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09-23-2001, 01:20 PM
| | Registered User | | Join Date: Mar 2001 Location: Houston, Texas | |
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I always just kinda improve in the same key of the song. That last part is really important. | 
09-23-2001, 07:50 PM
| | Registered User | | Join Date: Sep 2000 Location: AL/GA | | ...or you could always stop playing, start the big overhead clapping thing, and yell "PUT YO HANDS TOGETHA!!!" | 
09-23-2001, 08:15 PM
| | | Quote: Originally posted by mchildree ...or you could always stop playing, start the big overhead clapping thing, and yell "PUT YO HANDS TOGETHA!!!" | And start rapping
"Put your hands in the air!
Wave them 'round like you just don't care!" | 
09-24-2001, 02:59 PM
| | Registered User | | Join Date: Nov 2000 Location: Lee's Summit, MO | | | Great thread! I really needed this today as I goofed up yesterday at my weekly church gig. Was just going along and probably started daydreaming and somehow got 2 frets off. Our bandleader (a conservatory music major) and the singer and drummer (professional musicians both) all noticed and got a good laugh at my "flatted 7th" fill. I should have called it my Mixolydian fill!!! It didn't last long till I got back on track but I HATE screwing up and have been a little bummed since yesterday because of it. They laugh it off, I can't seem to so easily. It steams me!!
It seems to happen about once a quarter where somewhere in the middle of the song I just go brain dead. I hate that panicked feeling I get, though.
I think the best remedy when it happens is to just do the fiddle with the equipment thing till you get back on track. I see people do this all the time, but we musicians know what's really going on!!
I feel better now knowing I'm not the only one this happens to. Thanks. | 
10-01-2001, 09:52 AM
| | Registered User | | Join Date: Sep 2001 Location: Perth, which is on the empty end of Australia. | | | I never realised how many ways there are to 'fake it'.
Just do a glissando until you hit something that works. If it takes you more than three bars... you need some more practice.
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10-01-2001, 10:08 AM
| | Registered User | | Join Date: Dec 1999 Location: UK | | | I will improvise until I remember. One guitar player I sometimes play with will turn and show me the fretboard.
Going off at a tangent at church we do a song that has a stop start thingie ie the band stop for a bar and the vocals carry on. Unfortunatley the drummer stopped at the wrong point. He stopped so I stopped. THe guitarist went with us and the keyboard player had 400 people staring at her and ironically she was the only one doing it right. | 
10-01-2001, 06:23 PM
| | Registered User | | Join Date: Jan 2001 Location: Orange County, CA. | | Quote: Originally posted by Wil Davis Just keep the groove going - don't worry too much about the notes - after all, jazz is meant to be played like that... :>
- Wil | Homer: Pshh jazz, they just make it up as they go along, I can do that: De de de de de de de...
Marge: Thats mary had a little lamb.
Homer: How about this: Do do do do do do do.
Marge: Thats the same thing, you just replaced the des with dos.
Homer: D'oh 
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10-06-2001, 07:47 PM
| | Registered User | | Join Date: Aug 2001 Location: Mantua NJ, US | | | i acted like sumthin was wrong wiht my bass(cable, amp, etc.) until i remembered what to play
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10-13-2001, 05:57 PM
| | Registered User | | Join Date: Oct 2001 Location: SW England | | | Yeah, I usually go for playing, if I'm sure o' the key of the song I'll head up a pentatonic, usually, sit on the top few notes for a while, by which time I usually know what's going on, and I slide back into the riff.
It's usually (more by chance, or instinct, than skill) the note which I'm hanging on up top, that I should be playing.
You can always slide, just up and off the note, a couple of times. It makes a phat sound at least.
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Bass the best!
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10-24-2001, 08:00 PM
| | Registered User | | Join Date: Oct 2001 Location: Battle Creek, Michigan | | | At one show, my band's guitarist completely forgot how to play 2 of our songs like right in the middle. That was really really bad. We almost hurt him.
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10-25-2001, 10:42 AM
| | Supporting Member | | Join Date: Nov 2000 Location: Pittsburgh, PA, USA | | | Quit music. Become a professional mime.
I just had an embarrassing thing happen last week. Not forgetting, but dropping out. I had played the first tune, more of a jam/warm-up kinda thing, on my fretted. Then I switched to my fretless start the "real set" of all original stuff. I had put new batteries into the fretless right before I left the house. Usually I use an A-B box to switch between basses, but that night I didn't bring it, so I pulled out the jacks and switched the basses. Nothing from the fretless. The guitarist had already started the tune, because I come in after a guitar intro. Well, here I go and mime central. My first thought was, "well, the batteries said they were good 'til 2004, but I guess not." Being the first time I'd had to put new batteries in, my mind went there and not to more obvious things, like connections. So I fiddle farted around with the amp, until it hit me--I had the jack that shoulda gone to the bass going to the amp, and had the amp jack in the bass (from a pedalboard). Took me the whole tune to figure this out. But hey, it was a cramped stage and I was standing under a very lovely but annoying paper-shade down light that kept hitting me in the head all night anyway. So maintaining my self-respect was out of the question anyway with my head playing stick to this pinata of a light. Bottom line: things happen. And you're generally far more aware of it than the audience is anyway. So don't sweat it. Although 4 or 5 seconds can seem like an eternity. | | Thread Tools | Search this Thread | | | |
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