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09-18-2010, 05:43 AM
| | Registered User | | Join Date: Nov 2005 Location: My bass-ment | | | Which overdrive pedal to get a tone similar to Geddy's on Moving pictures ?
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To start up I know the following facts :
- Geddy's sound comes from his fingers
- Other the his fingers, he uses a particular bass, and amp, studio setup, etc. that results into a specific sound.
I know that ! And I do not seek to get the exact copy of his sound !
I just wonder which pedal could get me in the area of the sound heard in Moving pictures, the sort of Overdrive that breaks in, sometimes subtile, but that doesn't eat your lows. I already have a SansAmp RBI and a Bass Big Muff and I can't get that specific tone.
Thanks ! | 
09-18-2010, 05:53 AM
| | | | I don't know Rush or who Geddy Lee is (yeah, he's famous around here), but if you want a light/medium overdrive you might be looking for the same as me and I'm thinking about pulling the trigger on a Bass BB Preamp.
Only plan to use it for 2 songs out of 18, when the guitar is soloing and a bigger sound is needed.
Last edited by tony_clifton : 09-18-2010 at 05:57 AM.
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09-18-2010, 05:58 AM
| | Registered User | | Join Date: Aug 2010 Location: London | | Quote:
Originally Posted by tony_clifton I don't know Rush or who Geddy Lee is (yeah, he's famous around here), but if you want a light/medium overdrive you might be looking for the same as me and I'm thinking about pulling the trigger on a Bass BB Preamp.
Only plan to use it for 2 songs out of 18, when the guitar is soloing and a bigger sound is needed. | great little pedals!!! | 
09-18-2010, 06:21 AM
|  | Mostly french, not really fried | | Join Date: Oct 2009 Location: Somewhere near Montreal, CA | | | Salut Inconnu,
Geddy's main effect has always (as far as I know) been the SansAmp RPM. I've searched the net a bit to find a pictures of his rig, but haven't found any so far. Hope this small bit helps.
Michel
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Fender Jazz 4 str. / Peavey Grind 5 str. / PT-2, DC Brick, Planet Waves cables > TU-2 > BEF > BSW > Blow Torch > Phase 90 > Stereo Chorus > LMB-3 > PBDDI > Hartke 5500 & 215vx
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09-18-2010, 06:50 AM
|  | Mostly french, not really fried | | Join Date: Oct 2009 Location: Somewhere near Montreal, CA | | There... just remembered where I saw a list of his stuff. The link is dated Aug. 2007, so it's definitely post Moving Pictures, unfortunately.
I'm not a huge Lee/Rush fan, but I do know and respect what they do and the Closer to the heart bass line is THE line that got me into bass. Moving Pictures was a great album. http://www.uberproaudio.com/who-play...-and-equipment
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Fender Jazz 4 str. / Peavey Grind 5 str. / PT-2, DC Brick, Planet Waves cables > TU-2 > BEF > BSW > Blow Torch > Phase 90 > Stereo Chorus > LMB-3 > PBDDI > Hartke 5500 & 215vx
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09-18-2010, 07:05 AM
| | Registered User | | Join Date: Aug 2004 Location: Ennui | | Quote:
Originally Posted by Bassmike62 Salut Inconnu,
Geddy's main effect has always (as far as I know) been the SansAmp RPM. I've searched the net a bit to find a pictures of his rig, but haven't found any so far. Hope this small bit helps.
Michel | Moving Pictures was released in 1980, and Tech 21 was incorporated in 1989. The RPM could not have been possible at that time.
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09-18-2010, 07:18 AM
|  | Mostly french, not really fried | | Join Date: Oct 2009 Location: Somewhere near Montreal, CA | | | So it's definitely not the SanSamp on that album, then.
__________________
Fender Jazz 4 str. / Peavey Grind 5 str. / PT-2, DC Brick, Planet Waves cables > TU-2 > BEF > BSW > Blow Torch > Phase 90 > Stereo Chorus > LMB-3 > PBDDI > Hartke 5500 & 215vx
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09-19-2010, 07:36 PM
| | Registered User | | Join Date: Nov 2005 Location: My bass-ment | | Quote:
Originally Posted by Bassmike62 So it's definitely not the SanSamp on that album, then. | Yup, you all beat me to it. Sorry Michel, but Geddy started using a SansAmp wayyyyyy after recording Moving pictures. Still, I don't need to know the exact gear he used, but rather what pedal would get me close to that sound. I tried with my SansAmp RBI and I've had rather timid results in that range. | 
09-19-2010, 08:18 PM
|  | Mostly french, not really fried | | Join Date: Oct 2009 Location: Somewhere near Montreal, CA | | hmmmm....Wonder if you could nail it with a VT Bass... 
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Fender Jazz 4 str. / Peavey Grind 5 str. / PT-2, DC Brick, Planet Waves cables > TU-2 > BEF > BSW > Blow Torch > Phase 90 > Stereo Chorus > LMB-3 > PBDDI > Hartke 5500 & 215vx
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09-19-2010, 11:38 PM
| | Registered User | | Join Date: Nov 2009 Location: Staten Island NY | | | I hope I can help.
I have a few Sansamp products.
I have the Bass Driver, RBI, RPM, VT pedal, the discontinued Comptortion and bass compactor.
