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  #21  
Old 02-10-2013, 07:34 PM
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Nirvana requires a flanger. I'd think you would need and/or a chorus for some of that stuff.

What about a multi-effects unit? Doesn't sound like you are that attached to any specific effects other than for this project, so save your $$$ and just buy an all in one solution that suits the current need.
  #22  
Old 02-10-2013, 07:38 PM
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I play in a 90s specific alternative band ( we also do newer hard rock/alt such as Chevelle, etc.) Lots of Rage, AIC, Nirvana, Tool, Tripping Daisy, Local H, etc...

My board:
Clean Boost
Octave
Fuzz
Flanger
E. Filter

YMMV
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  #23  
Old 02-10-2013, 07:41 PM
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Tune down to Eb. That's the big thing I noticed in those days. Short story: my son went to Berklee College and they did a pitch test in one of his classes. Most of the kids thought E was F. It makes sense because his generation were teenagers in the 90's.
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  #24  
Old 02-10-2013, 07:42 PM
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Quote:
Originally Posted by 4001 View Post
Im sorry I love Alice in Chains but that sounds terrible.
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  #25  
Old 02-10-2013, 07:46 PM
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Im sorry I love Alice in Chains but that sounds terrible.
To each their own.
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  #26  
Old 02-10-2013, 07:52 PM
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Originally Posted by DComtois View Post
Tune down to Eb. That's the big thing I noticed in those days. Short story: my son went to Berklee College and they did a pitch test in one of his classes. Most of the kids thought E was F. It makes sense because his generation were teenagers in the 90's.
We also tune to Eb.
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  #27  
Old 02-10-2013, 07:54 PM
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Originally Posted by AdamR View Post
Im sorry I love Alice in Chains but that sounds terrible.
I am a bonafide AIC fanatic and I ain't all that fond of it either. It is also not the tone I would typically associate with Mike Inez or Mike Starr.


* Edit

When I first heard this video I thought the tone was largely due to the Blue Steels, but the more I listen to it and listen to my own basses, I think maybe he tried those new Elixirs or something. Tone like that is the reason why I sent them their strings back during that free trial thing and went back to Rotos and Blue Steels.
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Last edited by Floyd Eye : 02-10-2013 at 08:03 PM.
  #28  
Old 02-10-2013, 08:27 PM
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  #29  
Old 02-10-2013, 08:42 PM
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  #30  
Old 02-10-2013, 08:42 PM
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Originally Posted by Floyd Eye View Post
I am a bonafide AIC fanatic and I ain't all that fond of it either. It is also not the tone I would typically associate with Mike Inez or Mike Starr.


* Edit

When I first heard this video I thought the tone was largely due to the Blue Steels, but the more I listen to it and listen to my own basses, I think maybe he tried those new Elixirs or something. Tone like that is the reason why I sent them their strings back during that free trial thing and went back to Rotos and Blue Steels.
From everything I can find he uses Blue Steels, medium light and mediums.
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  #31  
Old 02-10-2013, 10:25 PM
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Mike still uses Markleys and has an EMG loaded Streamer Stage I, the rest of that particular tone is that he's driving the living hell out of his Ampeg SVT-2 Pros. I do know that he'll be changing his rig up this time around: SVT-4 Pros powering his 18" cabs and Vintage 1973 SVT's powering his 810 cabs.
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  #32  
Old 02-11-2013, 12:00 AM
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Originally Posted by vegas532 View Post
Mike still uses Markleys and has an EMG loaded Streamer Stage I, the rest of that particular tone is that he's driving the living hell out of his Ampeg SVT-2 Pros. I do know that he'll be changing his rig up this time around: SVT-4 Pros powering his 18" cabs and Vintage 1973 SVT's powering his 810 cabs.
I thought mike uses a Spector?
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  #33  
Old 02-11-2013, 11:01 AM
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Mike Star used Spectors, Inez uses Warwick.

That tone just sounds way to thin to me. Its also way too high in the mix. I love the hear bass in the mix but when its killing drowning out the rest of the band its a bit too much.
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  #34  
Old 02-11-2013, 11:18 AM
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Quote:
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Im sorry I love Alice in Chains but that sounds terrible.
Agreed.

Really sloppy playing too.
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  #35  
Old 02-11-2013, 12:41 PM
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playing a gig in front of a massive amp is awesome, i call it a bass bath.
  #36  
Old 02-11-2013, 01:11 PM
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Not combat boots, Doc Martins
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  #37  
Old 02-11-2013, 03:23 PM
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Originally Posted by Unrepresented View Post
Most of the bassists you listed have some degree of a "driven" tube amp sound, that'd be a good place to start if you don't already have it dialed in. After that most ran fairly dry sounds. Nirvana might require a Rat or clone, Pearl Jam might need an octave pedal if you do the intro to Jeremy, and Flea will almost certainly require a filter at a minimum -- possibly more depending on what period material you cover.
Flea : what's a good filter?
  #38  
Old 02-11-2013, 03:27 PM
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Flea : what's a good filter?
Live he uses an EHX Q-Tron, although he's used a few other filters in the studio.
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  #39  
Old 02-11-2013, 03:49 PM
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Originally Posted by mpdd View Post
no effects in the 90s

gibson vintage bass, and overdriven tube head
I'd say P-bass and GK 800RB
  #40  
Old 02-11-2013, 08:01 PM
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When I thnik 90's rock I thnik Pantera. So Custom Spectors and heavy gauge strings tuned D standard
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