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10-04-2007, 09:55 AM
| | Registered User | | Join Date: Apr 2003 Location: PR of Greenbelt, MD | | | What's your Musico- Biological Imperative?
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A friend of mine describes this hi-falutin term to mean songs or sections of songs "...that reach beyond the scope of intellect, musical analysis, and even conscious thought into the realm of music that bypasses the brain and goes straight to the body, causing nerves and muscles to respond on their own."
Three examples of this I can think offhand of are:
The snare drum roll in Sly and the Family Stone's "Dance to the Music";
The sax intro to Marvin Gaye's "What's Going On";
The bass intro to the Allman Brothers' "Whipping Post."
The whole horn section on Paul Simon's "Late In The Evening."
Go ahead - post your favorirtes here.
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+= unbasslichkeit =+ Quote:
Originally Posted by plangentmusic  I hope you have an ugly wife, otherwise you may have to die. |
Last edited by unbasslichkeit : 10-05-2007 at 12:04 PM.
Reason: another idea
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10-04-2007, 10:03 AM
|  | Deteriorating faster than I can lower my standards | | Join Date: Jan 2006 Location: Frederick MD USA | | | The phat New Orleans groove of the Neville Brothers.
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10-04-2007, 11:06 AM
|  | TalkBass' resident Bongo + Cowbell player | | Join Date: Nov 2000 Location: Bucaramanga, Colombia, South A | | | - The synth (middle) section of Rush's "YYZ". |
10-04-2007, 11:23 AM
| | Registered User | | Join Date: Jun 2005 Location: Boulder, Colorado | | | The funky, unrelated little ditty that comes before the actual song "American Woman" ("Amercan woman..gonna mess your mind").
The decending string bends that end Ritchie Blackmore's solo in "Smoke on the Water"
The last note in the guitar solo of "Takin' Care of Business" which is flat (or sharp - not sure) and drives me insane because of that.
The ending harmonic "E" note George Harrison plays on the "Nowhere Man" solo.
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10-04-2007, 11:43 AM
| | Registered User | | Join Date: Mar 2006 Location: St. Louis // St. Charles, MO | | | "HEY!.... I feel good"
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On Groove Duty
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10-04-2007, 01:02 PM
| | Registered User | | Join Date: Jun 2007 Location: Lanzarote, Cannary Islands | | If you friend could devise that term  and the explanation you need to be a good buddy and find him some help |
10-04-2007, 01:45 PM
|  | The Lowdown Diggler | | Join Date: Apr 2006 Location: Huntington Beach, CA | | | Shine On You Crazy Diamond. |
10-04-2007, 02:55 PM
| | Registered User | | Join Date: Feb 2005 Location: Limerick, Ireland. | | | The second guitar solo in Comfortably numb.
The outro to Opeth's Deliverance (from about 9.30 on)
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10-04-2007, 03:51 PM
| | Registered User | | Join Date: Aug 2007 Location: Big Island | | Ian Gillian's vocals on "Sweet Child in Time" (Made in Japan version). The screaching crying part!  
I really like that song!
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10-04-2007, 04:44 PM
|  | Registered User | | Join Date: Jun 2005 Location: Fayetteville, NC | | | Maceo's "Shake Everything you Got/Southwick"
Erykah Badu's "Didnt Cha Know"
The guitar intro on Foo Fighters "All My Life"
The Keyboard intro to Joshua Redmans "Boogielastic"
__________________ Quote:
Originally Posted by jmattbassplaya Agreed.
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10-04-2007, 06:37 PM
| | Registered User | | Join Date: Jul 2007 Location: Toronto, ON | | | the ending bit of the live version of "March of the Pigs" made me instantly go absolutely nuts when I was 16... I think we all walked out of that show a bit more bloody and bruised than when we came in. |
10-05-2007, 06:57 AM
| | Registered User | | Join Date: Jun 2005 Location: Boulder, Colorado | | | Janis Joplin's laughing at the end of that "Oh Lord, won't you buy me a mercedes benz" song.
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10-05-2007, 07:28 AM
| | Registered User | | Join Date: Aug 2007 Location: Hampshire, UK | | | the keyboard on Liquidator - Harry J & The All Stars |
10-06-2007, 01:59 AM
| | Registered User | | Join Date: Apr 2007 Location: Rochester, NY/Los Angeles, CA | | | Guitar solo on Limelight. |
10-06-2007, 08:38 AM
| | Registered User | | Join Date: Jul 2000 Location: Northern VA | | | The horn part in Dusty Springfield's "Son of a Preacher Man." Greatest two notes ever played! |
10-06-2007, 09:03 AM
| | | | The solo break in Oleta Adams' "Get Here If You Can"...... |
10-06-2007, 09:36 AM
| | Registered User | | Join Date: Jun 2005 Location: Boulder, Colorado | | | The little blues riff BB King plays on the song "When Love Comes To Town" with U (yuck) 2, who sound like whimpy little white boys trying to hang out where they don't belong.
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10-29-2007, 09:39 PM
| | Registered User | | Join Date: Jun 2007 Location: Lanzarote, Cannary Islands | | | After Some Thought
I've had to think about this because there's so much out there to call on, but here goes.
1. The opening guitar note from 'The Supernatural' by Gary
Moore off the album Blues for Greeny. I believe he used
Peter Greens guitar for the recording.
2. The Bass on 'Hell Ain't A Bad Place To Be' from the AC/DC
album If You Want Blood You Got It.
3. The 'Cocain' track off Just One Night by Clapton.
There's just too much, I'd be here for a week if I put all down. |
10-30-2007, 10:26 PM
|  | It's time for Dodger baseball! | | Join Date: Jan 2006 Location: Mentone Beach | | | When the horns come in on the outro of Percy Sledge's "When a Man Loves a Woman." Sends shivers down my spine every time I hear it.
At the other end of the spectrum, the guitar solo on "Beyond the Realms of Death" by Judas Priest. The tone is perfect, imho, and I close my eyes and trance out on a 90 second musical journey.
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Last edited by steamthief : 10-30-2007 at 10:32 PM.
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10-30-2007, 11:08 PM
| | Registered User
Endorsing Artist: Karl Hoyt Basses | | Join Date: Jun 2003 Location: upstate NY | | | The Who - Baba O'Reilly, you all know the moment I'm talking about. It set the benchmark for Rock n Roll scream.
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