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  #1  
Old 11-14-2008, 12:49 PM
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Coolest Usable Effect Pedal for under $200

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A fun little post to help us widen our effects horizens. What, in your opinion, is the coolest useable effect pedal (<$200) for a live rock band setting? And if you have some obscure pedal in mind with a name like Crippled Geese...please let us know what the pedal does...ie delay..etc. Thanks, go nuts!
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  #2  
Old 11-14-2008, 12:52 PM
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I would prolly say any good FUZZ or OD. I can't go without.

EDIT: Ill say two, Polish Love OD and GGG tuned muff. Under $200 for both.
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Last edited by Bassenstien : 11-14-2008 at 02:23 PM.
  #3  
Old 11-14-2008, 01:04 PM
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Based on what I have experience using, I'd go with the Q-Tron+. I love envelope filters and this one is extremely versatile and has an effects loop for more possibilities. The only problem with it is that I have to keep my Bad Monkey in its FX loop to tame its volume spike and boost the lows a little while cutting some treble. So it might be a little more the $200 if you buy both those new. But a Carbon Copy delay is a single pedal that I think is my second coolest effect. It's like $140 new.
  #4  
Old 11-14-2008, 01:05 PM
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Quote:
Originally Posted by Bassenstien View Post
I would prolly say any good FUZZ or OD. I can't go without.
Agree! Or maybe a pre-amp/EQ, like the Sansamp BDDI or MXR M-80. Though, they cost a bit more than 200, but you can always find a used one.
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Old 11-14-2008, 01:16 PM
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Quote:
Originally Posted by perk45 View Post
Based on what I have experience using, I'd go with the Q-Tron+. I love envelope filters and this one is extremely versatile and has an effects loop for more possibilities. The only problem with it is that I have to keep my Bad Monkey in its FX loop to tame its volume spike and boost the lows a little while cutting some treble. So it might be a little more the $200 if you buy both those new. But a Carbon Copy delay is a single pedal that I think is my second coolest effect. It's like $140 new.
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  #6  
Old 11-14-2008, 01:19 PM
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  #7  
Old 11-14-2008, 01:20 PM
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Used sansamp programmable bass driver
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  #8  
Old 11-14-2008, 01:24 PM
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ehx stereo polyphase. you get an awesome-sounding, exceptionally bass-friendly phaser with tons of flexibility for subtle tone-sculpting, an envelope mode that is nearly replacing the q-tron for my applications, and a square wave mode for extra weird grooviness. And that's if you don't even have an expression pedal lying around ...
  #9  
Old 11-14-2008, 01:43 PM
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Quote:
Originally Posted by b to g is yummy View Post
A fun little post to help us widen our effects horizens. What, in your opinion, is the coolest useable effect pedal (<$200) for a live rock band setting? And if you have some obscure pedal in mind with a name like Crippled Geese...please let us know what the pedal does...ie delay..etc. Thanks, go nuts!
There is a bit of contradiction in the request though. Coolest and usable aren't mutually exclusive but I wouldn't necessarily look for both in the same pedal.

For instance, the Echo Park is among the more fun budget pedals out there but it wouldn't be my first choice for a "live rock band setting." For that I'd be looking for a solid overdrive or maybe even a wah. Same with the Subdecay Noise Box. Fun? Absolutely. Cool? Yep. Useful in a live rock context? Maybe. (nad seems to think so).

With a little more clarification on what you want I could recommend something either way.
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  #10  
Old 11-14-2008, 03:19 PM
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The Crippled Geese is cool, but it's just not worth the money IMO.
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  #11  
Old 11-14-2008, 03:54 PM
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Originally Posted by K2000 View Post
The Crippled Geese is cool, but it's just not worth the money IMO.
The question you should really be asking is which pedal crippled the geese in the first place? That's the one you want.
  #12  
Old 11-14-2008, 03:57 PM
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MXR M80 and Fuzz.
Or Fuzz and Filter <3
Or Overdrive+Booster (hematoma <3) and Fuzz

For 200$ you can get 2 great pedal.

Or BASS POD if you like ****** sound
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  #13  
Old 11-14-2008, 04:19 PM
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I'll put in a vote for a Barber Linden Eq pedal. It's under 200, and very useful if you enjoy a bit of tone enhancement. Even with a good bass and top notch amp, it'll add a little more sweetness to the overall tone.
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  #14  
Old 11-14-2008, 07:48 PM
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Get an EHX bassballs twin dynamic filter and an EHX worm XO - Phase, Trem, Vibrato, Mod.Wah.

It has an expression pedal in to either have a foot controlled phase or wah pedal.

So with the 2 you'd have an envelope - with distortion built in - and an LFO.

The expression pedal would put you over $200 but you can always save up. I found the phase notched at one position was an amazing tool.
  #15  
Old 11-14-2008, 07:55 PM
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Bassballs are pretty cool, and decently usable. The low price of a nano would allow you to get something else too. Not sure how I avoided try one for so long

Subdecay Noisebox might qualify. It's a cool freaky little guy, with some odd sounds but doesn't manage to be unusable (well, blues and country need not apply).
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  #16  
Old 11-14-2008, 08:00 PM
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DOD fx/25 auto wah/synth ?
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  #17  
Old 11-14-2008, 08:13 PM
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Quote:
Originally Posted by RCCollins View Post
ehx stereo polyphase. you get an awesome-sounding, exceptionally bass-friendly phaser with tons of flexibility for subtle tone-sculpting, an envelope mode that is nearly replacing the q-tron for my applications, and a square wave mode for extra weird grooviness. And that's if you don't even have an expression pedal lying around ...
So you approve of this pedal?
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  #18  
Old 11-14-2008, 08:14 PM
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or an EHX Graphic Fuzz.
  #19  
Old 11-14-2008, 08:18 PM
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Originally Posted by selfblessed View Post
So you approve of this pedal?
indubitably.

in combination with various dirt, it has become an integral part of my sound. Sometimes subtle, sometimes not. Not quite "always on" but it's my go-to phaser/envelope effect
  #20  
Old 11-14-2008, 08:21 PM
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Boss DD7 digital delay, at about $160, it's a no-brainer, also does 20 second looping in stereo, 40 seconds in mono

The short slapback echo sounds really cool on fretless, really brings out the overtones.
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Last edited by The Owl : 11-14-2008 at 08:42 PM.
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