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  #1  
Old 05-14-2010, 01:13 PM
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Hey ive got to play this in my band, I was wondering what the effects / levels Tim uses to get the distinct sound he does for this awesome song cheers
  #2  
Old 05-14-2010, 01:22 PM
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I just used the OD channel on my Mesa. Any reasonably saturated distortion or even fuzz would work.
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Old 05-14-2010, 01:28 PM
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lol saturated? sorry im a little ignorant!
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Old 05-14-2010, 01:40 PM
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Haha meaning just turn up the Distortion enough to where you can hear it!
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Old 05-14-2010, 01:44 PM
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ahh right thats what i thought! i looked at some tab and it said use a wah pedal at certain points..?? is that a load of bollocks or...what?
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Old 05-14-2010, 01:47 PM
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It's in there yeah, but unless you really EQ the track right it's hard to hear the effect anyway.
I never used one on it and it sounded fine. Definitely not necessary!
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Old 05-14-2010, 02:03 PM
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I use distortion into fuzz also, but the wah is definitely used on the first note each time the main riff repeats itself.
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Old 05-14-2010, 02:33 PM
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Ya you need a bassy wah, and when you play the song, never fully depress the pedal or it will get to trebley. here's a good video for you to get the feel of how and when to use the wah

http://www.youtube.com/watch?v=IBAvXl7LSWI
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Old 05-14-2010, 04:54 PM
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i've used a MD2, BBM, or Chord Bass OD (cheap generic brand from china - also sold as daphon etc...a real sleeper pedal!) into an ibanez weeping demon wah to great effect!
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Old 05-14-2010, 05:49 PM
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ahh cheers. i have an ME 5Ob multi effects pedal so i have like fuzz, OD, distortion, the lot! also have a wah so need to just work out the timings as to when to use the pedal. do u reckon u depress the pedal on each beat?
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Old 05-14-2010, 07:54 PM
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EHX Bass Big Muff + MXR Envelope filter get close enough for me. Sounds pretty cool to me too!
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Old 05-15-2010, 05:40 AM
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Last year's "Bass Player tone and technology" issue mentions that Tim Commerford uses "various secret, customized and homemade distortion pedals, an Aphex Punch Factory, MXR Micro-Amp and a pair of Dunlop 105 Q CryBaby Bass Wah topped with a plate for simultaneous use".

Doesn't clear it up for the distortion part of it, but at least outlines the rest.
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Old 05-15-2010, 06:07 AM
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this isn't meant to be as argumentative as it sounds, but who cares what he used? make it your own. even use an effect he didn't use. it'll be fine.
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Old 05-15-2010, 05:22 PM
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i 'pop' the wah on alternate beats, but taking what Jimmy says a step further, it's fun trying to get it to sound how YOU want!
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  #15  
Old 05-15-2010, 07:25 PM
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Quote:
Originally Posted by Bassmike62 View Post
Last year's "Bass Player tone and technology" issue mentions that Tim Commerford uses "various secret, customized and homemade distortion pedals, an Aphex Punch Factory, MXR Micro-Amp and a pair of Dunlop 105 Q CryBaby Bass Wah topped with a plate for simultaneous use".

Doesn't clear it up for the distortion part of it, but at least outlines the rest.
Seriously, who does that? Maybe I'm just ignorant, but that irks me. Probably just something Keeley modded or something.. :grumble:
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Old 05-15-2010, 08:04 PM
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IIRC Tim used a vintage Marshall Guv'nor, a custom distortion, and cranked the gain on his amp. IME the closest you'll get is with a fuzz and a wah pedal; I used a Frantone Lo-Tone classic fuzz and Dunlop 105-Q to get that sound back in high school.
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  #17  
Old 05-15-2010, 08:04 PM
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Is it seriously news that Tim is secretive about his board??
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Old 05-15-2010, 08:11 PM
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News to me, though I don't pay too much attention to Audioslave..
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Old 05-15-2010, 08:13 PM
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Quote:
Originally Posted by Spacelordmother View Post
Is it seriously news that Tim is secretive about his board??
It really shouldn't be. There have been so many articles and threads on the subject that it should be common knowledge. I remember I read a Bass Player article where he said he had cables on his board that would go into dummy pedals just to throw people off. A little excessive, IMO, but whatever.

Another thing to consider - he also rewires his pickups to get a grittier tone.
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i already get funny looks for bringing a pedalboard worth more than my singer's virtue.
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