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12-23-2012, 05:29 PM
| | | | How to use a wah pedal? Any tips for applying it? I just got one, and I'm kind of lost. Not the act of using it, I mean when and how to tilt. | 
12-23-2012, 05:32 PM
| | Registered User Builder for FUZZROCIOUS PEDALS | | Join Date: Jul 2008 Location: Mount Laurel, NJ | | | What type of music are you playing?
Listen to Bulls on Parade by Rage Against The Machine. When the guitar makes the "wah-wah" sound, that's Tom sweeping up and down quickly. | 
12-23-2012, 05:52 PM
| | Registered User | | Join Date: May 2006 Location: Victoria, BC, Canada | | | Try rocking it to a beat. Rock it forward and back again on the kick drum for example. | 
12-24-2012, 07:22 AM
| | Registered User | | Join Date: Mar 2009 Location: Highland, CA (Inland Empire) | | | I use mine to emphasize a riff, add to a verse or for a funky lick. Also works well for slow synthy filter sweeps, finding a sweet spot with fuzz or as a manually driven LFO.... | 
12-24-2012, 07:24 AM
|  | Registered Loser | | Join Date: Feb 2010 Location: St. Louis | | | Using instrument cables, plug one end into your instrument and the other end into your amp. Apply power to the pedal. Turn on amp. Use your imagination.
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12-24-2012, 08:24 AM
| | Registered User Endorsing Artist: Roland/Boss, Darkglass Electronics, Fuzzrocious | | Join Date: Jan 2005 Location: Leeds, England | | | askepios by the mars volta has some nice bass wah near the end
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@antvalva @castrovalva
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12-24-2012, 08:31 AM
|  | Non Serviam | | Join Date: Aug 2012 Location: Schenectady NY | | | I always say there are three basic approaches to the wah:
The Hendrix approach: using the pedal to shape the notes in a vocal-like way
The Clapton approach: keeping the beat on the wah, adding a regular, rhythmic filter sweep
The Zappa approach: using the wah very subtly, to create tonal changes over the course of a solo
All of these can be applied to bass.
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12-24-2012, 09:28 AM
| | Registered User | | Join Date: Apr 2006 Location: Rochester, NY | | | Check out Calm Like a Bomb, Mic Check and Cochise. Those songs made me get a 105Q.
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12-24-2012, 09:50 AM
| | | | i have a song called parkdrive by parkdrive, i could not find it in youtube, the bassist use octaver and use the wah as filter instead of just a wah pedal, very cool sounding, wish i ca n share it with you guys.
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12-24-2012, 09:20 PM
| | Registered User | | Join Date: Aug 2008 Location: New York | | | Check out Geezer Butler from Black Sabbath - especially the intro to "NIB" and the verses of "Sign of the Southern Cross."
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12-24-2012, 09:40 PM
| | Registered User | | Join Date: Aug 2010 Location: los angeles | | Quote: |
Originally Posted by Tupac Any tips for applying it? I just got one, and I'm kind of lost. Not the act of using it, I mean when and how to tilt. | Listen to the master. Cliff Burton. The best examples would be Anethesia (bass solo) Call of Kthulhu, Seek and Destroy, or just watch Cliff 'em All. I have yet to hear any bass player come close to the skill which Cliff used the wah. Importantly, he didn't over use it either. | 
12-25-2012, 09:58 AM
| | | This is a very helpful classification. I usually only use the Clapton approach mostly because it's the easiest and I am not a heavy wah user, however, the other two certainly have their place and can sound great. Quote:
Originally Posted by Bassist4Eris I always say there are three basic approaches to the wah:
The Hendrix approach: using the pedal to shape the notes in a vocal-like way
The Clapton approach: keeping the beat on the wah, adding a regular, rhythmic filter sweep
The Zappa approach: using the wah very subtly, to create tonal changes over the course of a solo
All of these can be applied to bass. |
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