| First night gigging with my T-40.
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Last night my band, Vincible, opened for Remedy Drive. not a week earlier i got a Peavey T40. its a 1979, and was in impeccable shape. until a day before the show, i hit it on a wall and broke the phase switch. (no worries, i fixed it by bypassing the switch with bits of old string and duct tape) im gonna get it fixed soon, no worries.
I usually play on my FSR MIM Jazz with Nordstrands and a custom neck, so it was an interesting change to the Peavey.
I was going through a SWR 750x head and a Megoliah 8x10 from the band after us, and my pedal board with the VT.
but enough of that stuff.
our set is pretty simple, but i have a tapping intro, a pretty intricate part that is easy to do on the jazz, and i wasnt used to the peavey's neck quite yet, but it ended up going alright. I usually play with a pick, but i use fingers on two of our songs in the set, and i found it easy to do both. the picking was defined, and the fingerstyle was punchy.
but... this thing. man. it was clipping the amp because it was lower than the thunderbird the other guy was using. it was so boomy and deep. it was so powerful. i used the bridge pup with single coils on the tapping intro, then when the drop came in, i hit the switch to the neck pup on humbucker mode, and it just brought the thunder.
throughout the show, i loved the tone of the Peavey. but the slab body, and unsmoothed edges, and the large bridge made it interesting to play. i could just faff around like on my Jazz, but i think thats mostly because im not used to it.
but the bands, even remedy drive, commented on the bass. they were loving it. one guy commented on the finish, and the look of it even.
for an all original, never been serviced, 30 year old bass, it could still rock. congrats to Peavey for making a phenomenal instrument.
/rant.
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Simple is sometimes better. But not always.
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