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  #1  
Old 11-14-2008, 06:08 PM
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Join Date: Sep 2008
Location: OC California
Metal muff VS Big muff

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I am thinkin bout buying a Metal muff. Any users???
I would like to know how well this works 4 bass, and if it is alot more Distortion, or...????
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  #2  
Old 11-14-2008, 06:27 PM
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endorsing artist: Dean guitars, Marshall , Rotosound strings
 
Join Date: Sep 2005
Location: North Kent.UK
I've used the MM with my bass rig.
it can sound great, although i did notice a little bass loss, even with the bass knob cranked. this did seem to be more or less the same with all three variants if the metal muff, although the largest one (w/ Top Boost) seemed to sound best.
i didn't notice any more gain than with my BBM. TBH if you have achoice check out the bass big muff as well. You'll find loads of fans here!!
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  #3  
Old 11-14-2008, 06:32 PM
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Join Date: Sep 2008
Location: OC California
I already have a Big Muff, I love it, but I am always Gassin - U know.
Thanks for the reply, It helps me a great deal.
Peace
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  #4  
Old 11-15-2008, 08:48 PM
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Join Date: Jul 2004
Location: Milwaukee, WI
The Metal Muff is now an integral part of my setup. It's the first distortion which was able to displace my beloved ODB-3 (Right: so now everyone stops reading on, because I'm an ODB-lover). It's not that it 'sounds like an ODB', but I mean it cuts through a band mix as well as an ODB-3.

One thing's for sure - it's much, much less noisy than an ODB.

Anyway - lately, I've been valuing the Metal Muff even more. I've set up a killer 'bass plus guitar' sound, using a POG into the MMuff for the guitar-half.

It goes like this: Bass into an NS-2 Noise supressor. Send on NS-2 goes to a CS-3 compressor. CS-3 out goes to the input of an LS-2 line switcher. Loop#2 of the the LS-2 contains POG into MMuff (loop#1 is left open, which is the same as a 'clean bypass'). The output of the mixer goes to the return on the noise supressor.

Now with the LS-2 set to the 'mix' setting, knob#1 is the bass-part, and knob#2 is the guitar-part (I run noon on #1 and about 9:30 on #2). The POG is set with +1-octave near full, and +2-octave a little lower (the regulars; not the detunes). The MMuff is set with the top boost off, the outuput at about 9:00, and the tone knobs all near.. like 1:30-ish.

Now the resulting sound is very good! I mean it sounds very much like guitar playing along with a bass, especially in a live band mix. The Metal Muff creates such rich harmonics... I'm thinking that many who say 'you have to have like a 1-5 (note plus a fifth) power chord (like a Unibass) for it to sound like a rythm guitar playing along' might think twice when they hear the rich, chiming set of harmonics that come out of this rig.

To change the 'guitar to more of a Metal tone, the mids control gets moved to about 10:00, and the volume goes to noon. This is also close to the setting I use for 'just plain bass distortion' sound.

Now here's a cool bonus: this entire processing rig fits into a six-place Boss pedalboard case! ..If you crowd a couple of the boss pedals, and run the MMuff sideways on the left end. Now with that I should admit that I actually always run an aphex Bass Xciter between the pedalboard and the amp... And often an RE-20 echo/reverb in there somewhere too.

I love my Metal Muff.

Joe
  #5  
Old 11-15-2008, 08:59 PM
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Join Date: Jul 2008
Location: lost in the k-hole
ick... metal muff... it has alot of adjustment options, but i borrowed my guitarists to mess with at practice last weekend. it sounded like ****! i liked the sound of my pd7 better. no matter how i set the eq, i couldnt find a decent distorted tone. i know alot of people use it with bass, but i couldnt get it to work well. there was a significant amount of bass loss, which required me to crank the bass knob on the pedal AND my bass to compensate for. i was using an ibanez sr400qm (active eq) bass into a 65 watt laney combo amp, using the fx loop
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