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11-15-2010, 06:48 PM
| | | | Best envelope filter for dub?
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It seems the Dod fx25b and the Moog lpf get alot good reviews for dub sounds with the sensitivity knob turned down. I'm not to keen on the Dods build quality and the Moog doesn't have a hardwire bybass. What other envelope filters do you dub people like? Has anyone tried the Emma discumbobulator for dub? What other pedals pedals are you using for robust dub sounds? | 
11-15-2010, 06:56 PM
| | Banned | | Join Date: Nov 2007 Location: Maine/Vermont | | | | 
11-15-2010, 07:11 PM
| | Registered User | | Join Date: Mar 2004 Location: Columbia, MO | | | i'd EQ to play dub... you can also buy a bypass pedal for the moog... or Maxon AF9, I got some dub-like tones out of it... | 
11-15-2010, 07:27 PM
|  | Registered User | | Join Date: Mar 2004 Location: Cincinnati | | | sorry . . .but what is the dub sound? examples? | 
11-15-2010, 07:32 PM
| | | | something completely different from what the op is talking about i think.
dub like oldschool reggae dub or dub like newschool "dub"?
why do you need an envelope filter for reggae bass...? | 
11-15-2010, 07:34 PM
| | Registered User Gear Reviews MusicianYou Magazine | | Join Date: Sep 2008 Location: PA | | | Dub is a genre of reggae. Give the Digitech Synth Wah a spin, plenty of options in one pedal. If it were me I'd use my Systech Envelope Follower. | 
11-15-2010, 07:36 PM
| | | Quote:
Originally Posted by jsh008 sorry . . .but what is the dub sound? examples? | check out Stu Brooks work the Dub Trio...great bass tones. Keep the sugestions coming. | 
11-15-2010, 08:13 PM
| | Registered User Endorsing Artist: Aguilar, D'Addario, Subdecay, Tonefactor | | Join Date: Jan 2008 Location: Brooklyn, NY | | | This is a tough subject, because 'real' dub doesn't usually have fx on the bass... 80's 'digital' dub, by scientist and such, sometimes has some bass fx... Dub is really all about maximum bass... And a filter turned off is an ok way to approximate that.
I think dubstep has confused the matter... It has little to do with dub.
'Dub' is a great book by Michael Veal. I recommend it to anyone interested in the music.
John | 
11-15-2010, 08:41 PM
|  | Registered User Endorsing Artist: Aguilar Amp Gruv Gear and Mono Cases | | Join Date: Oct 2005 Location: San Diego | | Quote:
Originally Posted by JohnDavisNYC This is a tough subject, because 'real' dub doesn't usually have fx on the bass... 80's 'digital' dub, by scientist and such, sometimes has some bass fx... Dub is really all about maximum bass... And a filter turned off is an ok way to approximate that.
I think dubstep has confused the matter... It has little to do with dub.
'Dub' is a great book by Michael Veal. I recommend it to anyone interested in the music.
John | sooo... you're saying.. check out the moog? or WMD fatman...?
i'm not sure what you're getting at joke | 
11-15-2010, 09:23 PM
| | Registered User Endorsing Artist: Aguilar, D'Addario, Subdecay, Tonefactor | | Join Date: Jan 2008 Location: Brooklyn, NY | | | | 
11-15-2010, 09:44 PM
|  | Registered User | | Join Date: Feb 2009 Location: Southern California | | | OP can you please post some videos of a bass sound you are trying to go for?
I would think flatwound strings and a pbass with the tone knob turned down would get you close to a old school reggae sound. | 
11-15-2010, 10:19 PM
|  | I'm a tumbler, born under punches | | Join Date: Aug 2006 Location: Northern California | | | Well, you hit on the two big ones. Stu Brooks uses the Moog and of course Bill Laswell popularized the use of the DOD FX25. I've used both with very good results. Another that I had success with is the Robot Factory Brain Freeze. I haven't tried it (yet) but I'd strongly recommend that you check out the Iron Ether Xerograph.
For those that were asking, a filter with the sensitivity turned down gives a huge pillowy lowend perfect for dub. John's right that traditional dub bass doesn't use effects on the bass, but it is a simple way to approximate those recorded tones. In fact, adding a transparent, tubey OD and a squishy comp gave me a VERY close approximation of classic King Tubby/Scientist/Mad Professor tones.
