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Essential Effect Pedals What pedals do you guys think every bass player should have? And whats your opinion on Bass players using Guitar Pedals :eyebrow: |
Ive heard a lot of people say, "bass players shouldnt use pedals" and so forth. Different strokes for different folks. In my opinion, I think, depending on what youre trying to go for, distortion/OD/fuzz, depending on your amp, a preamp/DI pedal like a SansAmp VT Bass or the BDDI, an octaver, delay and a chorus/flanger or both. I personally have all these. And a wha wha and or envelope filter. As for the use of guitqr pedals used for bass, it really varies. Some guitar pedals actually react better to a bass frequency while others sound like crapola. I have a Boss bass chorus and I am actually thinking of replacing it for a Boss guitar chorus. Ive heard it "rings" a lot more. Honestly I dont dig the one I have that is designed FOR bass. Again, differetn strokes, different folks. I would like to see the feedback you get here. :bassist: |
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whether the pedal was designed for bass or not, usually has little to no bearing on my interest in it |
I think bass players should use whatever pedals they want o, just so long they do not OVERuse them. Everything has its place and time,pedals included. |
I don't think there is a pedal every bass player should have, unless you're going to count a tuner as an "effect pedal". It's a completely personal artistic choice, there are no rules about when or when not to use effects. Personally I play in some bands where a boost pedal is all I would ever consider, and other bands would be difficult without my full board. As for guitar pedals, I use some. If they sound good, they are good. Again, no real rules here, it depends much more on what you're looking to get out of using a pedal that determines whether it's right for you. |
so ima say screw all these guys and their moral ambiguity/political correctness lol honestly in my opinion i think every bassist should have some sort of modulation. although i love reverb and delay and they are my bread and butter, Rvrb/delay wont be that great for everyone. personally i think on a grand scale of usefulness i think every bassist should have atleast chorus i think it should be essential. also i don't think i have a single pedal designed for bass soooooooooooo yeah. |
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Essentials IMO: Tuner Compressor DI w/EQ |
A good cable and a good tuner. |
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Great place to start (after a tuner) with something that you will use the most is one of the following Preamp/dirt boxes: Sans Amp Tech 21, MXR M-80, Xotic Preamp... Next step chose the modulation that you want: Chorus, phaser, flanger.... tip: Don't waste your time and money on really cheap modulation, if you are going to do it then do it to a respectable degree to really TRY modulation. It's better to stick with step one then to try to get into modulation with a chincy budget. Not all good pedals cost a lot, but you don't want to make your decisions subject to a $40 budget either. Maybe check out a Strymon Mobius as a good multi-effect for less cost than accumulating individual pedals... |
The essentials? A tuner, but that doesn't have to be a pedal. A great help and a big use to many players (especially tappers and slappers) would be the compressor. Everything else is personal choice, and most are just lost in the mix anyways. |
This is what I'd purchase in order: Turbotuner Digitech BSW OneSpot MXR Phase 90 Pedaltrain Mini OC-2 / EBS Octabass Some kind of OD / Dirt A DI, SansAmp or MXR M-80 From there, the world is your oyster. Whatever that means. |
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I have the SansAmp BDDI and the VT bass. Those are compressors of sorts right?? |
I am a die hard tone freak. I have certain tones in my head that I want my bass/effect/rig to reproduce. The tones I like to get are like what these famous players get: - Jack Bruce - Chris Squire - John Entwistle - John Wetton - Paul McCartney - Tony Levin That is a lot of different tones to get from the bass/effects/rig combination. Well I have finally settled on this pedal board. Every time I swap out a pedal from this board it no longer sounds as good. ![]() 1 - First I run into an equalizer 2 - Then I split the signal into 4 parallel signals with a rolls mixer. 3 - I run one of the parallel lines into the Line6 bass pod where I model an acoustic 360 with a rat or big muff distortion pedal. I use this to get a retro growlly distorted sound. Or I also model an Ampeg fliptop with the Rat Distortion pedal. And I also Model an old Marshall amp. With the bass pod I can get a wide range of clean or dirty sounds and various effects and model different amps and speaker cabinets. 4 - The second parallel signal goes into a MXR bass di+. I use this pedal to get a clean modern sound. It also has a distortion button that can give a moderate to extreme amount of modern distortion. 5 - The third parallel signal goes into a Marshall Guv'nor. This gives me an old 60s marshall stack sound. This can go from a small amount of distortion to an over the top marshall sound. This effect can give you a the classic Jack Bruce Cream tone. 6 - The fourth parallel signal goes into a Tech21 VT Bass pedal. With this effect I get a slightly dirty Ampeg SVT bass amp sound with a tube like growl. 7 - Then I remix the 4 signals back together and run it into a bass amp, or pa, or studio mixer. Because the signals are parallel I can mix clean and overdriven sounds together and still get effect and a sound that punches through the mix. ![]() |
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I don't think any pedals are really necessary, but it largely depends on what style of music you play and if you have any tricks that require effects. I usually run through a tuner, a volume pedal, delay/echo, chorus, and a Sansamp DI. I might add a fuzz or overdrive, and I'm toying with the idea of putting together a dubstep effects chain. But in most situations, I'm fine with just the tuner. |
I'm a no-effects guy generally, but I'd say that if there was ONE bass effect that was the most useful across genres, I'd say some kind of modulation, most likely a chorus. I've heard chorus used on a bass guitar in funk, country, various rock, modern jazz and probably more that I can't think of at the moment. Second to a chorus, I'd probably say some kind of overdrive or a light fuzz. Probably a compressor too, depending on your style and what you're playing. |
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