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10-06-2010, 05:37 PM
| | Registered User | | Join Date: Sep 2010 Location: Florida | | | Good Psychedelic Effects
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Im about to start a band With my Friends and we are gona Play Psychedelic/70's style rock and i was wondering if you guys had any suggestions.I love Effects,I have 3 Pedals,A Fuzz,Processor,and a Wah wah pedal.They are both great.Thanks for your ideas.  | 
10-06-2010, 05:52 PM
| | | | delay, chorus, flanger, envelope filter | 
10-06-2010, 06:06 PM
|  | Registered User | | Join Date: Jul 2010 Location: Baltimore | | | Delay(s)
Empress Super Delay (Vintage version).
- or -
Mad Professor Deep Blue Delay Fuzz
Dwarfcraft Hair of the Dog Flanger
Blackout Effectors Whetstone (my fav pedal of all time) | 
10-06-2010, 06:20 PM
| | Registered User | | Join Date: Dec 1999 Location: Lancaster, PA | | | Big cabs, and tape wounds. Shake the earth, while rooting guitar and keyboard flightiness.
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10-06-2010, 06:39 PM
|  | Registered User | | Join Date: Mar 2008 Location: San Diego, California | | | split signal, run one line into a fuzz followed by a pigtronix EP-2 envelope phaser, the other into the envelope trigger input of the EP-2.
It gets no more psychedelic than that | 
10-06-2010, 06:52 PM
| | | Quote:
Originally Posted by top028 Big cabs, and tape wounds. Shake the earth, while rooting guitar and keyboard flightiness. | +1 to this. If you are all making psychedelik freak-out it will sound messy.
I guess it depends what the other players are doing, as with all styles.
I think though, bass in most 70's psychedelia was just bass and an amp. Big amps!  | 
10-06-2010, 06:53 PM
|  | Registered User | | Join Date: Mar 2009 Location: Highland, CA (Inland Empire) | | | use a Boss BF-2 set to max res,depth low rate, manual at 12 o clock, run into a Boss PS-3 set to mode 11, pitch A to unity and B to a 5th up,100% wet. run that into a VFE Echo Ohce set with slow gear clone at medium swell with decent sustain, set the delay side to 100% wet, modulation depth at max, modulation rate at 9 o clock. set the repeat rate at 3 o clock and feedback to about 4 o clock (right before it really self-oscillates)
This to me is the BEST combo for freakouts! | 
10-06-2010, 06:58 PM
| | Registered User | | Join Date: Aug 2007 Location: Adelaide, South Australia | | | what everyone else said
plus a phaser
defs need a phaser | 
10-06-2010, 07:04 PM
| | Registered User | | Join Date: Feb 2010 Location: jimi hendrix bass jam funk | | | moog low pass filter
for filter sweeps or maybe even a wah
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10-06-2010, 07:04 PM
| | Registered User | | Join Date: Aug 2008 Location: Hamburg, Germany | | Quote:
Originally Posted by BritPicker I think though, bass in most 70's psychedelia was just bass and an amp. Big amps! | +1
Most of the time, bass in psych rock at that time was really barebones (or am I thinking even further back, in the 60s?). Effects were rarely used, you could make the lines as busy as you wanted, but effects were mainly for guitar and keys.
Nothing wrong with sfx usage though. I think the most common bass effect I hear in psychedelic rock is autowah though.
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10-06-2010, 07:10 PM
| | Banned | | Join Date: Nov 2007 Location: Maine/Vermont | | | Phaser.
See Stranglehold. | 
10-06-2010, 07:31 PM
| | Registered User | | Join Date: Jun 2008 Location: Fredericksburg, Virginia | | | Delay pedals. Self oscillate one/both into a third.
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10-07-2010, 07:11 PM
|  | Supporting Member | | | | Quote:
Originally Posted by Need2KnowBasses delay, chorus, flanger, envelope filter |
Get all these effects.....and more....all at once.... using the Danelectro DDS-1 Sitar Swami.
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10-07-2010, 07:17 PM
| | Registered User | | Join Date: Aug 2010 Location: London | | | phase & wah
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Electronic/Synth/Experimental Bassists Member #103
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10-08-2010, 10:06 AM
| | Registered User | | Join Date: Dec 2008 Location: Wakefield, UK | | Drugs  .
Seriously though, delay and phaser would my first port of call.
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10-08-2010, 10:14 AM
| | Registered User | | Join Date: Aug 2010 Location: London | | Quote:
Originally Posted by gnasher1993 Drugs  .
Seriously though, delay and phaser would my first port of call. | i HATE people that take drugs!!!!
customs officers etc
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10-08-2010, 10:35 AM
| | Registered User | | Join Date: Nov 2009 Location: Lisbon, Portugal | | | bootsy did some very psychedelic solos with fuzz, envelope filter and delay, so you should try that to. also, phasers, chorus, flangers, etc.. If you could find an original roland jet phaser(larry graham pulled insane tones out of that), or even a nice replica, i bet that would work great. in fact i'd love to have one myself..
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10-08-2010, 10:49 AM
| | Banned | | Join Date: Nov 2007 Location: Maine/Vermont | | Quote:
Originally Posted by khabalah i HATE people that take drugs!!!!
customs officers etc |  | 
10-08-2010, 03:29 PM
|  | Registered User | | Join Date: Sep 2010 Location: Nashville, TN | | Quote:
Originally Posted by Nashrakh
Most of the time, bass in psych rock at that time was really barebones (or am I thinking even further back, in the 60s?). Effects were rarely used, you could make the lines as busy as you wanted, but effects were mainly for guitar and keys. | Exactly, and yes it was the 60s. Most common effect was the guitar player pounding on the top of his amp that had spring reverb in it. Also a lot of reverse envelope on guitar solos. Phase shifting on drums made an appearance here and there.
Lighting is as essential as music to achieve the full effect. Lots of kaleidoscope looking effects. They used to mix oil with colored water in a clear dish and put it on overhead projectors and then shake it. Tie dyed t-shirts a must and wild bass drum heads. A fun time for sure. | 
10-08-2010, 06:57 PM
|  | Registered User | | Join Date: Dec 2008 Location: Florianopolis - Brazil | | Phaser/flanger and ringmod. Can't get much psychedelic-y than this 
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