|  | | 
08-07-2011, 02:46 PM
| | Registered User | | Join Date: Jan 2010 Location: Bronx, NY | | How To Use Bass Chorus ?
Sign in to disble this ad
What's good yall,
So, here's my deal: I've owned a Boss Chorus pedal for around 8 years now. It was actually the very first pedal I bought; I was really just starting out on electric bass, didn't really know what I was actually going to like/need tonewise. Flash forward almost a decade later, it's still sitting in my room (a new room, naturally, same Fender practice amp though!) and I can't figure out what to do with this sucker. So many guys, from Chris Wolstenhome to Jeff Caxide to Doug Wimbish, have listed this guy as being part of their pedalboard, and it seems to be fairly popular in this forum as well...
Can anybody give any advice/stories on how they've used Bass Chorus? And keep in mind, I mostly play in pop/funk/singer-songwriter situations, so I'm going clean most of the time, sometimes with an MXR Bass DI for a little bit more girth or bite...but I'm playing with an original band and we're experimenting with going in a rockier direction, so I'm considering either trying to bring this guy in the mix, or selling it and getting a better tuner or some funkier distortion deal.
I've sometimes used it in jazz settings to vibe out harmonics a little bit, but let's say 90 percent of the time your hitting chord tunes and staying in the pocket...is there any general tone advantages that people have observed? It does seem to make my sound a little larger when I hit double-stops or chords...
Feel free to turn this thread into a love letter to the Boss Chorus...I am experimenting, believe me, but some words of wisdoms from other players is definitely appreciated in this corner...
E | 
08-07-2011, 02:49 PM
|  | Registered User | | Join Date: Jul 2008 Location: Medford, MA | | | I guess it's preference if you like the tone it gives you on certain songs...I play in a top-40 cover band, and use it on some 80's songs like Don't Stop Believing, and used it on Use your Love when I used to play that...I also put it on during newer dance/pop songs too for the effect, better or worse. | 
08-07-2011, 02:54 PM
| | Registered User | | Join Date: Jul 2007 Location: Dallas, TX | | | It's an effects pedal. You either like it, or you don't. There are NO RULES. Just because you own it, does not mean you have to use it. It's all just personal preference.
__________________
edit signature
| 
08-07-2011, 04:13 PM
| | Registered User | | Join Date: Apr 2004 Location: self banned from talkbass.... | | Quote:
Originally Posted by RickenBoogie It's an effects pedal. You either like it, or you don't. There are NO RULES. Just because you own it, does not mean you have to use it. It's all just personal preference. | Very true.
Here is how I use chorus:
Take stack of paper
put pedal on top
this will keep you papers from blowing away. | 
08-07-2011, 05:11 PM
| | Registered User | | Join Date: Jan 2010 Location: Bronx, NY | | | Fair enough Slaps, that is the thing about chorus, is that it's got this heavy 80s feel to it...sort of difficult to jam on it in a more modern context...
I guess the answer is, turn that **** on and see what happens!
I'm not asking for rules of using it so much as for suggestions, experiences... | 
08-07-2011, 05:29 PM
| | Registered User | | Join Date: Oct 2009 Location: Virginia Beach, VA | | Quote:
Originally Posted by Mudfuzz Very true.
Here is how I use chorus:
Take stack of paper
put pedal on top
this will keep you papers from blowing away. | That's pretty good but my technique involves taping a note to it and throwing it through a window. These are probably the best ways to use chorus.
__________________ DPRK 2010 | 
08-07-2011, 06:03 PM
| | Registered User | | Join Date: May 2006 Location: Victoria, BC, Canada | | | I like to use chorus with any combination of fuzz,octaver,synth, or filter. It makes everything sound more synthy. I don't know if I can describe this properly but it kind of ties everything together. | 
08-07-2011, 06:04 PM
| | Registered User | | Join Date: May 2001 Location: Spain | | | I have the Analogman Mini Chorus and I use it sometimes when slapping on my Valenti fretted bass. And I always use this pedal with my fretless bass. The setting is use on both situations is:
- Depth: 12 o'clock
- Speed: 12 o'clock
- Mix: 7 o'clock
Have in mind that with this setting you'll experiment a boost in your general volume and a boost in your lows.
Because of this, I think this pedal sounds great through an amp with two channels: one clean or dirty, and the other with the Analogman chorus with settings: D=12, S=12, and M=12. VERY Alice in chains.
That's what I do with my SVT-VR. Hope this helps. | 
08-07-2011, 06:05 PM
|  | Registered User | | Join Date: Sep 2010 Location: Pittsburgh, PA | | Quote: |
Originally Posted by CHILDISHGAMBINO I like to use chorus with any combination of fuzz,octaver,synth, or filter. | +1 | 
08-07-2011, 06:09 PM
|  | Registered User | | Join Date: Oct 2006 Location: Rhode Island, USA | | Quote: |
Originally Posted by Epac Slaps, that is the thing about chorus, is that it's got this heavy 80s feel to it...sort of difficult to jam on it in a more modern context...
I guess the answer is, turn that **** on and see what happens!
