| From "Reel Music: Exploring 100 Years Of Film Music" by Roger Hickman: "The term [film noir], first employed by French film critics in 1946, designates both a style of filmmaking and a film genre. Viewed as a style, film noire is dark and pessimistic. The images are black and white with strong contrasts of light and dark, creating deep shadows. Clearly indebted to 'Citizen Kane', the style can be found in a variety of films, including the melodramatic 'Mildred Pierce', the psychological thriller 'Spellbound', and the study of alcoholism, 'The Lost Weekend', all from 1945. The term [film noir] can also be applied to a sub-category of the detective or crime genre. The typical film noir plot is modeled after detective stories from the 1930s by American novelists such as Dashiell Hammett and Raymond Chandler... Scenes often take place at night, frequently in a city with rain-slicked streets, and the stories contain multiple twists. Most of these films feature voice-over narration by one of the main characters... The prototype of the genre is 'The Maltese Falcon' (1941), but the movement clearly burst on the scene in 1944 with three classics: 'Double Indemnity', 'Murder, My Sweet', and 'Laura'" (2006: 182).
Hope that helps. |