Quote:
Originally posted by Limezone Thanks Ed,
That's exactly the kind of feedback I was looking for.
I am interested in taking advantage of the insurance and pension benefits. As well as exploring the MPTF, that is the main reason my partner (saxaphonist, Paul Bobitz) is encouraging me to join.
Don, maybe you should lay off the caffine for a day or two. |
there is also a new contract available for casual gigs that you can use to pay yourself and bandmembers pension. call the local, they should know and for some reason they don't, call the Federation in new york - (800) 762-3444....before you had to use a locally negotiated contract, national contract or you had to be incorporated. now you just use the fill in the blank contract. if you want to learn about how the pension works, PM me.
on another note....
the union has really helped in the latin recording field. in san antonio, the Federation (after a long campaign) had worked with US legislators to hold a field hearing in regard to what three of the big five record labels were doing to the studio musicians that recorded on albums. the labels were only paying on a buy out basis per tune (sometimes as little as $50 per tune, that's it).
what happened is a few congressmembers scared the lousy ass labels in signing the sound recording labor agreement. now the big five latin record labels pay union wages (before you didn't get pension, h & w, special payments for five years and more money for new use).
two well know studio musicians testified -
Ed Calle and Oscar Cartaya (if you need to see who they have recorded for, just go to
www.allmusic.com and enter the names)
others were locals from san antonio and labor leaders from through out the country.
does this look like the union is powerless? nope
does the union work for me?- yup!
can it work for you? - yup, but you should get edumacated about it first! it took me awhile.
it's a great tool in my toolbox.
