| Yeah, it's fairly normal. Don't mean to be flippant, but when you go up in markets like that and when you're new, it can be a tough hump to get over. Japan has a pretty serious jazz scene, I understand.
A couple of pieces of advice. You said that the sessions were your only musical outlet. PRACTICE! Play with recordings, transcribe. Take the opportunity to woodshed.
Second, this sounds obvious, but if you're coming apart in your solo, practice soloing. Take 10 tunes (you've got lots of time), learn the heads, learn the changes and practice soloing. I used to hate to solo on A Night in Tunisia, then duh, I spent a couple of hours in the basement playing "a night in tunisia", I listened to as many recordings as I could. I played along to get the feel, played the melody and that bass riff, then I improvized for hours on it. I have no idea why I had to learn to do that, but I did and maybe it's an idea for you too. Sure, we improvise, but we shouldn't practice on stage. We should play onstage what we've practiced.
That being said, you will have to read down and tune or two at a session. If you go to the same sessions, look for patterns of what they call and try to learn those tunes. When you go up to play, see if you can steer the call to something you've been practicing. Have 5 or 6 tunes in mind that you are most comfortable with when you go up there. "how about ____________?" It's key if you want to put your best foot forward.
Be humble, but don't get down on yourself if this is something that you want to do. It is a painful break in period. Don't misrepresent yourself. Be honest about where you are and appreciative of the opportunity to jam and keep going back.
And don't be a JAMF.
Last edited by TroyK : 10-28-2008 at 10:55 AM.
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