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  #1  
Old 03-01-2009, 03:26 PM
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Compressor for endless sustain

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Hello everybody,

What bass-friendly compressor would you go for long sustain?
I'm looking for something that won't affect the original tone, just
take it, squeeze it and give it infinite sustain (good for screaming artificial harmonics )
If it's good for ''standard'' compression also, that'd be even better!


Last edited by JohnPativens : 03-01-2009 at 04:15 PM.
  #2  
Old 03-02-2009, 11:10 AM
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You want an ebow my friend. They are awesome on bass.
  #3  
Old 03-02-2009, 12:05 PM
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For making false harmonics really scream, you don't want compression, you want distortion. With my band, I'll hit harmonics that squeal louder than my guitaris with my HBE Hematoma running into my Bass VT.
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  #4  
Old 03-02-2009, 12:10 PM
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Quote:
Originally Posted by JohnPativens View Post
I'm looking for something that won't affect the original tone, just
take it, squeeze it and give it infinite sustain (good for screaming artificial harmonics )
Impossible. Any device that can compress your signal that much will affect the tone a great deal. Certain high-gain distortions and fuzzes can provide infinite sustain, but obviously the tone is changed quite a bit. the Pigtronix ADSR can supposedly provide nearly infinite sustain, but the tone will be squashed flat. An Ebow is able to give infinite sustain without changing the tone, but I'm not sure it would work in the context of "screaming artificial harmonics", at least not without hundreds of hours of practice.
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  #5  
Old 03-02-2009, 01:03 PM
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I haven't tried it personally but I've heard great things about the Mad Professor Forest Green Compressor. It's also got a sustain switch on it. Bjorn (the designer) said that this pedal should work well with bass when I pm'd him on his forum.
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  #6  
Old 03-02-2009, 03:12 PM
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jbybj, The ebow is great on long notes.. it takes a while to get feedback and has slow attack, just like bowed instruments. Not what I'm looking for, though.


bassman1185, Yes, I think distortion + compression is the good way to go for what I mean. (Billy Sheehan docet!)
Can you do that with only the VTBass engaged at high gain settings?

Bongomania, I read your compressor reviews, very helpful, thank you! So let's say it might affect the tone. Would the Aphex PF, the EBS multicomp, the Mxr Dynacomp (and modded versions) do the trick, if set to extreme comp/ratio?
  #7  
Old 03-02-2009, 03:29 PM
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I haven't really tried using my VT as a standalone distortion. I set it up for "tube amp pushed really hard" kind of sound, so I do get some grit from it, but mostly I use the Hematoma for the higher gain sounds. I do run compression before my board, though, so that helps too. For the squealy pinch harmonics, I think it's important for your compressor to be set for a slightly slower attack, so you get that initial front edge attack of the note.

I have practice tonight, so I can give the VT a try with higher gain settings. In my opinion, though, I think it's much better suited as a preamp/tone shaper than for a full-on, high-gain distortion box.
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Old 03-02-2009, 03:31 PM
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if you can find an old electro harmonix soul preacher, you will get endless sustain, not great for the harmonic squeals though,
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  #9  
Old 03-02-2009, 03:34 PM
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Quote:
Originally Posted by knarleybass View Post
if you can find an old electro harmonix soul preacher, you will get endless sustain, not great for the harmonic squeals though,
EHX reissued the Soul Preacher as one of their Nano pedals. It runs about a hundred bucks here in the states, and it runs off of normal 9v power.
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Old 03-02-2009, 04:20 PM
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bassman1185, Ok, I'll wait for you to try that, thank you!
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Old 03-02-2009, 08:28 PM
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The original Soul Preacher had a reputation as a box of hiss, and the new one was a box of hiss too IME.

Let's clear up exactly what you're looking for. Are you willing to sacrifice natural tone, or are you willing to sacrifice "infinite" sustain? A little of both?
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Old 03-02-2009, 08:31 PM
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i didn't know they were making it again
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  #13  
Old 03-03-2009, 06:33 AM
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Quote:
Originally Posted by JohnPativens View Post
bassman1185, Ok, I'll wait for you to try that, thank you!
Ok, I tried it, and the VT CAN do the screaming pinch harmonics, but that kind of distortion isn't as nice sounding from the VT as it is with, say, a Big Muff or my Hema.
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Old 03-03-2009, 06:41 AM
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What you want is a bass with endless sustain.
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Old 03-03-2009, 07:37 AM
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Quote:
Are you willing to sacrifice natural tone, or are you willing to sacrifice "infinite" sustain? A little of both?
bongomania, Yes, a little of both! I'd like a comp that is good for ''normal'' compression (just like an EBS or a DBX 166xl, to name a few), also capable of extreme compression even if it's going to sacrifice a little of the original tone.

Quote:
Ok, I tried it, and the VT CAN do the screaming pinch harmonics, but that kind of distortion isn't as nice sounding from the VT as it is with, say, a Big Muff or my Hema.
bassman1185, I see.. what settings did you use to make it scream? Character and Driver knobs cranked up, I suppose..

Quote:
What you want is a bass with endless sustain.
A little hard to find, isn't it?
  #16  
Old 03-03-2009, 07:49 AM
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Quote:
Originally Posted by JohnPativens View Post
A little hard to find, isn't it?

I recall someone on TB building an interesting bass (8 string octaves with quarter tone frets?) that also had a Sustainiac. Maybe that's what you want?
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acdc with victor wooten playing bass would suck, but so would bela fleck and the flecktones with cliff williams on bass.
  #17  
Old 03-03-2009, 07:53 AM
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I was able to get some scream out of the VT with the character and gain knobs both around 1:00, but anything beyond that just sounded bad to me.
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  #18  
Old 03-03-2009, 09:24 AM
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Longest sustain I've heard (though from a guitar) was from Trey Anastasio, who did it by putting two cranked Keeley modded ts-9's in front of a Ross compressor... I guess in theory that could work on bass too...?
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  #19  
Old 03-03-2009, 09:45 AM
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Quote:
Originally Posted by JohnPativens View Post
Yes, a little of both! I'd like a comp that is good for ''normal'' compression (just like an EBS or a DBX 166xl, to name a few), also capable of extreme compression even if it's going to sacrifice a little of the original tone
Almost any good rackmount comp with a very high ratio setting will do what you want. In pedal form I think you should try the T Rex Comp Nova. I found that by running a relatively hot signal into it I could get some pretty intense sustain, yet the tone is quite nice and not dirty. And then when you turn down the level of the signal going into it, it becomes a normal/mild compressor with very clean sound.
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  #20  
Old 03-03-2009, 05:56 PM
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bongomania,

How would you compare the T-rex to the Aphex and the EBS?
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