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11-30-2004, 05:54 PM
| | Registered User | | Join Date: Nov 2004 Location: Winston- Salem, North Carolina | | | Jazz or Classical Degree? As of right now, I'm a junior in high school looking at music schools. I have a handful of schools that I wouldn't mind going to, but I'm not sure if I should focus more on jazz or classical training. I've heard great things about both, and enjoy playing both. Also, does it matter what you studied once you get out of school?
Any opinions or responses will be much appreciated.
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11-30-2004, 08:41 PM
| | Registered User | | Join Date: Nov 2001 Location: Maui | | | If I could rewind, I'd go for the classical training in a second. The jazz will find its way to the surface either way, in my experience, and people have actually debated whether or not jazz can even be taught (I dunno, and I don't wanna restart that debate). I personally would love to have the advantage of good classical double bass technique. Just my .02, YMMV. | 
11-30-2004, 10:14 PM
|  | Student of Life Forum Administrator | | Join Date: Oct 2000 Location: Louisville, KY | | | I'd go to a school that offers both. If you are studying classical, the chances are good that you'll be able to play in a jazz ensemble or combo at some point. The same cannot as often be said in reverse. But the real question is, which one speaks to you the most? Which one grabs you by the front of the shirt and says,
"do this"? Answer that question, and your decision is made already. | 
12-01-2004, 09:12 AM
| | Registered User | | Join Date: May 2000 Location: Plano, TX | | | If neither "grabs you," as Chris put it, I'd suggest the classical training. I share Marcus's feeling that the jazz will still be there either way, but there's just something about bow studies that seems to really help tame the (double)beast. | 
12-01-2004, 10:29 AM
| | Registered User | | Join Date: Nov 2004 Location: Winston- Salem, North Carolina | | | Thanks to all of you. Both grab at me, but at different ways. If I'm playing in an orchestra and it's a song I like, there's nothing like it. On the other hand, playing with a jazz band (I've only performed with my high school jazz band, but mess around with other musicians on a weekly basis) is a lot more...engergetic? (for lack of a better term) . I think what I'll end up doing is studying classical, but playing in jazz ensembles. Maybe even finding a local jazz player to give me lessons... | 
12-01-2004, 10:36 AM
|  | Student of Life Forum Administrator | | Join Date: Oct 2000 Location: Louisville, KY | | | If you'll fill out your profile and let us know where you are, it may be that someone could suggest schools in your area that offer both. Also, if you would include what your "travel radius" is in terms of how far from home you are willing/able to travel for school, that might be useful. | 
12-01-2004, 05:46 PM
| | Registered User | | Join Date: Nov 2004 Location: Winston- Salem, North Carolina | | | Sorry about that. I'm in Winston- Salem North Carolina. In state I'm looking at N.C. School of the Arts and UNC-Greensboro (with Steve Haines). My travel radius is pretty much anywhere east of the Midwest/Texas area. | 
12-03-2004, 11:23 AM
| | Registered User | | Join Date: Dec 1999 Location: NYC | | Quote: |
Originally Posted by mingus_dew Also, does it matter what you studied once you get out of school? | Well, no and yes. It's going to be hard to network jazz gigs at a legit school and legit gigs at a jazz school. If you are a stone happening jazz player right now, first call for all the gigs in your local area, playing in the rhythm section for major artists who come through town, then moving to a major metropolitan area that has a thriving jazz scene AND a legit school you can maintain and develop your jazz network by doing gigs and sessions while you develop and maintain a legit network while going to school. I've run into quite a number of bassists from Juilliard (pre jazz program), Mannes etc that are on the legit track at school but do jazz gigs because that's what they were doing before they started studying legit.
Bottom line is, if you are absolutely burning in either genre/field, people will listen. But you have to be more than just competent, there's LOTS of good bassists in either field out in the world.
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