Quote:
Originally Posted by cranberrysauce When playing an inverted major 7th chord with the right hand... what is propering fingering? Or what is the best, acceptable fingering? I know there probably isn't a rule written in stone somewhere, but you never know.
Id like to know the best fingering... for say an E chord.
I play the B with my thumb, the E with my index finger, and the C# with my ring finger. And when I add the 7th (D), I play that D and E with the same finger (index). Is there a better or more acceptable way to play those type chords.. it seems a bit hairy to me that way. |
If you are playing a D natural, the chord is E7 (dominant) and NOT E Major7. As a general rule, when I play a dominant chords on keys I usually don't put the 7 on the top and I try to avoid root notes.
So...if you are playing a "blues in E", a voicing might look like this for E7: G#, B, D, F#
(It's really an E9 chord.)
Try building your dominant chord voicings from the 3 and the flatted 7 (you can flip them) and add color tones (9's #9's, 13's etc...) to fatten up the sound.
E7= G# and D
A7= G and C#
B7= A and D#
Hope this helps.