Hi there fellows!
Nu question for you guys! Used the search button, will discuss later.
So basically I'm a big fan of a YouTube singer nicknamed Veela, and one of my fav tracks is "Offering", beat by Captain Panic( http://youtu.be/Cm3cOOy4qOw ), and if you listen to it, you'll notice that most of the song is a throbbing bass drop(the note is an F# I think). Now, I know it's a synth, but to make that sound live which pedals should I use? My ear tells me that it's a bass fed into a distortion fed into a wah fed into a tremolo, but I'm not sure, and anyway which pedals should I use?
Search button led me to Hot Hand, which I don't like the sound of, and to Ableton, with which I'm experimenting but the latency is too high.
Thanks and, as always, you're all great!
Wobble bass is usually created on a synthesizer by modulating a filter with an LFO (low frequency oscillator).
To duplicate on a bass guitar you would need some sort of filter pedal with an LFO. Most filter pedals have only envelope following, I personally don't know of one with an LFO.
Wahs are just filters controlled manually rather than by an envelope or LFO. So if you just wiggled a wah fast enough you'd get close
Seriously, you might as well just buy a cheap synth to play wobbles
Well, I think the wah is not wiggled that fast, it sounds like because of the tremolo, like in Wake Up by RATM...anyway, what is an LFO? A synthesizer? Annnnd...would a Digitech Bass Synth Wah or Boss SYB or something like that cut it? (plus distortion, ofc)
The source audio bef pro has a lfo and you can do some quite nice wobbly things with that and a bit of dirt. If you're feeling really adventurous you can even have an lfo running at the same time as using an EP on it! :thumbup:
A behringer BSY-600 does a good 'all in one' wobble, a tremolo is another alternative (coupled with a filter and maybe fuzz). A pitch bender, like a boss pitchshift with an expression pedal or Whammy pedal will give you a controllable sweep, sounds good with a trem after. Also a Zoom B3 would give you a lot of options, I've had some great success with dubstep/wobble bass sounds.
These videos helped me a lot, this guy plays live dubstep and uses several different techniques to create different wobbles. http://www.youtube.com/watch?v=L8oxhMq2seE
There are lots of different approaches you can take to replicating electronica bass tones. The majority will involve a pedal capable of producing an octave down.
From there you will probably want to experiment with various types of dirt (gated and non-gated fuzz, bitcrushing, synth-y waveforms, etc.) as well as some kind of low-pass filter to either fatten up the signal (if you plan on playing dub or dub-influenced music), provide some vocal modulation/sweeps, or to allow for LFO-controlled wobble bass (the key to playing a lot of dubstep). The LFO wobble can be replicated somewhat by using tremolo--but be aware that this is amplitude modulation and, while useful in electronic contexts, is not the most common way of getting the wobble bass sound.
Adding a sample rate reducer or ring modulator after a modulating/swept filter is a great way to get formant ( pronounced "talking bass") sounds. You could also try bitcrushing at this stage to get some of the harsher bass sounds common in some electronica subgenres. Adding a bit of modulation in the form of chorus, phaser, flanger, etc. can also help fatten up things quite a bit and give a bit of life to an electronica-inspired bass part. Same goes for slight amounts of delay and reverb.
Here's a quick example (it's the last example in the clip) I recorded of an electronica-inspired bass sound that uses an octave down (with a synth-y waveform for dirt), a low-pass filter and, finally, some tremolo. I then throw on a chorus effect to demonstrate its application in fattening up synthy bass parts:
Bear in mind that electronica (dubstep included) is a very diverse genre. You could easily get away with just an octave down and a low-pass filter to play huge-sounding dub and more dub-leaning dubstep lines. My advice would be that you learn as much as you can about different forms of signal processing, try out a few different effects and effect combinations, and then try crafting your own sounds to go with some of the bread-and-butter electronica tones.
...in the first post, I said I do not like how the HH sounds. I've already seen ALL of those videos. Sounds like an overpriced toy.
There are 2 issues here that are getting confused.
1) How am I creating the synthy filter sound? This is mainly done using a synth pedal, a distortion pedal, and a moving filter pedal. (there are other options, but this is the one that seems to be the most common.) Source Audio pedal are only one of many good options for solving this part of the problem.
2) How am I controlling the movement of the filter? If you are OK with the sound of a fixed oscillator, then use the LFO to drive your filter. If you are ok with the limited action that a mechanical expression pedal gives you, then go for it. If you want to mix varying filter movements, then you will need to use something like Hot Hand or program a pattern into Ableton. Hot Hand is NOT a sound. Hot Hand is a device for moving filters in ways that are more organic than an LFO and faster than what you can do. Hot Hand is popular for creating organic dubstep wobbles, because there is no other clear and easy way to do it while playing an instrument.
I hope this makes things more clear and not the other way around!