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06-22-2011, 03:58 PM
|  | Registered User | | Join Date: Nov 2010 Location: Winnipeg, Manitoba, Canada | | | A / B / Y Pedal that doesn't lose volume
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I play keys as secondary instrument on many of my gigs lately. I run my keyboard (Nord Electro) and my bass (all my basses are passive) through a Morley ABY pedal. When I use the A/B switch to alternate between instruments, everything works as it should. However, I am in a couple of jam host bands, and sometimes we want to use both the bass and the keys for separate players. When I engage the A+B switch to run both instruments, the volume on the bass drops considerably (and a lot of the high end is missing as well). I assume this has something to do with different impedances, although I don't know enough about electronics to be sure of that.
My solution for now is to run my bass through my BBE OptoStomp compressor before going into the switch - this doesn't completely eliminate the problem, but I am able to boost the level quite a bit, and the frequencies don't seem to be lost as they are without using the OptoStomp (I'm using it just to boost the levels, I have the compression dial rolled down to its lowest setting)
Is there any existing A/B switching pedal that will enable me to run two instruments of differing impedances without loss of level? Or would some sort of mini-mixer be a better solution? Or something I haven't thought of? | 
06-22-2011, 04:11 PM
| | Registered User | | Join Date: Mar 2010 Location: Tampa, Florida | | | Level will always decrease when you add more loads like another instrument. Maybe a buffer pedal or boost in front on the bass line? | 
06-22-2011, 04:15 PM
|  | Registered User | | Join Date: Nov 2010 Location: Winnipeg, Manitoba, Canada | | | Yes - the OptoStomp is my interim solution as it does boost the level, though not quite enough. I guess I just need a dedicated clean boost pedal or device. | 
06-22-2011, 04:33 PM
|  | Registered User | | Join Date: Oct 2006 Location: Rhode Island, USA | | | I often use a Boss LS-2 to combine the signals of my bass and synth into my amp. It can't do true A/B/Y without changing modes, but as long as you're not going to want to go from A/B to Y during a song, it shouldn't be a big problem. What I generally do is run my bass into the input and my synth into the Return A, (leave loop B empty, and it will just use your input signal for channel B) and then put it in either A<->B mode or A+B Mix mode depending on the song. It has a separate volume knob for each channel, works fantastically. Since it's buffered, there is no volume drop or problem with impedences at all. | 
06-22-2011, 05:00 PM
| | Registered User | | Join Date: Apr 2003 Location: Boulder Suburbia, Colorado | | I have a Loop-Master ABY. It's true bypass but I can see what you're talking about... You're basically saying the A+B mode should be twice as loud as the A or B mode, right? Honestly, I have no idea why it does that. Maybe each signal is half as strong in Y mode? Anyway, a true bypass A/B/Y technically shouldn't strip volume, but it seems to. I didn't answer your question.  | 
06-22-2011, 05:21 PM
|  | Sonic Experimentation Gone Mad! Endorsing Artist: Cave Passive Pedals | | Join Date: Sep 2008 Location: Ohio | | The de Lisle ABC and ABY switches have minimal to zero volume loss. Hand-Wired Effects Pedals 
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Chad Wilson
Making music noises since 1981 | 
06-23-2011, 02:01 AM
|  | Registered User | | Join Date: Nov 2010 Location: Winnipeg, Manitoba, Canada | | | Thanks for the tips everyone! | 
06-23-2011, 02:02 AM
| | Registered User Beta Tester: Source Audio. Hacker: Heavy Drone FX | | Join Date: Aug 2006 Location: Spokane, WA. | | Quote:
Originally Posted by bigchiefbc I often use a Boss LS-2 to combine the signals of my bass and synth into my amp. It can't do true A/B/Y without changing modes, but as long as you're not going to want to go from A/B to Y during a song, it shouldn't be a big problem. What I generally do is run my bass into the input and my synth into the Return A, (leave loop B empty, and it will just use your input signal for channel B) and then put it in either A<->B mode or A+B Mix mode depending on the song. It has a separate volume knob for each channel, works fantastically. Since it's buffered, there is no volume drop or problem with impedences at all. | +1 LS-2 | 
06-23-2011, 02:13 AM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | | Back in the old days, before the wheel, amps always had at least two channels and as many as 4 inputs. That means us broke kids would try to plug at least 2 instruments into them. It never worked, though...one instrument would phase the other one out and neither of us could get a sound. That's what's happening with your rig.
If you want to do that, a simple ABY box just won't get it no matter how good it is. You need a mini mixing board. Not an especially ideal solution either, but I guess it's better than carting two amps, and it's a lot better than using just an ABY box.
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