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05-31-2008, 11:44 AM
| | | fulltone bass drive..i know thats what he uses..im trying to find out what he use in the warmth on the red rocks dvd when the time its starts at 3:10 http://youtube.com/watch?v=HnTgEm0SunE |
05-31-2008, 11:50 AM
| | | Quote:
Originally Posted by b_ryceeeee  | Maybe a big muff? He said in an interview that he usually brings a fuzz and octave on tour. |
05-31-2008, 11:52 AM
|  | Registered User | | Join Date: Aug 2005 Location: College Station, Texas | | Bass Drive? =-o  |
05-31-2008, 12:55 PM
| | | | on my look alive dvd he's using a bass drive |
05-31-2008, 02:54 PM
| | | Quote:
Originally Posted by b_ryceeeee on my look alive dvd he's using a bass drive | Can you clearly see it? |
05-31-2008, 04:21 PM
|  | Registered User | | Join Date: Mar 2000 Location: Ventura, CA | | | Didn't they use a POD to do the whole record? You're probably hearing digital effects on the record. |
05-31-2008, 04:45 PM
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Originally Posted by pickles Didn't they use a POD to do the whole record? You're probably hearing digital effects on the record. | He did use a POD, but he also used Orange guitar amps and Mesas for his dirty sounds. |
06-01-2008, 08:03 PM
| | | | bump |
06-01-2008, 09:04 PM
| | | Quote:
Originally Posted by AqueousView11 Maybe a big muff? He said in an interview that he usually brings a fuzz and octave on tour. | so that was a fuzz he was using on that part of the video? |
06-02-2008, 05:39 AM
| | Registered User | | Join Date: Feb 2005 Location: belgium | | | In the warmth you can clearly hear there's some sort of autowah with the fuzz, my guess is that he used somme effects from his pod with a FBV like he does on a couple of other tracks |
06-02-2008, 10:31 AM
| | | | +1 to the Mesa
I am pretty sure he uses the BB750 from mesa either that or the titan. The Overdrive channel on that amp is really versatile and I think can get darn close to the distortion he is using. Combine that with bass and playing technique. There might be a few other effects in his overall repitoire, but the Big Block gets some really heavy od/distortion. |
06-02-2008, 10:59 AM
| | Registered User | | Join Date: Jun 2007 Location: surrey, uk | | | i really dig his tone.. its nice and fat.. he uses flatwounds most of the time but he will sometimes use roundwounds to record with to get a brighter tone with some overdrive.
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06-02-2008, 01:05 PM
| | | Quote:
Originally Posted by nickbear i really dig his tone.. its nice and fat.. he uses flatwounds most of the time but he will sometimes use roundwounds to record with to get a brighter tone with some overdrive. | I read in a bass player article that he records with flatwounds 98% of the time. |
06-02-2008, 03:11 PM
| | Registered User | | Join Date: Feb 2005 Location: belgium | | | on the recent tour he used part of a bb 750 and part of a 4cabinet walkabout setup (2 combos and 2 extensions) , all the od He had was coming from the fulltone And I'm almost sure he uses it in compcut because it sounds like he's driving the mesas real hard |
06-02-2008, 04:50 PM
| | | | The breakup from orange tube guitar amps when he recorded ACLOTM is a lot different than the breakup on the Bass-Drive. Any suggestions for a pedal that can get close to this? Leech and Megalomaniac would be good references for this tone. OLC makes a pedal called the orange peel, but I'm not sure if it can do low-gain. |
06-02-2008, 06:48 PM
| | | Quote:
Originally Posted by lowmid on the recent tour he used part of a bb 750 and part of a 4cabinet walkabout setup (2 combos and 2 extensions) , all the od He had was coming from the fulltone And I'm almost sure he uses it in compcut because it sounds like he's driving the mesas real hard | yeah he uses those now i know he used to use the m-pulse 600 with a 4x10 and 1x15 |
06-03-2008, 03:06 AM
|  | Registered User
Endorsing Artist: Mojohand, Tone Factor, Subdecay, Overwater, Matamp | | Join Date: Jun 2001 Location: Manchester, UK | | Have any of you listened to the bass version of Drive off of Alive at Red Rocks, it's freakin awesome, dead easy to play but so effective and I love his use of modulation to get some real depth he makes me want to put flats on more of my basses
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06-03-2008, 03:13 AM
| | Registered User | | Join Date: Sep 2004 Location: Wales, UK | | Quote:
Originally Posted by TaySte_2000 Have any of you listened to the bass version of Drive off of Alive at Red Rocks, it's freakin awesome, dead easy to play but so effective and I love his use of modulation to get some real depth he makes me want to put flats on more of my basses | it was great! although... I like the old version too. its incubus though, I'm gonna like it whatever he does with it
definitely puts on a great show though. saw them last year with puggy and it was mind-blowing... Mike and Ben traded solos in the middle of 'sick sad little world' and it was hard to tell when the bass stopped and the guitar started... phenomenal playing, from both of them.
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06-03-2008, 06:50 AM
| | Not Actually Knighted... Yet! | | Join Date: Dec 2006 Location: Cincinnati, Ohio | | hmm I didn't think Kenney recorded with them until Light Gernades...
but you all seam sure of yourselves, so I must have been wrong
I don't like the new stuff as much as the old so I never got into his playing. I love the old bass player though. I have no idea what is name is but he is pretty sweet
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