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05-20-2004, 02:02 PM
| | Registered User | | Join Date: Nov 2000 Location: Lee's Summit, MO | | | Why 5 basses for a gig?
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Here's a question that's bugged me for some time....
While at a Lucinda Williams concert a while back, I was (of course) impressed that the bass player (what's his name?) changed basses like every 2 songs. He must have had about 5-7 basses with him. Most were Fender-like (I remember a Sadowsky Jazz). My question....WHY? I've been playing bass for about 10 years now, and I can't fathom owning that many basses, let alone having that many on the road with me, even if I had roadies! And be honest now, for live gigs, there's really not that big of a difference in how these instruments sound (recording might change things a bit). It's not like on one song he needs a Marcus Miller sound, and the next a reggae sound, and the next Flea, and the next Jamerson.
What do you thin? | 
05-20-2004, 02:10 PM
| | Guest | | Join Date: Nov 2003 Location: Westminster Ca. | | | Maybe he just wanted to.
Thats a good reason to do anything...
Maybe he has better ears than you and Can hear a PENOMINAL difference. | 
05-20-2004, 02:10 PM
| | banned | | Join Date: Sep 2003 Location: NYC, LI too | | | Don't know, but I'll guess...
1st reason-
some basses tuned differently
2nd reason-
different tone possibilites
3rd reason-
back up basses, unless he/she uses em all
The tech for this guy was in bass player zine a while back. I have the issue if ya really want to know. | 
05-20-2004, 02:14 PM
| | Banned | | Join Date: Jul 2003 Location: Bilbao Espaņa | | | diferent tunings in every bass might be one reason, remember that a 4 tunned CGCF needs a heavy gauge string to tune it down (or up if you use a LB string as the fourth) to C or other tunnings like d#g#c#f# requiere multiple string tunning | 
05-20-2004, 02:17 PM
|  | Registered User Endorsing Artist: see profile | | Join Date: Feb 2002 Location: toms_river.nj.us | | | in an ideal roady assisted world...
I think 3 to 5 would be fine.
1.) main fretless
2.) main fretted
3.) EUB and/or backup fretless and/or backup fretted
I have spent the better part of the last 20 years humping one bass with spare batteries and strings to gigs. I've never actually taken more then 3 basses to a gig EVER! | 
05-20-2004, 02:17 PM
| | Guest | | Join Date: Nov 2003 Location: Westminster Ca. | | | Victor Wooten plays with 3 basses.
A standard 4 Tuned E-A-D-G
A Tenor 4 Tuned A-D-G-C
A Tenor 5 Tuned E-A-D-G-C | 
05-20-2004, 02:20 PM
| | Vorsprung durch Technik | | Join Date: Sep 2000 Location: Cologne, Germany | | Quote: |
Originally Posted by BustinJustin Don't know, but I'll guess...
1st reason-
some basses tuned differently
2nd reason-
different tone possibilites
3rd reason-
back up basses, unless he/she uses em all
The tech for this guy was in bass player zine a while back. I have the issue if ya really want to know. | 4th reason-
because he can 
__________________ "El sueno de la razon produce monstruos." "The sleep of reason brings forth monsters."
Francisco
Goya | 
05-20-2004, 02:20 PM
| | | Quote: |
Originally Posted by Funkize you Victor Wooten plays with 3 basses.
A standard 4 Tuned E-A-D-G
A Tenor 4 Tuned A-D-G-C
A Tenor 5 Tuned E-A-D-G-C | Well, he has more than that. On the "Live at the Quick" DVD, he plays his Compito fretless fiver, which is tuned BEADG. I know he has more also. | 
05-20-2004, 02:35 PM
| | Supporting Member | | Join Date: Nov 2000 Location: The land of chicken fried funk | | | Yeah, like JMX says - "Because he can."
It's nice to have an array of instruments as wide as a Chinese restaurant menu when someone else is being paid schlepping in all that gear for you!
But, I know where you're coming from, Mark --- give me two basses that are a tad different, tonally, and use them as appropriate, (sometimes, they're tuned differently as well, qas others have mentioned). Different pups and woods are something the audience can often perceive with a fine sound system.