I'm not asking for rules of using it so much as for suggestions, experiences... | I know that Jeff Caxide was already mentioned, but seriously, listen to some Isis and you can get an idea how chorus can be used in a modern context. "Ghost Key" is the most obvious one, but it's all over their last couple albums. Also, Justin Chancellor from Tool uses chorus a lot, too. A bunch of songs on Aenima, especially. | 
08-07-2011, 06:19 PM
| | Registered User | | Join Date: Jan 2010 Location: Bronx, NY | | | Listening to "Ghost Key" right now...diggin it. Not sure if that's my style, but it gives me something to work with/toward.
I hear you Childishgambino, problem is I don't have any those joints except for an octave, EHX OCtave Multiplexer...pretty dope pedal by the way...but I figured that was the case, that it really compliments a whole system nicely..
Analogman sounds phat sandwhich, which I had that and not this Boss dude...but that's the Boss dude on the Ghost Key track, not doing a bad job... | 
08-07-2011, 06:42 PM
| | Registered User | | Join Date: Jan 2007 Location: Honky Kong, ShangriLamma | | Use it on a chorus!
Alternatively you could use it on a verse, a bridge, an intro an outro or some part of a/the song you want to emphasize. Use it during someone else's solo so you can steal some of their limelight.
Try it with extreme settings, try it with some subtle settings, try it with some dinner settings. Try it with green eggs and ham. Try it in rehearsal, try it in a gig. Try it with a jig, try it try it try it wearing a leaf of fig!
__________________
DB in hand, headed for the horizon...
| 
08-08-2011, 02:52 AM
| | Registered User | | Join Date: Jul 2009 Location: Fareham, England | | | I use it during guitar solos along with an overdrive to thicken the sound of the backing. I use fairly extreme settings (Level: 3 o'clock, Low filter: full, Rate: 4 o'clock, Depth: 12 o'clock) to fill out the sound as much as possible as the warble is usually hidden quite well by other instruments.
I also use it for making some effects more synthy, like overdrives etc.
It is very good for 80's pop in general so it's useful for that.
__________________ British Bassist#111 5 String#334 BTB#83 I Built a Bass From Rough Lumber#24 Ibanez#606 Quote: |
Originally Posted by father of fires You make it look so easy. Like Ikea instructions. | | 
08-08-2011, 02:57 AM
| | Registered User | | Join Date: Jan 2009 Location: America's High-Five | | | It always helped some fun low-ended melodies pop a bit more. Or for when we played circus songs..
__________________
"Are you getting the 'Pinkie?'" - Tigerbass
"i'm a pretty, beaver hat-wearing, mother ******. RARRRRR" - behndy
| 
08-08-2011, 03:36 AM
| | Registered User | | Join Date: Apr 2005 Location: Columbus, OH | | | My $0.02 would be to watch the speed setting (if the pedal has one). Most of the usages you will hear in most material has a slow to moderate speed setting.
Also, chorus (usually) isn't as instantly noticeable effect as distortion or some envelope or synth sounds. It can be very subtle. So maybe it's just a question of your expectations for the pedal. It's normally just a little extra flavor. | 
08-08-2011, 05:43 AM
|  | Mostly french, not really fried | | Join Date: Oct 2009 Location: Somewhere near Montreal, CA | | | If you want examples of chorus in a rock setting, check out early Guns & Roses material. Duff has chorus on lots of it, as in Sweet Child o'mine being. Might not be the rock direction you're looking for, but at least will give an idea.
I have the Boss CEB-3 and the EHX Neo Clone. On our band's original material, it's on pretty much all the time.
__________________
Fender Jazz 4 str. / Peavey Grind 5 str. / PT-2, DC Brick, Planet Waves cables > TU-2 > BEF > BSW > Blow Torch > Phase 90 > Stereo Chorus > LMB-3 > PBDDI > Hartke 5500 & 215vx
| 
08-08-2011, 11:07 AM
|  | I do a good impression of myself | | Join Date: Jan 2007 Location: New York | | | I mostly use chorus with a little bit of delay when playing slower, moody lines or solos. I use it sparingly but effectively. | 
08-08-2011, 03:55 PM
| | Registered User | | Join Date: Jun 2011 Location: Bakersfield, Ca | | | I use the Boss Bass Chorus also. I find it most useful and noticeable in a trio (drums, bass, guitar) to supplement with some dirt (I also have an MXR DI+). It really fills up those chorus parts of a song.
The chorus on bass is not really audible in a 2 screaming guitar band. Frankly, to my ears, it's really a redundant, muddy sound.
But unless you're soloing at some point in a song, with both guitars playing clean, a chorus pedal is just taking up valuable real estate on your pedalboard. In this case, add delay to set the mood. Just the way I use it.
__________________
Ceez-4-Strings
Last edited by Ceez : 08-08-2011 at 04:06 PM.
| 
08-08-2011, 04:13 PM
|  | I'm gonna love and tolerate the **** out of you! | | Join Date: Jan 2008 Location: Memphis/Knoxville TN | | | It's a great effect to use when you're soloing or playing a lick that's leading a more mellow to smooth jam. I find it also really useful in evening out and giving some clarity to tapping parts. It's really a kind of effect that you don't even notice is on, but it adds enough character to your tone that you do notice it when it's off. | | Thread Tools | Search this Thread | | | |
Posting Rules
| You may not post new threads You may not post replies You may not post attachments You may not edit your posts HTML code is Off | | | |