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09-07-2006, 06:49 AM
| | Registered User | | Join Date: Mar 2006 Location: Texas | | | What's up with YouTube?
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Has anyone else noticed when you search for bass vids on youtube all you get are slap slap and more slap? Not that there's anything wrong with slap, but dang, there isn't anything else on there!  | 
09-07-2006, 07:07 AM
|  | prefers electric miles davis | | Join Date: Apr 2005 Location: Los Angeles, CA | | | yeah im not a big slap fan either. try looking at videos of jamerson and rocco prestia. | 
09-07-2006, 07:15 AM
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09-07-2006, 07:24 AM
| | Registered User | | Join Date: Mar 2006 Location: Texas | | | You win just because he's not slapping..
You get extra points because of the explorer bass.. (My favorite bodystyle of all frickin time!!!!!) | 
09-07-2006, 07:28 AM
|  | Supporting Member | | Join Date: Mar 2002 Location: Ohio | | | Well, I think it is basically because, most "bassists" between the age of 14 and 25, who will be the heaviest Youtube users, seem to think that bass playing involves only slapping and wanking. Sure slap is a neat trick to have in the bag of tricks, and it fits very well with some music, but it is the most overused, overhyped, overdone technique out there. | 
09-07-2006, 07:33 AM
| | Registered User | | Join Date: Nov 2004 Location: North Dakota | | Quote: |
Originally Posted by cheezewiz Sure slap is a neat trick to have in the bag of tricks, and it fits very well with some music, but it is the most overused, overhyped, overdone technique out there. | Well said. | 
09-07-2006, 07:34 AM
| | Registered User | | Join Date: Mar 2006 Location: Texas | | Quote: |
Originally Posted by cheezewiz Well, I think it is basically because, most "bassists" between the age of 14 and 25, who will be the heaviest Youtube users, seem to think that bass playing involves only slapping and wanking. Sure slap is a neat trick to have in the bag of tricks, and it fits very well with some music, but it is the most overused, overhyped, overdone technique out there. | Well.. I'm 18 and I think slapping is for the birds.. I can't stand it.. and if it wasn't essential for me to know how to do.. I probably would have said screw it all.. But then again I'm a big metal-head which a lot of slap guys would laugh at me for that.
People these days don't seem to do enough. It seems like all I ever get anymore is slapping or straight-forward, boring, 1-note-humping basslines..... The variety is like.. dying out.. What ever happened to Jazz? Not like.. fusion.. but like that old-school stuff... man... | 
09-07-2006, 08:35 AM
|  | put a bird on it | | Join Date: Dec 2000 Location: Minnesota | | | yeah, the younger crowd seems to be convinced that doing some fast slap is the pinnicle of amazing bass playing. i think the guitar equivalent is being able to play along with either dream theatre or yngwie, because theres a lot of that on youtube as well. i think both slapping and 30K arpeggios in a minute are both techniques that can be impressive, but just very hard to use tastefully in a band setting (the slapping that the people do on youtube, not slapping in general) | 
09-07-2006, 09:12 AM
|  | Unprofessional TalkBass Contributor | | Join Date: Dec 1999 Location: Brighton, England, UK, Europe | | Quote: |
Originally Posted by superbassman2000 yeah, the younger crowd seems to be convinced that doing some fast slap is the pinnicle of amazing bass playing. | Yup I've got flak for saying this - but go into any music store and you will see some young kid convinced he's really impressing everybody with some poorly-played slap...
It's obviously all about impressing other people and not about music as such - whereas, as Cthulhu mentioned - I would actually be much more impressed to hear a nice slow, melodic, Jazz tune, done on bass! 
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09-07-2006, 09:21 AM
| | | Quote: |
Originally Posted by superbassman2000 yeah, the younger crowd seems to be convinced that doing some fast slap is the pinnicle of amazing bass playing. i think the guitar equivalent is being able to play along with either dream theatre or yngwie, because theres a lot of that on youtube as well. i think both slapping and 30K arpeggios in a minute are both techniques that can be impressive, but just very hard to use tastefully in a band setting (the slapping that the people do on youtube, not slapping in general) | +1 on this comment. I like to slap when I am trying to impress myself at home but rarely find places where it works in the band setting. Guess it all depends on the stuff you play too. Don't do much RHCP  | 
09-07-2006, 09:29 AM
| | | Quote: |
Originally Posted by _Cthulhu_ People these days don't seem to do enough. It seems like all I ever get anymore is slapping or straight-forward, boring, 1-note-humping basslines..... The variety is like.. dying out.. What ever happened to Jazz? Not like.. fusion.. but like that old-school stuff... man... | I was seldom happy with bass lines in the covers we did. Would almost always step them up a few notches. Hell if you'll just standing there laying down half notes on the root, your keyboard player could do that!  | 
09-07-2006, 11:07 AM
| | Registered User | | Join Date: Nov 2005 Location: Leander, Texas | | Quote: |
Originally Posted by _Cthulhu_ Well.. I'm 18 and I think slapping is for the birds.. I can't stand it.. and if it wasn't essential for me to know how to do.. I probably would have said screw it all.. But then again I'm a big metal-head which a lot of slap guys would laugh at me for that.
