|  | 
07-05-2010, 07:39 PM
| | | How to run a clean channel and a dirty channel through a single amp.
Sign in to disble this ad
i want to be able to parallel a clean bass tone with a dirty bass tone under it. like run the clean tone say at 8 with the distortion at say 4. catch my drift?
i want it to sound layered, like dual basses playing.
is there any way to rig that up? | 
07-05-2010, 07:43 PM
| | Registered User | | Join Date: Aug 2003 Location: Jax, FL | | | They have some bass amps with two channels that can be blended together to achieve this, including my current amp, which is a Marshall MB450.
A few others that come to mind are the Genz-Benz Shuttlemaxes and Mesa's Titan V12. I'm sure there are others as well. | 
07-05-2010, 07:46 PM
|  | Real Basses Have 5 Strings! | | Join Date: Jan 2008 Location: Colorado | | I mix clean and dirty together on my pedalboard.
1 - First I run into an equalizer
2 - Then I split the signal into 4 parallel signals with a rolls mixer.
3 - I run one of the parallel lines into the Line6 bass pod where I model an acoustic 360 with a rat or big muff distortion pedal. I use this to get a retro growlly distorted sound. Or I also model an Ampeg fliptop with the Rat Distortion pedal. And I also Model an old Marshall amp. With the bass pod I can get a wide range of clean or dirty sounds and various effects and model different amps and speaker cabinets.
4 - The second parallel signal goes into a MXR bass di+. I use this pedal to get a clean modern sound. It also has a distortion button that can give a moderate to extreme amount of modern distortion.
5 - The third parallel signal goes into a Marshall Guv'nor. This gives me an old 60s marshall stack sound. This can go from a small amount of distortion to an over the top marshall sound. This effect can give you a Chris Squire Yes sound or a heavy metal sound, or just a subtle amount of distortion.
6 - The fourth parallel signal goes into a Tech21 VT Bass pedal. With this effect I get a slightly dirty Ampeg SVT bass amp sound with a tube like growl.
7 - Then I remix the 4 signals back together and run it into a bass amp, or pa, or studio mixer. Because the signals are parallel I can mix clean and overdriven sounds together and still get effect and a sound that punches through the mix.  | 
07-05-2010, 07:57 PM
| | | | that makes sense here is my rig. fender jazz and p bass, line 6 lowdown pro 300.
big muff pi, boss bass overdrive.
what i want to do is run somehow the overdrive and/or muff into the amp at a lower level along with the clean.
so would i still need to get two of the mixers?
whats a cheap mixer i can buy? | 
07-05-2010, 07:57 PM
| | Banned | | Join Date: Jul 2010 Location: New York, NY | | Simple Answer: Use a fuzz with a less than steller clean blend (Bass Big Muff for example  ) First post btw... | 
07-05-2010, 08:20 PM
| | Registered User | | Join Date: Aug 2003 Location: Jax, FL | | Quote:
Originally Posted by ben12390 here is my rig. fender jazz and p bass, line 6 lowdown pro 300.
big muff pi, boss bass overdrive.
what i want to do is run somehow the overdrive and/or muff into the amp at a lower level along with the clean.
so would i still need to get two of the mixers?
whats a cheap mixer i can buy? | If all you're looking to do is blend a little extra clean signal along with the muff or overdrive, you could get a looper with a clean blend.
Honestly, there are several different ways to get where you want to go-Amp with 2 channels, a setup like Ric5 has, or a looper.
Another option would be to get a different overdrive or fuzz that has a good blend. I have the MXR Blowtorch that I use for my fuzz sound-It has controls for blend, volume and gain, not to mention a 3 band EQ, and mid selector switch. You could say crank the gain up, but then also crank the blend to introduce lots more clean signal. | 
07-05-2010, 08:27 PM
| | | | What i want I want to literally have two sounds going, so i can adjust the level of each, and i want it to be available later if i get more pedals. so simply getting a different overdrive wouldnt suffice.
i like the mixer idea. i just dont see how his mixers are working.
i see that you have your bass to eq then to the mixer, but youre inputting it through the output.. is that just how it works? if so, then can i do that with any cheap mixer? | 
07-05-2010, 08:34 PM
| | Development Engineer: Genz Benz | | | | | Whatever you are doing, be very careful that your polarity and phase remain correct throughout the signal paths... or you can end up with horrible unexpected results. Some devices invert signal and some have unexpected phase shift.
