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  #1  
Old 11-30-2009, 12:07 PM
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Malekko Chicklet

...$120...need it now.

I really can't wait.



http://www.malekkoheavyindustry.com/...edals/chicklet

That's all
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  #2  
Old 11-30-2009, 12:10 PM
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Damn these gas pains! Still want a spring chicken with the expression pedal input though.
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  #3  
Old 11-30-2009, 12:12 PM
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I've been looking for a Belton-Brick-less Reverb.

it has reverb "tails" which is nice, but it mean's its not true bypass. Not an issue, as its usually a good idea to have a nice buffer last in line.

Is it still a "spring" emulator though?
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  #4  
Old 11-30-2009, 12:32 PM
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Yeah, that seems clear from their description.
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  #5  
Old 11-30-2009, 12:33 PM
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I'm not sure it is a spring emulator. I don't know
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  #6  
Old 11-30-2009, 12:36 PM
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That looks pretty sweet.
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  #7  
Old 11-30-2009, 12:38 PM
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Quote:
Originally Posted by Malekko page
The brickless, all-Malekko designed Spring Chicken replacement pedal-- The CHICKLET!

Boasting a super small size, less noise, and the super awesome "dwell" mod previously available as an option on the original Spring Chicken, this tiny reverb sounds HUGE! BUH-KAW!! All the great sound of a giant reverb tank in a small little pedal!
^^^ Spring emulator.
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  #8  
Old 11-30-2009, 01:02 PM
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i've got GAS and i dont even like reverb on bass!
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"big and awkwardly powered". sounds like ALL EHX gear. or my junk.
  #9  
Old 11-30-2009, 05:13 PM
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i built myself a reverb using the belton brick. It sounds really well, like it should. But I think spring just isn't my thing. I keep hoping someone will put out a non-spring reverb that isn't DSP.
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  #10  
Old 11-30-2009, 06:13 PM
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Errr... To the best of my knowledge that would require developing an entirely new technology. Reverb comes from either large resonating materials (plates, halls, springs) or DSP imitations of those things. You could argue that an analog delay can be made to sound like a reverb, but there are plenty of analog delay pedals out there, so clearly that isn't what you've been looking for.
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  #11  
Old 11-30-2009, 06:15 PM
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even i gotta admit this looks cool. seems to be a better implementation than the original SC
  #12  
Old 11-30-2009, 06:29 PM
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Quote:
Originally Posted by RCCollins View Post
even i gotta admit this looks cool. seems to be a better implementation than the original SC
I must give it to you; you have some gumption posting in a thread in any way related to spring reverbs by Malekko.

  #13  
Old 11-30-2009, 08:13 PM
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Quote:
Originally Posted by Joe Gress View Post
Damn these gas pains! Still want a spring chicken with the expression pedal input though.
Are you sure they ditched the exp. in on this one? The picture still has two little triangles on the right side like there are two inputs on there.
  #14  
Old 11-30-2009, 08:18 PM
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Quote:
Originally Posted by Mingus Addict View Post
Are you sure they ditched the exp. in on this one? The picture still has two little triangles on the right side like there are two inputs on there.
Your right. Hmmmmmmmmmmm.
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  #15  
Old 11-30-2009, 08:48 PM
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Originally Posted by Joe Gress View Post
Your right. Hmmmmmmmmmmm.
I believe the top triangle is for the DC input.
  #16  
Old 11-30-2009, 08:52 PM
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Originally Posted by bigchiefbc View Post
I believe the top triangle is for the DC input.
Killjoy. But yeah, considering the size of this thing I would say so to.
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  #17  
Old 11-30-2009, 09:14 PM
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Quote:
Originally Posted by bongomania View Post
Errr... To the best of my knowledge that would require developing an entirely new technology. Reverb comes from either large resonating materials (plates, halls, springs) or DSP imitations of those things. You could argue that an analog delay can be made to sound like a reverb, but there are plenty of analog delay pedals out there, so clearly that isn't what you've been looking for.

The Belton Brick was a clever implementation of PT2399 digital delays to emulate the spring echo/reverb. My opinion of sound aside, I believe the PT2399 works much like an analog delay does with faster sampling rate. You can even configure it tonally to resemble a BBD with the right filtering. A single delay pedal can do slapback at best, depending on how fine the lower delay range is, but the Belton was using 2-4 SMD PT's for its sound, I believe.

The designer of the Belton Brick has moved on and implemented a much better sounding reverb using DSP. It's called the "Wet" Pedal. Still a spring-emulation, but it's capable of much more.

I think if you can design a series of PT's to emulate the distinct echoes in a spring reverb, it shouldn't be that hard to configure it to smear the sound a bit more like a plate verb, or simple ambience. This is better suited for Acoustic guitar in my opinion, and some might even prefer it for bass. I think this is how the Tech21 Boost RVB works. I don't believe its DSP but you can easily get lots of sounds other than Spring. I should take a stab at this after I jump into the PT2399 game.

It seems like Malekko has come up with a better way to do the Spring thing without the Brick, which lets you have more control over the circuit, giving you access to things that were internal to the Brick. The fact that it does trails is pretty awesome too!
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Last edited by coldcraft : 11-30-2009 at 09:24 PM.
  #18  
Old 11-30-2009, 09:43 PM
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I wish I liked spring and plate reverb. I would greatly increase my cool factor. But I'll take digital reverb any day, and I'm not even kidding.
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  #19  
Old 11-30-2009, 09:47 PM
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Quote:
Originally Posted by JimmyM View Post
I wish I liked spring and plate reverb. I would greatly increase my cool factor. But I'll take digital reverb any day, and I'm not even kidding.
This guy is an emulator.
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  #20  
Old 11-30-2009, 09:53 PM
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Quote:
Originally Posted by FreaqyFrequency View Post
I must give it to you; you have some gumption posting in a thread in any way related to spring reverbs by Malekko.

HA!

I guess this is his answer to all the bashing of the Spring Chicken in some regards since that was rather slapped together. I'm looking forward to a gut shot.
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