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  #701  
Old 11-13-2012, 09:08 PM
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Sonic Experimentation Gone Mild to Non-Existent

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  #702  
Old 11-13-2012, 09:15 PM
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Yup..and since I like to shave my head, it's pretty much a necessity.
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  #703  
Old 11-13-2012, 11:45 PM
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Originally Posted by Tat2dHeart View Post
Is this the appropriate time to show you this now?


OH my...that is nice!

Something I just noticed behind it there is the fan-fret in amongst the others - is it weird going from the fan-fret to a 'normal' neck and back again?
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  #704  
Old 11-14-2012, 12:06 AM
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Quote:
Originally Posted by My name is Mudd View Post
OH my...that is nice!

Something I just noticed behind it there is the fan-fret in amongst the others - is it weird going from the fan-fret to a 'normal' neck and back again?
I'm sure Tat will be along but I can speak from my own experience there is no problem with swapping between the 2. I have a Dingwall Combustion I do all my gigging with and I use our drummers Squier 5 string at his practice room. When we hit our other practice room he gets to play mine. He keeps trying to talk me into selling it to him, not going to happen.
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  #705  
Old 11-14-2012, 02:07 PM
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Same here. Two Dingers, two Fenders and two Ibbys...no problem switching from fanned frets to regular. It took longer to adjust to the fifth string on the five string basses from the four stringers than it took to get used to the fanned frets.
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  #706  
Old 11-14-2012, 02:33 PM
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I would love to try a Dingwall someday...that fanned fret thing is really intriguing
  #707  
Old 11-14-2012, 06:22 PM
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Quote:
Originally Posted by CTC564 View Post
I would love to try a Dingwall someday...that fanned fret thing is really intriguing
Having played 5 string exclusively now for 15 years or so I can honestly say nothing I've had the opportunity to play can come close to the sound of the B string on my Dingwall. So many of them it just comes out with little clarity and a booming noise. I use the B string quite a bit playing further up the neck to save having to move around a lot. Difficult to tell sound wise if that G note is on the B string or E string.
The only time the fanned frets get a little weird is from the 14th fret & above for chords. I never play up there and don't use many chords so it really is a non issue for me.
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  #708  
Old 11-14-2012, 07:22 PM
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Reason I asked is that a friend on a different forum recently bought a Combustion and has experienced some wrist pain from the transition to it.

I hope to try one myself someday, but here in the wastelands of CenCal they just don't exist...hell, if GC doesn't have it, nothing exists here.
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  #709  
Old 11-15-2012, 12:08 AM
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Quote:
Originally Posted by My name is Mudd View Post
Reason I asked is that a friend on a different forum recently bought a Combustion and has experienced some wrist pain from the transition to it.

I hope to try one myself someday, but here in the wastelands of CenCal they just don't exist...hell, if GC doesn't have it, nothing exists here.
Not sure why he would have experienced wrist problems with the fanned fret. I find my hand naturally follows the the "pitch" of the frets as I move up & down the neck. The one & only note I really am conscious of moving my hand/wrist is playing the bottom C note on the B string. However I might only use that one note a couple times a night.

I think if one doesn't have a reasonably good left hand position on the neck you could be prone to wrist problems but I honestly believe that will apply to any bass, fanned fret or not.
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  #710  
Old 11-15-2012, 11:15 AM
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A mediocre report from mediocre band rehearsal: News had it that Uriah Heep's "Easy Livin'" was to be a part of the set list. Luckily, nobody else copped the interlude run either. And I had in fact practiced. High points of the night extended to CCR and Neil Young. Otherwise, we were off our normal game.

Could be because of our new singer.

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  #711  
Old 11-15-2012, 12:44 PM
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Mudd, I had more trouble adjusting to a 5th string than I did to the fanned frets. My Dingwall is one of my most frequently played instruments, right up there with the amber Lakkie that you covet and my Spector. It is, at the moment, my only 5-string, but that's changing in February when I pick up my first custom made for me bass, which is also a 5-er, but unlined fretless.
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Quote:
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...and it is EFFING MAGICAL like 2-headed robot unicorn bagpipe bands fighting terminator/transformer mermaids w/battle axes on acid. Everyone should have that in their life.
  #712  
Old 11-20-2012, 07:43 AM
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Quote:
Originally Posted by rust_preacher View Post
Otherwise, we were off our normal game.