I'd say the VT will get you closest to the Moving Pictures sound. | 
09-20-2010, 01:07 AM
| | Registered User Gear Reviews MusicianYou Magazine | | Join Date: Sep 2008 Location: PA | | | Wasn't there that uber long Geddy thread with his tech that revealed the bridge pickup to 70s Jazz was wired differently? Pickup configuration mixed with heavy attack up by the neck will play a huge roll. Playing with your whole finger. Don't be afraid to get some fingernail action going on.
I know, you said fingers in your original post, just trying to elaborate more.
I'd try the Xotic BB or if $200 is over your budget I'd give the $30 DOD YJM308 a spin. Ultimately you're trying to simulate a cranked tube amp. | 
09-20-2010, 06:10 AM
| | Registered User | | Join Date: Sep 2008 Location: Sydney, Australia | | | Didnt geddy use an SVT at one point? Im sure the Sansamp VT Bass will get you a pretty close tone, but as you said - the beauty of his sound is his hard slammin' fingers. | 
09-20-2010, 07:16 AM
| | Registered User | | Join Date: Jan 2010 Location: NEPA | | | Overdrive your amp with an MXR Dyna comp pedal & use a mild chorus I use a old DOD bass chorus. A bridge pickup/ PJ or JJ combo that are hot passives & low action will get you want you want.I have been covering the material from Moving Pictures for better than 25 years now.
I tried a few Sansamp products....Just didn't cut it for me. For 22 years now I have been using Carvin PB 500's that have integrated noise gate & compressions with a mix of 4x10 & 15's pulling out a 18 for bigger stages with a Carvin 2000 watt power amp. I overdrive this with the MXR for Geddy & Sheehan tunes.
Last edited by Rick Robins : 09-20-2010 at 07:24 AM.
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09-20-2010, 07:29 AM
|  | Registered User | | Join Date: Sep 2007 Location: Pennsylvania | | | I can get a similar overdrive with my sansamp VT bass pedal. But for the moving pictures tones, I really get close with my DHA VT1-MK3 overdrive pedal. It has a tube in it and gives a really great tube drive. That pedal is a real sleeper and I like i much better than the sansamp vt. | 
09-20-2010, 07:31 AM
| | Registered User | | Join Date: Apr 2010 Location: NJ | | | VT bass. mids at 2, treble at noon, bass between 11-12, character around 1, drive at 1-2. All numbers are "o-clock" btw.
Mine also has the mid sweep knob and speaker sim bypass, and the speaker sim was bypassed. Came pretty close. Prob will a little more bass or less treble It would be even closer. | 
09-20-2010, 12:19 PM
| | Registered User | | Join Date: Jan 2010 Location: NEPA | | A good audio clip to show how Geddy is heavy with the compressor. You will hear the slight chorus & the overdubs. Without a compressor you will not get Geddy's sound from this era. http://www.youtube.com/watch?v=Fi3mu...eature=related | 
09-20-2010, 01:26 PM
|  | Registered User | | | | | unfortunate most distortion pedals are opamp, or transistor based
and thou they can get basic " distortion " the sound they get is all very similar. The difference between the good ones and bad ones is how well the manufacture has designed the pre and post filters.
So their is many opinions on which one is best but in the end the actual distortion is the same....since its all being generated by the same device in hundreds of pedals. Most of Geddys tone is amp distortion that he gets from slammin the heck out of his strings.
Back in the seventies and eighties their was not many high powered amps for bass...so his tone probably came from one of three amps.
Ampeg SVT, Sunn Coliseum, or Acoustic 370.
The early solid state amps had preamps that were very different,
but the output stages where all using 2n3055 transistors.
The type of distortion you get from these is very unique and cannot be emulated. Keep in mind you can "Model" the freq responses of these amps with a bunch of filters. But the actual "Device" distortion cannot be emulated.
If you really want Geddys tone then run a Ric bass in stereo,
from what i understand the amp that was overdriven the most was the one used for his bridge pickup.
The overdrive tone you get from a Sunn Coliseum or a Acoustic 370 amp will probably be dead on. Make sure thou you actually dig into the strings just as much as Geddy Does...
Good Luck | 
09-20-2010, 01:31 PM
| | Registered User | | Join Date: Nov 2009 Location: Staten Island NY | | I think if your gonna use the VT then I wouldn't worry to much about additional compression. The pedal already has a very noticable compressed sound. You can even see the levels are limited while using recording software.
Also, I am willing to bet that he had the bridge pickup on his Jazz backed off a little giving him more of that P-bass sound.
Then again, it seems everyone hear can get that same MP tone using compleatly different methods. So If they can nail it, then you will also. | 
09-20-2010, 01:40 PM
| | Registered User | | Join Date: Apr 2010 Location: NJ | | Quote:
Originally Posted by Ray man I think if your gonna use the VT then I wouldn't worry to much about additional compression. The pedal already has a very noticable compressed sound. You can even see the levels are limited while using recording software. | werd  | 
09-22-2010, 08:18 AM
| | Registered User | | Join Date: Jan 2010 Location: NEPA | | Quote:
Originally Posted by jpTron werd  | Interesting about the compression
check the video out @ around 2:20. http://www.youtube.com/watch?v=FgWlk0KzdVk | | Thread Tools | Search this Thread | | | |
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