Quote:
Originally Posted by jaywa Not 100% to the OP's question, however...
Just recently I went from running the Blend on my BDDI (non para) wide-open, to backing it down to about 2 o'clock. In other words, the signal is only being partially "SansAmped", not 100%. I also took the Bass down from high noon to about 11 o'clock. The result has been MUCH BETTER TONE that really cuts through in the FOH mix while still delivering plenty of bottom.
YMMV but it's something to consider and I actually have to credit the TB'ers here for hipping me to the whole Blend thing. |
I started to really like my RBI Bass Driver once I let my ears rest and started the tweaking from scratch.
I had been trying to overcome the mid scoop with the post eq mid knob and Presence control for more cut. But the mid knob doesn't control the same mid frequency as is cut in the sansamp drive/effect section. And the presence knob seems to merely add 'clank' (at least with my bass).
Then I figured out to use the Blend knob as a 'mid' control since it adds in the natural sound of the bass without the scoop.
I don't go for a really distorted tone. I like to set the Drive knob just under the breakup point so it compresses without distorting. For my bass, I set the Drive to 10 o'clock.
Presense is also set to about 10 o'clock. Much higher than 11 causes a clanky quality that I don't want.
Then I start with the Blend on fully wet and back it down until I get the mid cut I need from the dry signal. Just checked my current setting and it's right between 1 and 2 o'clock. So it's right around where Jaywa sets it.
I've been keeping the post eq flat (12 o'clock) but I've only been using my RBI for recording and I like to save the EQing for mixdown. I don't know how I'd set it if I were driving a power amp for live sound.