Could be because of our new singer.
Yes... I still guess the singer may be a step up, mediocrity or not? ;{)
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  #713  
Old 11-20-2012, 08:55 AM
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Well, I recently got my first five string and honestly, transitioning over from my 4 was pretty smooth. For me, it was just making a mental shift and being aware that now E is B, A is E, D is A, etc..

After getting some time in on my new Carvin, I really doubt I'll be in a rush to get back to 4. In fact, I played my Diamond P 4 last night and found myself reaching for the versatility my Carvin has with the fifth string.

Funny thing was while practicing with the 5'er I found I typically got screwed up when I looked at my hands. If I just didn't look and went by feel, I made very few mistakes.

Now a fan fret......ummmm.......don't know if I could get used to that.

Kudos to you Dingwallers. You truly excel beyond mediocre.
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  #714  
Old 11-21-2012, 12:07 AM
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Quote:
Originally Posted by Shardik View Post
Yes... I still guess the singer may be a step up, mediocrity or not? ;{)
We will see. She was mostly there for backup last time, tomorrow she'll have some lead duty as well. I am already getting nervous about tomorrow

I went to the local music store to get a cable and while I couldn't find what I wanterd, they had a taperwound Fender nickel set in a closeout bin. Next up - tuning down to D? or maybe C?
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  #715  
Old 11-21-2012, 11:53 PM
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I would like a number.

I cant play something by listening to it. I am pretty good at reading sheet music and great if someone plays it with me the first time so I can see and hear it but I cant memorize or hear anything more complicated then seven nation army. Cant slap, can almost pop. Im pretty mediocre....
  #716  
Old 11-22-2012, 07:49 AM
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Quote:
Originally Posted by rust_preacher View Post
We will see. She was mostly there for backup last time, tomorrow she'll have some lead duty as well. I am already getting nervous about tomorrow

I went to the local music store to get a cable and while I couldn't find what I wanterd, they had a taperwound Fender nickel set in a closeout bin. Next up - tuning down to D? or maybe C?
I use DGCF as standard on my basses. I love it. Never tried C, but I guess it would be great as long as the strings don't get too sloppy.
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  #717  
Old 11-22-2012, 09:11 AM
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My main problem when I started playing 5ers was that I was used to counting strings from the one closest to me to the furthest, ie E to G. When I added on the B string, it messed up my feeling for what string my fingers should be on, botn fretting and plucking, for which note. I had to step back and start thinking of finger placement from the string furthest from me (the G) toward me instead. I'm still working on it, but once I got my head wrapped around what the problem was, I've made a lot more headway in hitting the correct strings no matter if I am on a 4er or a 5er. Thank you, I have no desire to try a 6er, I suspect I'd really get well and truly mixed up on one of those...Just the way my head works!
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  #718  
Old 11-22-2012, 10:51 AM
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I'd rather have a 6 than a 5, tbh...I do sometimes spend time way up around the 12th fret on the G (my poorly-done Chris Squire impression) and not having to scramble for position on the fretboard would be nice.
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Quote:
Originally Posted by MSUsousaphone View Post
It's not pedalphilia if the pedal wants to be touched.
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Last edited by My name is Mudd : 11-22-2012 at 11:19 PM. Reason: misspelled his name...and I should know better...
  #719  
Old 11-22-2012, 04:33 PM
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That's my only issue with a 5, its not really a noodly solo instrument - I miss not being able to play the high bits along to Colin Moulding's One of the Millions. I'm currently teaching myself to use a floating thumb which isn't terribly natural but I'm getting better at it. I have a few cover songs where its important to quickly deaden the middle strings.
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  #720  
Old 11-22-2012, 05:32 PM
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Quote:
Originally Posted by bassteban View Post
...and it is EFFING MAGICAL like 2-headed robot unicorn bagpipe bands fighting terminator/transformer mermaids w/battle axes on acid. Everyone should have that in their life.
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