One advantage of a pedal is that you can turn it off and on to quickly change tones - something Stu Brooks does extremely well. | 
11-15-2010, 11:36 PM
| | | | Thanks for all the replies people. I shouldn't have used the word "dub" in the title as that means different things to different people. So lets leave dub and reggae out of this thread. I like the Sub Dub patch in the Line 6 Bass Pod XT but thats the only patch i like in that box. Any tips on emulating this sound? | 
11-15-2010, 11:49 PM
|  | Registered User | | Join Date: Jan 2007 Location: SF (North) Bay Area | | Quote:
Originally Posted by JohnDavisNYC This is a tough subject, because 'real' dub doesn't usually have fx on the bass... 80's 'digital' dub, by scientist and such, sometimes has some bass fx... Dub is really all about maximum bass... And a filter turned off is an ok way to approximate that.
I think dubstep has confused the matter... It has little to do with dub.
'Dub' is a great book by Michael Veal. I recommend it to anyone interested in the music.
John | Quote:
Originally Posted by Jared Lash Well, you hit on the two big ones. Stu Brooks uses the Moog and of course Bill Laswell popularized the use of the DOD FX25. I've used both with very good results. Another that I had success with is the Robot Factory Brain Freeze. I haven't tried it (yet) but I'd strongly recommend that you check out the Iron Ether Xerograph.
For those that were asking, a filter with the sensitivity turned down gives a huge pillowy lowend perfect for dub. John's right that traditional dub bass doesn't use effects on the bass, but it is a simple way to approximate those recorded tones. In fact, adding a transparent, tubey OD and a squishy comp gave me a VERY close approximation of classic King Tubby/Scientist/Mad Professor tones.
One advantage of a pedal is that you can turn it off and on to quickly change tones - something Stu Brooks does extremely well. | Plus one to John and Jared's posts!
I play in a dub band and for the most part just use my Mesa M6 to get that deep dub tone (voice 2, deep pulled, treb rolled back). Sometimes I'll use an Xotic bass BB at a low gain setting and the bass boosted for slightly furry dub tone. And I will even use a filter (with envelope barely opening) hammered by a fuzz (iron ether) so when the envelope does open, I get a synthy tone for doom dub.
But, really for most dub you just want massive bass.
Last edited by Matt Dean : 11-16-2010 at 12:09 AM.
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11-16-2010, 12:16 AM
| | Banned | | Join Date: May 2005 Location: Inland Empire | | Quote:
Originally Posted by reddi It seems the Dod fx25b and the Moog lpf get alot good reviews for dub sounds with the sensitivity knob turned down. I'm not to keen on the Dods build quality and the Moog doesn't have a hardwire bybass. What other envelope filters do you dub people like? Has anyone tried the Emma discumbobulator for dub? What other pedals pedals are you using for robust dub sounds? | The Maxon can do huge sounds. The Robot Factory Photron can pump out ceiling rattling dub sounds too. | 
11-16-2010, 04:59 AM
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11-16-2010, 06:16 AM
| | Registered User | | Join Date: Feb 2008 Location: York, UK | | | TBH just get a Jazz bass, string it with flats, and roll the treble off your amp. A good tube pre would be nice, to get a thick and compressed sound.
I wouldn't want to use an FX25 for this because it doesn't give you control over the resonant peak of the filter. If you're going to use a filter pedal for a dub sound, get one with a resonance knob. | 
11-16-2010, 06:21 AM
| | Registered User | | Join Date: Feb 2008 Location: York, UK | | Quote:
Originally Posted by Blitzpulver | More like this I think: http://www.youtube.com/watch?v=mBy2452qp7Y
Although he always used a Steinberger strung B-E-A-D.  | 
11-16-2010, 06:27 AM
|  | Registered User | | Join Date: Oct 2006 Location: Rhode Island, USA | | | The DOD is a bandpass filter, isn't it? If you just want massive dark bass, you're going to want to stick to a lowpass filter. The Moog certainly does get a lot love, but pretty much any LPF with the sensitivity rolled ALL the way off will do the job. You also might want to consider a bass boost, like the EHX Mole, Devi Ever Dark Boost, or something like that. Maybe even the DOD Meat Box (?) | 
11-16-2010, 07:05 AM
| | Registered User | | Join Date: Jan 2010 Location: Switzerland | | | SFX X&M then you just mute the high loop. I love those sounds.
And when you want to kick asses, you just put a distortion and something else in the high loop. | | Thread Tools | Search this Thread | | | |
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