__________________
Engineer: Genz Benz
| 
07-05-2010, 08:38 PM
| | | Dunno how this guy hasn't been brought up; 
__________________
Jaguar Club #69 Quote:
Originally Posted by TrooperFarva Well, in fairness to the student, there can be only one. | | 
07-05-2010, 08:48 PM
| | Registered User | | Join Date: Oct 2007 Location: Portland, OR | | Quote:
Originally Posted by rr5025 Dunno how this guy hasn't been brought up; | In addition:
Xotix Xblender
Wounded Paw Effects Blender or Super Blender
Badger Effects Schism
They all are capable of what you are asking and there are many more I can't think of now. Each works in a slightly different way so you'll need to guess what features you'll need most. One thing to be aware of is phase inversion. Some pedals invert the phase of your signal. When an inverted signal is blended with a non-inverted signal some of the frequencies can get cut, leading to a thin tone. Some blenders have a phase inversion switch to correct this, some don't. If your pedals don't invert phase then you'll be fine without. If they do invert, then you'll probably want an inversion switch for your loop.
Last edited by cheapbasslovin : 07-05-2010 at 08:51 PM.
| 
03-01-2011, 12:48 PM
|  | Registered User | | Join Date: Jul 2009 Location: TX, USA | | Quote:
Originally Posted by Ric5 I mix clean and dirty together on my pedalboard.
1 - First I run into an equalizer
2 - Then I split the signal into 4 parallel signals with a rolls mixer.
3 - I run one of the parallel lines into the Line6 bass pod where I model an acoustic 360 with a rat or big muff distortion pedal. I use this to get a retro growlly distorted sound. Or I also model an Ampeg fliptop with the Rat Distortion pedal. And I also Model an old Marshall amp. With the bass pod I can get a wide range of clean or dirty sounds and various effects and model different amps and speaker cabinets.
4 - The second parallel signal goes into a MXR bass di+. I use this pedal to get a clean modern sound. It also has a distortion button that can give a moderate to extreme amount of modern distortion.
5 - The third parallel signal goes into a Marshall Guv'nor. This gives me an old 60s marshall stack sound. This can go from a small amount of distortion to an over the top marshall sound. This effect can give you a Chris Squire Yes sound or a heavy metal sound, or just a subtle amount of distortion.
6 - The fourth parallel signal goes into a Tech21 VT Bass pedal. With this effect I get a slightly dirty Ampeg SVT bass amp sound with a tube like growl.
7 - Then I remix the 4 signals back together and run it into a bass amp, or pa, or studio mixer. Because the signals are parallel I can mix clean and overdriven sounds together and still get effect and a sound that punches through the mix.  | this works because you are running every channel through a pedal. to mix in the clean you would need a buffer like an mxr micro amp in place of one of the pedals. | 
03-02-2011, 04:57 AM
| | Registered User | | Join Date: Dec 2006 Location: Leeds, UK | | | Boss LS-2 is perfect for this. I use it to run 2 parallel channels in my setup (although I'm using it for dirty/dirty more than clean/dirty). It has a volume control for each side, it is rugged, cheap, easily replacable, and it does a whole lot more than blending two channels, should you ever need any of the other modes.
In my setup, I have all of my pedals going through the 2 channels of the LS-2. When it is bypassed, I have a perfect clean tone, but I can turn 7 pedals on inside the loops, and then hit the LS-2 and suddenly go from clean to insane 7-pedal synth death noise. Then when I hit the LS-2 again, it goes back to clean.
__________________ Quote: |
Originally Posted by Darkstrike If I kicked my dog in time to the music his cries would be better 'singing'. | | 
03-02-2011, 05:09 AM
|  | Registered User | | | |
__________________ Music Man StingRay Classic #223
Fender Precision Tony Franklin Fretless
Mesa Big Block Titan V12
2 Mesa Powerhouse 2x12's in Blue Bronco | 
03-02-2011, 06:04 AM
|  | Registered User | | Join Date: Oct 2006 Location: Rhode Island, USA | | | | 
03-02-2011, 06:23 AM
| | Registered User | | Join Date: Nov 2010 Location: central N.Y. | | | This
__________________
Dee Dee didn't need 5 strings
| 
03-02-2011, 09:45 AM
| | Registered User | | Join Date: Sep 2000 Location: UK, Essex | | Quote:
Originally Posted by rr5025 Dunno how this guy hasn't been brought up;  | +1. I use one for the same purpose. I send one output of my Attitude bass through compression into the LS2, then the other through eq, compression and overdrive into the LS2, then blend them together into my amp. Works like a charm.
__________________
Attitude II SFG; RBX-JM2; RBX4-A2; Thumb 5 BO; Corvette Std fretless; Tokai T'bird; LMII; MB 121H; Nova Dynamics; Nova Drive; BEQ-50 (x2); LS2; BSW; BBM; Pitch Black; PT Jnr.
| | Thread Tools | Search this Thread | | | |
Posting Rules
| You may not post new threads You may not post replies You may not post attachments You may not edit your posts HTML code is Off | | | |