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05-07-2010, 11:18 AM
| | | | Stage Setup Question
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We're playing a school festival on an outdoor stage next weekend. FOH will be supplied for vocals, keys, and the guitarist will be mic'ed. I'll be using a preamp > stereo power amp > to 410 + 210.
Since I have no PA support, and it's outdoors, I will probably have to turn up louder. Should I set up the cabs behind me, like I normally do, or put the stack toward the front of the stage (on the side, of course), and turn the 210 around toward the band to use as a monitor?
I'm worried if the stack is behind me, I won't be able to hear everyone else. What would you guys do? | 
05-07-2010, 12:05 PM
|  | Yeah, I've got the moves like Jagger. | | Join Date: Oct 2006 Location: G.R. MI | | Quote:
Originally Posted by Vanceman We're playing a school festival on an outdoor stage next weekend. FOH will be supplied for vocals, keys, and the guitarist will be mic'ed. I'll be using a preamp > stereo power amp > to 410 + 210.
Since I have no PA support, and it's outdoors, I will probably have to turn up louder. Should I set up the cabs behind me, like I normally do, or put the stack toward the front of the stage (on the side, of course), and turn the 210 around toward the band to use as a monitor?
I'm worried if the stack is behind me, I won't be able to hear everyone else. What would you guys do? | I've had it behind me in the normal location when I've done these type of things. You might think it's TOO LOUD but 50' away they won't hear you. Have a person roam around out front and tell you how your volume is.
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05-07-2010, 12:34 PM
| | Registered User Endorsing Artist: J.C. Basses | | Join Date: Aug 2005 Location: Phoenix, Arizona 85029 | | | Bass frequencies carry better than guitars. You should be fine with it behind you. Can you run any part of your signal through the FOH?
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Originally Posted by McThumpenstein I don't think the wife would buy the "I need to take off this knob and put a whole new bass under it" story. | | 
05-07-2010, 01:09 PM
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Originally Posted by Phalex I've had it behind me in the normal location when I've done these type of things. You might think it's TOO LOUD but 50' away they won't hear you. Have a person roam around out front and tell you how your volume is. | That's my fear, needing to be louder and then not being able to hear the rest of the band. Quote:
Originally Posted by FunkMetalBass Bass frequencies carry better than guitars. You should be fine with it behind you. Can you run any part of your signal through the FOH? | I heard not, but won't know for sure till I get there. I guess I'm trying to create my own FOH... one amp channel + 410 facing forward, one amp channel + 210 facing back at me and the band. This way I can turn the 410 way up loud. | 
05-07-2010, 01:12 PM
| | Registered User Endorsing Artist: J.C. Basses | | Join Date: Aug 2005 Location: Phoenix, Arizona 85029 | | | The FOH mix just baffles me - everything but the bass?
**sigh**
Using your 2x10 as a monitor will be a good choice.
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Originally Posted by McThumpenstein I don't think the wife would buy the "I need to take off this knob and put a whole new bass under it" story. | | 
05-07-2010, 03:19 PM
| | Registered User | | Join Date: Dec 2007 Location: Gastonia, NC | | Lots depends on your rig. I've looked at the house sound guys settings for me on several occasions and discovered that, even though I was direct to the board, they had just the smallest amount of the volume slider moved up. That rig is an early 90s SVT 350 head and fridge cab with the unusual 4-10/1-15configuration, along with an early 70s Ampeg B25B 2-15 cab with Altecs on the other side of the stage. 
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05-07-2010, 07:32 PM
| | Registered User | | Join Date: Mar 2005 Location: Detroit area, Troy, MI | | | Think about also putting your 4x10 on the floor in front of the stage, rather than at the front of the stage. You'll gain bass that way due to floor coupling. I tried what you proposed, on front of the stage, and the bass dropped way off as I moved away from the stage.
Randy
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05-07-2010, 07:36 PM
| | Registered User | | Join Date: Dec 2009 Location: Brooklyn, NY | | | I think it'll be fine behind you. You might want to angle it in toward the drummer just a touch if he/she wants to hear you better.
Turn up loud enough so everyone on stage can hear you and turn the mids up a little more than usual so you'll cut better. | 
05-07-2010, 07:46 PM
|  | Registered User | | Join Date: Nov 2007 Location: raleigh, nc | | | i'd set up same as ever and crank it. if you're too loud somebody will let you know. it's tough to be too loud outside i think.
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05-07-2010, 08:25 PM
| | Registered User | | Join Date: Jan 2009 Location: South Florida, in the U.S.A. | | | In situations like this " outdoors" I set my cabs up behind me, stand front and center, then take 2 giant steps to the left. Now I am not directly in the path, but it is PLENTY Loud.
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05-09-2010, 08:42 PM
| | | | Thanks everyone. I'll set up like I normally do and go from there. Last time I played with FOH, the sound guy plugged me in and said he would be sure to "takemeouttathemix". This looked like a real pro sound company, we were in front of the Staples Center for the start of the LA 5K and Marathon, so I thought all would be good. Good thing I brought 410. | 
05-10-2010, 03:43 AM
| | Registered User | | Join Date: Apr 2009 Location: San Francisco Bay Area, CA | | | Why do sound guys hate bass?
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05-10-2010, 04:50 AM
| | Registered User | | Join Date: Sep 2009 Location: Madrid | | Quote:
Originally Posted by Sartori Why do sound guys hate bass? | I do FOH sound in big venues sometimes and I love bass. You canīt generalize this issue.
A really big problem (at least where I live) is most sound guys arenīt pro, so they are only the guys who load and unload the PA from the track because IMO the company doesnīt want to pay a real pro who knows what heīs doing.
Besides that, bass is not easy if you donīt know how to deal with it.
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05-10-2010, 06:37 AM
| | Registered User | | Join Date: Dec 2007 Location: Gastonia, NC | | Quote:
Originally Posted by Emibass A really big problem (at least where I live) is most sound guys arenīt pro, so they are only the guys who load and unload the PA from the track because IMO the company doesnīt want to pay a real pro who knows what heīs doing. | A big, big AMEN brother. 
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05-10-2010, 09:26 AM
| | Registered User Endorsing Artist: J.C. Basses | | Join Date: Aug 2005 Location: Phoenix, Arizona 85029 | | Quote:
Originally Posted by Sartori Why do sound guys hate bass? | Because it's a very tough instrument to control through the FOH, and from what I've seen, drummers and bassists are the most inconsistent players (distortion and picks on guitars have a nice way of leveling sound). Also, many sound guys that I work with come into local venues where they find that the venue has nothing but a mixer, a few amps, and speakers...the venue simply isn't adequate enough.
Every sound guy I've ever worked with has been extremely thankful that I have a second channel in my compressor solely used for my DI signal. Once or twice, they've asked me to go through a HPF and get rid of everything below 50hz for the FOH, and it's no big deal because I rock an 18" on the bottom and can fill out the low end with ease.
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Originally Posted by McThumpenstein I don't think the wife would buy the "I need to take off this knob and put a whole new bass under it" story. | | 
05-10-2010, 11:47 AM
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Originally Posted by Sartori Why do sound guys hate bass? | I know they liked bass. Whenever they played pre-recorded music, the bass was thunderous.  | | Thread Tools | Search this Thread | | | |
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