__________________
rick
- I see sound
"Change the bass player, change the engine room." - Keith Richards
"Learn the rules so you know how to break them properly" - Dalai Lama
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05-20-2004, 02:36 PM
|  | Fingers, pick, and a little bit of slap | | Join Date: Dec 2001 Location: Terrapin country (Crofton, MD) | | 5th reason: to provide proper accessorization for wardrobe changes (and/or malfunctions  ) | 
05-20-2004, 02:38 PM
|  | Fingers, pick, and a little bit of slap | | Join Date: Dec 2001 Location: Terrapin country (Crofton, MD) | | | Seriously: a large arsenal such as that might might provide fretted and fretless, various numbers of strings and/or tunings, flatwounds and roundwounds, (semi-)hollowbody and solidbody, etc etc. | 
05-20-2004, 02:39 PM
| | Guest | | Join Date: Nov 2003 Location: Westminster Ca. | | | Yeah, Victor has LOTS of basses, and Depending on what he wants I guess He will bring along Many, I have only seen those basses, but I am sure he has lots more... | 
05-20-2004, 02:46 PM
|  | Registered User | | Join Date: Feb 2003 Location: Nashville, TN | | | Also it looks a little unprofessional tuning your bass onstage at that level (muted of course). Artists like to jump into each song and don't want to wait for someone to tune. They just pass it off to the tech to tune and rotate another bass in for a couple of songs (on top of the other reasons mentioned). | 
05-20-2004, 02:49 PM
| | Registered User | | Join Date: Jul 2003 Location: Central Ohio! | | | Yea, its not like bassists are into showing off thier toys...
The functional reason would be,,, diff tuning. BUT, he just wants to... | 
05-20-2004, 02:54 PM
| | Jamming Econo | | Join Date: Apr 2003 Location: Toronto, Ont. Canada | | Quote: |
Originally Posted by masmasbasso Also it looks a little unprofessional tuning your bass onstage at that level (muted of course). Artists like to jump into each song and don't want to wait for someone to tune. They just pass it off to the tech to tune and rotate another bass in for a couple of songs (on top of the other reasons mentioned). | All true. To add to that, if the player prefers *brand new* strings, then they may slip a tad out of tune in the first few songs, hence hte need to keep changing basses all the time.
Back in the day when I had my own bass tech I toured and played live with 7 basses, and didnt use alternate tunings. But they were all different (Acoustic bass, 4, 5, 4 fretless, 6, 8, and my backup 5). Why? Because I could.
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05-20-2004, 03:00 PM
| | Guest | | Join Date: Nov 2003 Location: Westminster Ca. | | | What? They are already Pre-Tuned, they just pick up the Piccolo Bass, or the Tenor 5 string, they dont start blatently tuning the bass on stage!?!?!? Thats why they have more than one... | 
05-20-2004, 03:03 PM
| | Registered User | | Join Date: Mar 2004 Location: Ellensburg, WA, USA | | The sound. I didn't realize how different various basses can sound in the mix with the band. Went to a local show and the guy had a schecter or something similar through the whole show, nice n' thumpy. Then he switched to a p-bass that was insanely growly with lots of mids. It completely changed the mood of the show.
But yes, 5 is overdoing it  . | 
05-20-2004, 03:09 PM
| | Supporting Member | | Join Date: Nov 2000 Location: The land of chicken fried funk | | | Come to think of it - ever seen how many brushes and tubes of paint some artists have available to use on their canvas ???...same principal, in a way.
__________________
rick
- I see sound
"Change the bass player, change the engine room." - Keith Richards
"Learn the rules so you know how to break them properly" - Dalai Lama
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05-20-2004, 03:11 PM
|  | Registered User | | Join Date: Apr 2002 Location: Tampa Bay | | | I used to bring 3 basses to my gigs with my old band. 4 would have been better.
I used different basses so I could go from song to song withut retuning.
I used my 4 tunned to BEADG for a songs which required a lot of movement across the board.
I used a four tunned DGCF for songs where my guitarist was in drop D and I had moderate movement across the board. Keeping the intervals and relative note positions across the strings the same made it easier to move around.
I used a four tuned DADG for songs where my guitarist was in drop D but involved a lot of jumps from fretted to open notes. Mostly covers of other bands music.
I re-tuned the DADG bass to EADG for a song I wrote most of where the guitarist was in standard.
It would have taken too much time to stop to retune my basses and I had each bass set up for the tunning it was mainly used in. We did a lot of switching from one song to another without any real pauses.
Peace
Nick | 
05-20-2004, 03:26 PM
|  | Registered User | | Join Date: Jul 2001 Location: Hunts-Vegas, Alabama | | Quote: |
Originally Posted by JMX 4th reason-
because he can  | Exactly!!
Why worry about the "whys"????
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WTB: Peavey TL-Five & TL-Six first gen basses.
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