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  #1  
Old 11-19-2008, 10:23 PM
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Join Date: Apr 2003
Location: Los Angeles, CA
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Capital City Symphony (DC)

I went back to Washington DC recently for a friend's sixtieth birthday. She and her husband and I had all been at Georgetown University together as undergraduates and had remained fairly close over the last forty years. It was a very elegant, warm affair, and the next day more of us old-timers got together with our old drama prof (who now runs DC's National Theatre) for another evening of libation-fueled reminiscing.

Then, on Sunday afternoon, I went by myself to a children's concert of the Capital City Symphony. The CCS is the current version of the Georgetown Symphony Orchestra that I founded as a freshman at Georgetown, and conducted from 1967 to 1971. In 2006 the Symphony left the University (for a variety of reasons) and finally found a new home at the Atlas Arts Center (a converted movie theatre) across town in Northeast Washington. Now under its fourth music director, with a major board and budget, the CCS, while still a community orchestra, borders on near-professional playing.

My first concert with the Georgetown Symphony was supposed to have been April 5, 1968 - the day after Martin Luther King was shot. Washington, of course, was up in flames and the concert had to be postponed for a month or so. How appropriate is it now, forty years later, that the Symphony has a home in center of "the corridor" that still shows the ravages of those events.

There was one violinist Sunday who had been with the orchestra all forty years. He had started out while a student at the GU Dental school, met his wife (also a violinist) in the orchestra and raised a family of three young musicians. We shook hands and reminisced and he showed me his violin.

"Captain Gilbert sold me this violin. He told me, "Save your money, 'cause I'm going to sell you my violin when I stop playing. And keep saving your money, because next year I'm going to sell you my bow."

Capt. Gilbert must have been in his seventies when I was conducting (he's the violinist closest to the bass drum in the picture). He was a true Southern Gentleman and rabid George Tech alumnus, who lived in Georgetown with his beloved wife Edith and drove a Rolls Royce the few blocks up "O" Street from his mansion to Gaston Hall on the GU campus where we rehearsed. Although I didn't ask, I'm willing to bet that whatever he charged for the violin wasn't even close to its market price. It's a very good fiddle.

Before going back up onto the stage to join the other musicians, he told me he planned to sell the violin to one of the younger players in the orchestra when he stopped playing. "This violin belongs with this orchestra," he said.

They played a program about water for the children's concert: Handel's "Water Music," Alan Hovhaness' "And God Created Whales," Smetana's "Moldau" etc. Not easy stuff - and not condescending for children. And, as I said, they play it well.

I've had little do do with the Orchestra since leaving in 1971. I went back in 1989 to conduct at the GU Bicentennial (and that was almost twenty years ago!). They've done it. They've kept Captain Gilbert's violin playing in the orchestra. I might have started it all, but they've kept it playing. Remarkable.
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  #2  
Old 11-20-2008, 05:05 AM
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Join Date: Oct 2007
Location: Boston, MA
Great story. Thanks for taking us there.

I grew up, mostly, in and around D.C. Went to the Georgetown library to study when in high school. Was living in Langley Park, MD, when the city burned.

Its an interesting area in many ways and you have shared a wonderful story with us. Thanks for letting us look into this bit of history that you know so well.

Last edited by Eric Swanson : 11-22-2008 at 10:33 AM.
  #3  
Old 11-22-2008, 07:04 AM
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Join Date: Mar 2007
Location: Madison, WI/Indianapolis, IN
Quote:
Originally Posted by LouisF View Post
Alan Hovhaness' "And God Created Whales,"
I didnt know any one else had ever played that piece, its really interestng and I'm lucky enough to have already played it in my short career.

Its a great story that you have here, you should put it down in a longer form. It's not often that people can so clearly chart the history or an orchestra, especially with such a center piece such as the violin. Its really cool that you got to see all of that unfold.
  #4  
Old 11-22-2008, 09:45 PM
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Join Date: Apr 2003
Location: Los Angeles, CA
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Thanks, both. It was really quite an amazing afternoon. Eric, I go back to the days when the NSO was under Howard Mitchell and playing in DAR Hall - between Rostropovich and Dorati (who was nice enough to come to one of my concerts once) it's become a different city musically, culturally (and now I hope, politically). I was at the opening night of the Kennedy Center (1970 - I think) for the first performance of Berstein's Mass. That was a night!

What was fascinating, Eli was to see these little kids just suck the Hovhaness up (they did it with background video of whales leaping - or whatever the right term is). Victoria Gau is the conductor and she's done a great job with them.

Maybe a longer piece when I get finished with the current writing projects. Thanks for the feedback.

Louis
  #5  
Old 12-01-2008, 10:16 PM
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Join Date: Nov 2004
Location: Chicago
Thanks for sharing this story Louis.

Every so often, when I read a series of doom and gloom predictions that classical/orchestral music is dead, stories like yours remind me that there are many folks out there devoted to the music and to sharing it with others. These amateur musicians are very serious about their playing and constantly strive to present performances of great beauty and meaning to others. By offering programs such as the one described above, they reveal the music to many who would most likely not have ever heard it. Hopefully, some of these young listeners will be bitten by the music bug, and learn how to play instruments.

Heck . . . it will get some of these basses in the Classifieds sold.
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