For straight ahead jazz, pretty much none. For Funk and urban gospel an envelop filter is always fun and in combination with an octaver and/or gated fuzz you can gt some cool sounds. Pretty much the three main components of a synth. That's the idea that I created my board around. For the particular styles you mentioned, I'd say anything else is secondary (echo, chorus, reverb, etc.) as far as effects go.
__________________ Source Audio Sourcerer #22 Club Clement #73 Markbass Club #231
Quote:
Originally Posted by geeza
I thought your name was one of those "it's spelled 'Kwesi', but it's pronounced 'Craig'." kind of names.
In addition to what was mentioned before, I'd ad a Flanger, which was often used on funk bass, specially in the 70's (Stanley Clarke had a built-in flanger on one his basses he used with Return to Forever).