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  #1  
Old 05-20-2004, 02:02 PM
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Why 5 basses for a gig?

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Here's a question that's bugged me for some time....

While at a Lucinda Williams concert a while back, I was (of course) impressed that the bass player (what's his name?) changed basses like every 2 songs. He must have had about 5-7 basses with him. Most were Fender-like (I remember a Sadowsky Jazz). My question....WHY? I've been playing bass for about 10 years now, and I can't fathom owning that many basses, let alone having that many on the road with me, even if I had roadies! And be honest now, for live gigs, there's really not that big of a difference in how these instruments sound (recording might change things a bit). It's not like on one song he needs a Marcus Miller sound, and the next a reggae sound, and the next Flea, and the next Jamerson.

What do you thin?
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  #2  
Old 05-20-2004, 02:10 PM
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Maybe he just wanted to.

Thats a good reason to do anything...

Maybe he has better ears than you and Can hear a PENOMINAL difference.
  #3  
Old 05-20-2004, 02:10 PM
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Don't know, but I'll guess...

1st reason-
some basses tuned differently

2nd reason-
different tone possibilites

3rd reason-
back up basses, unless he/she uses em all

The tech for this guy was in bass player zine a while back. I have the issue if ya really want to know.
  #4  
Old 05-20-2004, 02:14 PM
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diferent tunings in every bass might be one reason, remember that a 4 tunned CGCF needs a heavy gauge string to tune it down (or up if you use a LB string as the fourth) to C or other tunnings like d#g#c#f# requiere multiple string tunning
  #5  
Old 05-20-2004, 02:17 PM
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in an ideal roady assisted world...

I think 3 to 5 would be fine.

1.) main fretless
2.) main fretted
3.) EUB and/or backup fretless and/or backup fretted

I have spent the better part of the last 20 years humping one bass with spare batteries and strings to gigs. I've never actually taken more then 3 basses to a gig EVER!
  #6  
Old 05-20-2004, 02:17 PM
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Victor Wooten plays with 3 basses.
A standard 4 Tuned E-A-D-G
A Tenor 4 Tuned A-D-G-C
A Tenor 5 Tuned E-A-D-G-C
  #7  
Old 05-20-2004, 02:20 PM
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Quote:
Originally Posted by BustinJustin
Don't know, but I'll guess...

1st reason-
some basses tuned differently

2nd reason-
different tone possibilites

3rd reason-
back up basses, unless he/she uses em all

The tech for this guy was in bass player zine a while back. I have the issue if ya really want to know.
4th reason-
because he can
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  #8  
Old 05-20-2004, 02:20 PM
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Quote:
Originally Posted by Funkize you
Victor Wooten plays with 3 basses.
A standard 4 Tuned E-A-D-G
A Tenor 4 Tuned A-D-G-C
A Tenor 5 Tuned E-A-D-G-C
Well, he has more than that. On the "Live at the Quick" DVD, he plays his Compito fretless fiver, which is tuned BEADG. I know he has more also.
  #9  
Old 05-20-2004, 02:35 PM
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Yeah, like JMX says - "Because he can."

It's nice to have an array of instruments as wide as a Chinese restaurant menu when someone else is being paid schlepping in all that gear for you!

But, I know where you're coming from, Mark --- give me two basses that are a tad different, tonally, and use them as appropriate, (sometimes, they're tuned differently as well, qas others have mentioned). Different pups and woods are something the audience can often perceive with a fine sound system.
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  #10  
Old 05-20-2004, 02:36 PM
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5th reason: to provide proper accessorization for wardrobe changes (and/or malfunctions )
  #11  
Old 05-20-2004, 02:38 PM
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Seriously: a large arsenal such as that might might provide fretted and fretless, various numbers of strings and/or tunings, flatwounds and roundwounds, (semi-)hollowbody and solidbody, etc etc.
  #12  
Old 05-20-2004, 02:39 PM
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Yeah, Victor has LOTS of basses, and Depending on what he wants I guess He will bring along Many, I have only seen those basses, but I am sure he has lots more...
  #13  
Old 05-20-2004, 02:46 PM
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Also it looks a little unprofessional tuning your bass onstage at that level (muted of course). Artists like to jump into each song and don't want to wait for someone to tune. They just pass it off to the tech to tune and rotate another bass in for a couple of songs (on top of the other reasons mentioned).
  #14  
Old 05-20-2004, 02:49 PM
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Yea, its not like bassists are into showing off thier toys...

The functional reason would be,,, diff tuning. BUT, he just wants to...
  #15  
Old 05-20-2004, 02:54 PM
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Quote:
Originally Posted by masmasbasso
Also it looks a little unprofessional tuning your bass onstage at that level (muted of course). Artists like to jump into each song and don't want to wait for someone to tune. They just pass it off to the tech to tune and rotate another bass in for a couple of songs (on top of the other reasons mentioned).
All true. To add to that, if the player prefers *brand new* strings, then they may slip a tad out of tune in the first few songs, hence hte need to keep changing basses all the time.

Back in the day when I had my own bass tech I toured and played live with 7 basses, and didnt use alternate tunings. But they were all different (Acoustic bass, 4, 5, 4 fretless, 6, 8, and my backup 5). Why? Because I could.
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  #16  
Old 05-20-2004, 03:00 PM
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What? They are already Pre-Tuned, they just pick up the Piccolo Bass, or the Tenor 5 string, they dont start blatently tuning the bass on stage!?!?!? Thats why they have more than one...
  #17  
Old 05-20-2004, 03:03 PM
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The sound. I didn't realize how different various basses can sound in the mix with the band. Went to a local show and the guy had a schecter or something similar through the whole show, nice n' thumpy. Then he switched to a p-bass that was insanely growly with lots of mids. It completely changed the mood of the show.

But yes, 5 is overdoing it .
  #18  
Old 05-20-2004, 03:09 PM
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Come to think of it - ever seen how many brushes and tubes of paint some artists have available to use on their canvas ???...same principal, in a way.
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  #19  
Old 05-20-2004, 03:11 PM
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I used to bring 3 basses to my gigs with my old band. 4 would have been better.

I used different basses so I could go from song to song withut retuning.

I used my 4 tunned to BEADG for a songs which required a lot of movement across the board.

I used a four tunned DGCF for songs where my guitarist was in drop D and I had moderate movement across the board. Keeping the intervals and relative note positions across the strings the same made it easier to move around.

I used a four tuned DADG for songs where my guitarist was in drop D but involved a lot of jumps from fretted to open notes. Mostly covers of other bands music.

I re-tuned the DADG bass to EADG for a song I wrote most of where the guitarist was in standard.

It would have taken too much time to stop to retune my basses and I had each bass set up for the tunning it was mainly used in. We did a lot of switching from one song to another without any real pauses.

Peace
Nick
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  #20  
Old 05-20-2004, 03:26 PM
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Thumbs up

Quote:
Originally Posted by JMX
4th reason-
because he can
Exactly!!

Why worry about the "whys"????
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