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  #1  
Old 01-29-2010, 08:27 AM
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Failure tone appreciation

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Any ideas on getting an approximation of the distorted bass tone from the album Magnified?

Frogs

Small Crimes

One of my favorite bass toanz
  #2  
Old 01-29-2010, 09:19 AM
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I would say a VT Bass or XXL and a heavy pick
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  #3  
Old 01-29-2010, 09:24 AM
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Old Green Russian Big Muff. Rickenbacker. Wal. Herion.
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  #4  
Old 01-29-2010, 09:25 AM
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Also keep in mind that Greg Edwards played Wal basses, which has a very distinctive growl to it. It will be hard to replicate, as all Justin Chancellor fanboys can attest to.
  #5  
Old 01-29-2010, 09:28 AM
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I'd have no problem getting that tone with a VT-bass with character knob rolled around toward the right, roundwounds and a pick.

Also would have problem getting it with my M13 without a pick.
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Old 01-29-2010, 09:33 AM
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Originally Posted by bigchiefbc View Post
Also keep in mind that Greg Edwards played Wal basses, which has a very distinctive growl to it. It will be hard to replicate, as all Justin Chancellor fanboys can attest to.
<------ J.C Fanboy, and I can attest to this fact.
I actually played one of these and instantly heard it.
Too bad I can neither find or afford one.
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  #7  
Old 08-30-2010, 04:19 PM
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Sorry to resurrect a corpse, but lately I've been stockpiling muff variants (a phase, if you will) and acquired the Stomp Under Foot Civil War and it nails "Small Crimes".

Now to a question...would you guys think I were nuts to do a pedalboard of "Muffs"?

It'll be:
Grey Stache
SUF CW
SUF Green
S&S Bluebeard
Swollen Pickle

Alright...I've lost it!
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  #8  
Old 08-30-2010, 04:42 PM
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Originally Posted by Sawtooth View Post
One of my favorite bass toanz
+1

Great album. I also love "Heliotropic" off of fantastic planet. Too bad A Perfect circle didn't cover this song as well.
http://www.youtube.com/watch?v=llxvuf_X_us
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  #9  
Old 08-30-2010, 05:27 PM
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Hey, just a huge Failure fan, dropping by to say howdy,....Howdy.
Also love that bass tone, and I get fairly close with a Ric, a Valve Drive, and a Mesa Buster 210/15 rig. Gnarly growl with an edge.
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  #10  
Old 08-30-2010, 07:42 PM
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BIG FAN. Actually gonna get a tat of the Fantastic Planet soldier soon.

BTW: Do we know what Muff those guys used? I made a Green clone and get pretty damned close to the Heliotropic tone.
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Last edited by skulletwhip : 08-30-2010 at 07:46 PM.
  #11  
Old 08-30-2010, 08:33 PM
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Originally Posted by skulletwhip View Post
BTW: Do we know what Muff those guys used? I made a Green clone and get pretty damned close to the Heliotropic tone.
I heard from a very reliable source that it was the Green...but I'm telling you, The CW I received nailed it when I tried it.

Keep in mind that I also own a Wal, however, so YMMV.

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  #12  
Old 08-30-2010, 08:41 PM
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buglen
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Last one for today, #5 from the list:

Failure - Frogs

This is the intro from the song, played at a 1/2 step higher (drop D tuning).

FEA Dual Band Distortion Settings:
Each setting is represented on a scale of 1 to 10, 1 being the 7:00 position and 10 being the 5:00 position on the knob (min to max).
Low Band - Drive: 5
Low Band - Octave: 0
Low Band - Tone: 10
Low Band - Level: 6
Low Band - Dry: 5
High Band - Drive: 10
High Band - Mids: 0
High Band - Highs: 8
High Band - Level: 6
Frequency: 3
Bypass: Off

Setup:
MM Stingray SLO 4-string (with a pick) -> FEA Dual Band Distortion -> Hartke HA4000 -> FEA Custom Cabs (2x10, 1x18) -> Behringer XM8500 Mic -> Fostex MR-8HD Digital Recorder

Links to the others samples posted earlier today and this week for review:
Dodge Truck Commercial Riff
Stroker And Hoop Intro
Converge - Dark Horse (bridge)

This is from a post I just saw tonight. Fate?
  #13  
Old 08-30-2010, 08:42 PM
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Quote:
Originally Posted by buglen View Post
Last one for today, #5 from the list:

Failure - Frogs

This is the intro from the song, played at a 1/2 step higher (drop D tuning).

FEA Dual Band Distortion Settings:
Each setting is represented on a scale of 1 to 10, 1 being the 7:00 position and 10 being the 5:00 position on the knob (min to max).
  • Low Band - Drive: 5
  • Low Band - Octave: 0
  • Low Band - Tone: 10
  • Low Band - Level: 6
  • Low Band - Dry: 5
  • High Band - Drive: 10
  • High Band - Mids: 0
  • High Band - Highs: 8
  • High Band - Level: 6
  • Frequency: 3
  • Bypass: Off

Setup:
MM Stingray SLO 4-string (with a pick) -> FEA Dual Band Distortion -> Hartke HA4000 -> FEA Custom Cabs (2x10, 1x18) -> Behringer XM8500 Mic -> Fostex MR-8HD Digital Recorder

Links to the others samples posted earlier today and this week for review:

I'll record and post more tomorrow...
Sorry, this is what I meant
  #14  
Old 08-30-2010, 08:48 PM
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Yeah, I'm a huuugggeee Greg Edwards fan (saw him couple weeks ago with Autolux...playing guitar though ). I've always read his main "overdrive" tone was a Rat. I've tried lots of Rats, including DIY ones but I've not been able to get that tone. Of course, I don't have the necessary Wal either. I still have a few things to try though. I think the trick to his overdrive tone is to dial the right amount of "crunch" without losing too much definition or bottom end (and not too fuzzy). Tall order I know!

To my ears, that FEA Dual Band clip sounds pretty damn good (and close). I think the Darkglass B3K would come close to copping that tone as well. I'm going to try both when I have a chance.

Last edited by karter2000 : 08-30-2010 at 08:51 PM.
  #15  
Old 08-30-2010, 10:14 PM
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I read he used a Boss Eq with the Rat. That band achieved so many cool sounds on all the instruments.
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