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  #1  
Old 05-04-2010, 06:28 PM
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Alembic SF-2: What exactly is it for?

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I came across this on a random filter search:
http://www.planetbassonline.com/mm5/...egory_Code=PRE
It's referred to as a "tone processor" and the "Swiss Army knife of tone." I've read a lot about this, but I'm still not sure exactly what it does. It's apparently not an envelope filter. Is it a preamp, filter EQ, static filter, all of the above, or something else entirely? I'm asking purely out of curiosity; I won't be dropping $900+ on anything anytime soon! It's very intriguing, though; anyone have any hands-on experience with this unit?
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Last edited by FilterFunk : 05-04-2010 at 06:29 PM. Reason: Correction
  #2  
Old 05-04-2010, 06:43 PM
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Its 2 independent filters. Glorified parametric eq's more or less. Its the circuit in the series 2 basses I believe. You can select between high band and low pass and then gain and q. The EH Attack eq is a simplified version of this.

The idea is you plug into the F1-x and have this run thru the fx-loop. Its more tone shaping than most cats need though.
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  #3  
Old 05-04-2010, 10:33 PM
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an overpriced eq.
  #4  
Old 05-04-2010, 10:46 PM
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Quote:
Originally Posted by faceinbass View Post
an overpriced eq.
Well...most studio pre's are in this same boat. They provide some gain and maybe a slice of EQ...but there is certainly some magic in that box. People who use the SF-2 are looking for that Alembic magic.
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  #5  
Old 05-04-2010, 10:52 PM
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It's a low, high, or 'band pass' (parametric) filter array, essentially. It's mostly about the filters. With the filters fully open, all the sound passes through, mostly unmolested. But as you roll a filter closed, it cuts frequencies, from the top down(or from the bottom up), in a very sharp manner. Rolling the filter open/closed while playing sounds a lot like a wah pedal. There's more to it than that, but that's a decent overview. It's a very potent device, for very strong tone shaping. Alembic does it, Wal does it(low pass), and ACG(low and high pass) does it too. I'm not aware of any others.

Last edited by dmusic148 : 05-04-2010 at 10:57 PM.
  #6  
Old 05-05-2010, 09:14 AM
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Does look rather interesting
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  #7  
Old 05-05-2010, 10:48 AM
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Now I get it. Thanks, guys!
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  #8  
Old 05-05-2010, 05:05 PM
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IMHO, some of the posts above are somewhat misinformed. Anyone who just shrugs off this box as a "glorified parametric or an overpriced EQ" has never actually used one.

I have used MANY parametric EQ's, and for about 9 months now, an SF-2. Nothing comes close to the clarity, definition, and flexibility of an SF-2. Yes they are expensive, but can be found used in the $500 range. Aside from the filter circuits themselves being of the highest fidelity, the real key is the mixing aspect of this device. In mono mode, you can independently mix the source signal with each of two filters. In stereo mode, you can mix each sides source with one of the filters. As noted the filters can be set to HP, LP, or Band pass. The SF-2 recombines the filtered with the source in perfect phase. IMO, that is the crux of the biscuit right there. The "Damping" which functions much like a "Q", with the frequency and filter type selections, offers infinite variation. Yet, it is very easy to dial in.

What dmusic148 is describing is how the filters work on the Alembic basses. The SF-2 can be set to act just like that, but more commonly I use it in an additive fashion. It can pile it on as well as take it away.

And the best part is, it makes spectacular sounds. Among many others, it creates the hugest, most monsterly lows, that are NOT muddy, but still articulate, that I have ever been able to create.

It has an instrument level input for using as a preamp, and also line level I/O for using in a loop.

Yes, they are that good, and deserve all the praise and more.

But that's just my experience.

FWIW. I have used it in front of a vintage Traynor YBA-1A and an EVM 15L, and on the loop of a preamp/QSC rig, playing through a Kappalite 3015 and an Epifani UL12 biamped. With Alembics, vintage Jazz, Stingray, Fretless Wishbasses, Spector, and others. They ALL love the SF-2. Active, passive, it makes no difference, I wouldn't trade it for anything.

JBY
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Last edited by jbybj : 05-05-2010 at 05:12 PM. Reason: I love this thing too much.
  #9  
Old 05-05-2010, 08:30 PM
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Quote:
Originally Posted by jbybj View Post
IMHO, some of the posts above are somewhat misinformed. Anyone who just shrugs off this box as a "glorified parametric or an overpriced EQ" has never actually used one.

I have used MANY parametric EQ's, and for about 9 months now, an SF-2. Nothing comes close to the clarity, definition, and flexibility of an SF-2. Yes they are expensive, but can be found used in the $500 range. Aside from the filter circuits themselves being of the highest fidelity, the real key is the mixing aspect of this device. In mono mode, you can independently mix the source signal with each of two filters. In stereo mode, you can mix each sides source with one of the filters. As noted the filters can be set to HP, LP, or Band pass. The SF-2 recombines the filtered with the source in perfect phase. IMO, that is the crux of the biscuit right there. The "Damping" which functions much like a "Q", with the frequency and filter type selections, offers infinite variation. Yet, it is very easy to dial in.

What dmusic148 is describing is how the filters work on the Alembic basses. The SF-2 can be set to act just like that, but more commonly I use it in an additive fashion. It can pile it on as well as take it away.

And the best part is, it makes spectacular sounds. Among many others, it creates the hugest, most monsterly lows, that are NOT muddy, but still articulate, that I have ever been able to create.

It has an instrument level input for using as a preamp, and also line level I/O for using in a loop.

Yes, they are that good, and deserve all the praise and more.

But that's just my experience.

FWIW. I have used it in front of a vintage Traynor YBA-1A and an EVM 15L, and on the loop of a preamp/QSC rig, playing through a Kappalite 3015 and an Epifani UL12 biamped. With Alembics, vintage Jazz, Stingray, Fretless Wishbasses, Spector, and others. They ALL love the SF-2. Active, passive, it makes no difference, I wouldn't trade it for anything.

JBY
PLEEEEEEASE stop making me want this thing!
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AFAIK, IIRC, IMO, JMO, IME, FWIW, YMMV, to each his own, it's all subjective, apples and oranges, etc., etc., etc.
  #10  
Old 05-05-2010, 08:38 PM
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Thumbs up

I sold my sf2 to boo of TB and cry every day.

an insane tone processer. i believe i have a review of it here on TB. Hands down the most useful EQ device i ever used. steep learning curve as it's not exactly a parametric eq, but once you get the hang of it - very dangerous.
  #11  
Old 05-06-2010, 01:10 AM
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I rather regret getting rid of mine as well. I've vowed to just not sell any more gear at all. Not worth it. The only thing I wish were different with this unit would be an internal power supply.
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  #12  
Old 05-06-2010, 05:46 AM
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Quote:
Originally Posted by coyoteboy View Post
I rather regret getting rid of mine as well. I've vowed to just not sell any more gear at all. Not worth it. The only thing I wish were different with this unit would be an internal power supply.
IIRC, they opted not to have it as it inducted too much noise. the "Wall wart" sort of sucked but i swear micah told me it was a noise issue.
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