People these days don't seem to do enough. It seems like all I ever get anymore is slapping or straight-forward, boring, 1-note-humping basslines..... The variety is like.. dying out.. What ever happened to Jazz? Not like.. fusion.. but like that old-school stuff... man... | Well...play some!
Seriously...even though your focus is metal (which is cool; I like old-school metal), it couldn't hurt to try to delve into the world of old-school, straight-up jazz. You're young...you have time. And who are the best people to bring change? Young people!
I think old-school stuff is coming back. Look at bands like Quarles Barkley (soul) and Wolfmother (rock that sounds like the stuff we listened to in high school). So...why can't a young metal bassist experiment with jazz?
Cherie  | 
09-08-2006, 01:13 AM
| | Registered User | | Join Date: Aug 2004 Location: Adelaide, Australia | | | Hey Bruce, sorta OT, but is this the kind of thing you were talking about over in your Suggestion Box thread?
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09-08-2006, 06:51 AM
|  | Unprofessional TalkBass Contributor | | Join Date: Dec 1999 Location: Brighton, England, UK, Europe | | | No!
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“Making the simple complicated is commonplace; making the complicated simple, awesomely simple, that's creativity.” Charles Mingus | 
09-09-2006, 09:59 PM
| | | Here's some good slap: http://www.youtube.com/watch?v=xt2ro4rwYmQ
You've got to wait 4:00 for Larry to get his, but Stanley Clarke will funk you up in the meantime.
Larry Graham's allowed to thump and pluck all he wants, because he invented it. His slap isn't show off noodling, every note he plays is essential to his thang. And because he's a bad mutha. And because he has a microphone attached to his bass. | 
09-09-2006, 11:00 PM
| | Registered User | | Join Date: Aug 2006 Location: USA | | Slapping on the Bass is like Tapping on the Guitar.
A million Vidz out there...
monkey see , monkey do  | 
09-10-2006, 07:38 AM
| | Registered User | | Join Date: Aug 2004 Location: Texas | | Quote: |
Originally Posted by war_n_peace Slapping on the Bass is like Tapping on the Guitar.
A million Vidz out there...
monkey see , monkey do  | But there's good slap and tap and bad slap and tap and unfortunately the bad outnumbers the good.
BTW, the video of Stanley Clarke and Larry Graham is awesome. I love Larry's vibrato.
Last edited by Spector_Ray : 09-10-2006 at 07:41 AM.
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09-10-2006, 09:44 AM
| | Registered User | | Join Date: Feb 2006 Location: Saint John, Canada | | | slapping is just the bassist version of "high pitched wankery".
not a fan. | 
09-10-2006, 09:54 AM
| | Registered User | | Join Date: Dec 2004 Location: NYC & Vancouver, BC | | | It's an impressive technique that gives us an idiosyncratic quality, not to mention it's fun to play, as well as to learn. It does not hurt either that a couple of the most influential and reknowned bassists are incredible at the technique. The way I look at it as well, is anything that inspires any of us to pick up our bass and hit the shed is a good thing. | 
09-10-2006, 10:01 AM
| | Registered User | | Join Date: Sep 2005 Location: Springfield, MA | | Quote: |
Originally Posted by txbasschik I think old-school stuff is coming back. Look at bands like Quarles Barkley (soul) and Wolfmother (rock that sounds like the stuff we listened to in high school). So...why can't a young metal bassist experiment with jazz?
Cherie  | Not to mention that a lot of metal (Atheist, Cynic, Cryptopsy, Opeth-not stuff you would like, but still metal) takes plenty of influence from jazz. Experimenting with jazz will make your metal playing better.
Did I mention that Alex Skolnick from Testament plays in a jazz trio?
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