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03-20-2013, 06:45 AM
| | Registered User | | Join Date: Jan 2013 Location: Virginia | | | Compressor search - fast and transparent(ish) And yes I'm fully aware of the absolutely remarkable Ovni Labs resource... So here's my question - I already have an "effecty" compressor on my board that I love, but I'd like to add a more studio-style one to the arsenal for the fast, punchy and clean attack that tends to work well with dynamic finger style play.
I've owned the Joe Meek and it was great, but a hair soupy sounding to my ears. The Demeter Compulator Pro had a great tone too, but it was too easy to overdrive.
After much research and reflection it seems like an FEA DE-CL would be a good choice for me, but looking at a 6-month waiting list and the speed in which the used ones disappear that's kind of a bummer option. I guess the next best choice for this genre of pedal would be the Empress or Diamond. Eh... I tried to convince myself of the 3 Leaf Audio Pwnzor because I just love the build quality of that shop, but I suspect that's not what I'm looking for.
Am I on the right track? Clean, finger style players, what successes have you come across in your compression experiments? | 
03-20-2013, 08:24 AM
| | | | I'm willing to bet the top two suggestions you receive will be the Empress and the MXR M87. The M87, especially, seems to go from fast to faster, and the reviews all say it is transparent. | 
03-20-2013, 08:26 AM
| | Registered User | | Join Date: Sep 2005 Location: Quebec | | | I love my BBE for that. | 
03-27-2013, 06:13 AM
| | Registered User | | Join Date: Jan 2013 Location: Virginia | | | The Carl Martin Compressor/Limiter wins the gig. I'm sure the Empress is great, but when I auditioned this one it really knocked me out. I had poor history with MXR pedals so will continue to stay clear. | 
03-27-2013, 08:20 AM
| | Registered User | | Join Date: Sep 2000 Location: UK, Essex | | | TC Electronic Nova Dynamics (if you can find one) set to studio mode is highly transparent, and has adjustable attack. You can mix some of your clean uncompressed signal back in too for more transparency.
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03-27-2013, 08:57 AM
|  | Registered User | | | | | Origin Cali76 is the best compressor I've tried, will give exactly what you want
__________________ **Looking for a Retrospec Squeeze Box**
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03-27-2013, 08:57 AM
|  | Registered User | | Join Date: Jul 2012 Location: NYC | | | Aguilar TLC is pretty transparent and its relatively affordable compared to other good quality Comps.
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03-27-2013, 02:26 PM
| | Registered User | | Join Date: May 2010 Location: Tallahassee, FL | | | Fast and transparent SCREAMS Aguilar TLC | 
03-27-2013, 02:28 PM
|  | needs more fuzz. | | Join Date: Sep 2008 Location: Dartmouth, Nova Scotia | | | I'll second the M87.
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check out the profile for gear and clubs. Quote:
Originally Posted by behndy 'm a VERRRRRRRrrrrry excited little knob twiddler. | | 
03-27-2013, 02:43 PM
|  | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | | I know Bongo doesn't like it, but the FMR Really Nice Compressor sounds like that to me.
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03-27-2013, 04:27 PM
| | | | Great inquiry you have posed HeavyJazz77. However, I would like to inquire as to why you have chosen the FEA DE-CL over the FEA Dual Band Optical Compressor-Limiter, as I am torn between the two. | 
03-27-2013, 04:47 PM
|  | Registered User | | Join Date: Dec 2006 Location: The Berkshires, Ma | | | I had a Maxon CP9 pro plus for a fee years and Zi really liked it. Very transparent, easy to use, tons of headroom. | 
03-27-2013, 04:51 PM
|  | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | Quote:
Originally Posted by Swift713 I had a Maxon CP9 pro plus for a fee years and Zi really liked it. Very transparent, easy to use, tons of headroom. | Used to have the Ibanez version of it. Pretty good, don't know if I'd call it transparent.
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Ampeg Portaflex Club #1
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03-27-2013, 09:42 PM
|  | Registered User Exar went out of business, so... | | Join Date: Oct 2005 Location: PDX, OR | | Quote:
Originally Posted by JimmyM Used to have the Ibanez version of it. Pretty good, don't know if I'd call it transparent. | Actually the "Pro +" is a completely, totally different pedal from the old regular CP9.  | 
03-27-2013, 09:44 PM
|  | Registered User | | Join Date: Jan 2009 Location: Québec | | | I have an Empress, works very well in any situation I've used it in.
Studio, live you name it , it sounds good.
I have not tried the others mentionned in this thread so I can't compare. | 
03-27-2013, 09:49 PM
|  | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | Quote:
Originally Posted by bongomania Actually the "Pro +" is a completely, totally different pedal from the old regular CP9.  | Oh, well never mind then. 
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Ampeg Portaflex Club #1
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03-27-2013, 10:11 PM
|  | Registered User | | Join Date: Nov 2008 Location: Indy, IN | | Quote:
Originally Posted by n747js Great inquiry you have posed HeavyJazz77. However, I would like to inquire as to why you have chosen the FEA DE-CL over the FEA Dual Band Optical Compressor-Limiter, as I am torn between the two. | Although it looks like the OP has already made a decision, not involving FEA, I'd guess it's because the DE-CL is $80 cheaper and has, like, 7 less knobs! LOL!
Ok, I know it only has 3 less knobs(4 if you count the limiter toggle switch), but you get my point.
I'm on the waiting list for both, but I'm really leaning towards the DB-OCL. Why? I like spending money and the more knobs, the better!
I kid, I really like being able to control the compressor release. While I think the Adaptive Release on the DE-CL is probably super sweet, I want to have a modicum of say in the release aspect.
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