'm not really interested, but I have a cheap one laying about.
2) double bass. I'd stay with bass (which I prefer), but it would probably be classical playing. Advantage: I would start reading in the bass key which will help my bass playing.
3) something else. I could pick something radically different, but there's not much I'm interested in.
Any opinions? Instrument cost is not an issue because I can rent instruments. | 
06-03-2006, 12:30 PM
|  | I never worry. I'm fretless! DPA Endorses Audix Microphones | | Join Date: Mar 2005 Location: Bay Area, CA | | Quote: |
Originally Posted by JDT I'm thinking about enrolling into adult music academy classes (the typical way kids learn how to play music). Unfortunatly, they consider electric bass to be a 'jazz only' instrument. This means that I can only play classical instruments for 3 years and then I have to switch to 'jazz and light music' where I can play electric bass.
So now I'd have to pick an instrument to play for 3 years before I can start to play bass there (I've been playing bass for a couple of years so I won't be 'dropping' that, I'll just do something alongside it) My choices are:
1) guitar. I'm not really interested, but I have a cheap one laying about.
2) double bass. I'd stay with bass (which I prefer), but it would probably be classical playing. Advantage: I would start reading in the bass key which will help my bass playing.
3) something else. I could pick something radically different, but there's not much I'm interested in.
Any opinions? Instrument cost is not an issue because I can rent instruments. | I actually agree 100% with this type of training. I did 'classical' music from 6th grade until high school, and the background made the transition to jazz so much easier, since I had the solid fundamentals in music first, then I could learn how to groove.
If you can afford the DB, play DB.
If you can't, classical guitar will also improve your bass skills, since some of the techniques cross-over, and there is some pretty sweet stuff you can do on a classical guitar.
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-- Geoff
Bassist for Deer Park Avenue - Lakland Owner's Group #142 - Worship Bassist #95
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06-03-2006, 02:37 PM
| | Registered User | | Join Date: Jun 2005 Location: West-Flanders, Belgium | | | I can rent a DB from the school so cost of instrument is not an issue right now. | 
06-03-2006, 02:52 PM
| | Registered User | | Join Date: Mar 2006 Location: St. Louis // St. Charles, MO | | | I started with piano, then violin, finally switching to double bass so that I could play electric bass in the jazz band. So, I vote for the DB. The transition from DB to EB is pretty effortless, IMO.
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On Groove Duty
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06-03-2006, 03:03 PM
| | | | I've found learning guitar helps me gain a good deal of knowledge and chords.
But I've never tried DB. | 
06-03-2006, 03:03 PM
|  | Registered User | | Join Date: Jun 2004 Location: L.A., as in Lower Arkansas! | | | Go DB all the way! I would have certainly done this if I could have in school.
The theory, ear-training, and reading skills on DB will translate to great skills when switching to EB. Plus, you can always double and have the potential for 2x as many gigs!
dcr
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"...You can't please everyone, so you got to please yourself." --- Ricky Nelson
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Roscoe / Nordy / Markbass / Epifani
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06-03-2006, 09:55 PM
|  | No Longer Works a Day Job | | Join Date: Jun 2000 Location: USA | | | I say DB. Being a doubler has proven to be very valuable to me. Tonight i played a gig where most of the crowd has saw me play only bass guitar, cept-tonight, i was playing all upright. The looks on the faces of the audience members were priceless.
As far as the DB to BG stuff-don't try to use BG fingerings on the DB [at least in half position and such], as it won't work to well. However, if you think of them as two different instruments where the ideas carry over-it'd be very beneficial.
I doubt you'd be allowed to do this on a rental, but i recently put side dots [w/some white nail polish] on my DB. After i did that, all of a sudden all these ideas clicked together and i've made great progress.
So yeah-in my mind, and well-right about every professional bass player i've talked to, being a doubler is something that makes you a lot more marketable and opens you up to a lot more gigs. In the past week i've done blue grass, acoustic rock, 70's rock, fusion, bebop, and a few other styles of gigs/rehearsels. I like it.
take it easy.
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"A lunatic might just be a minority of one."-1984
Sadowsky Club #320
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06-03-2006, 10:29 PM
| | ...Bluesin' and Funkin' | | Join Date: Jul 2004 Location: Montreal, Quebec, Canada | | | DB. I wish I had a DB and someone to train me.
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