Source Audio Programmable EQ - Live Sound Engineer's Friend or Foe?
Ok, so I've read up on the Source Audio Programmable EQ and love the concept and features and see a LOT of potential for it in my effects setup.
My only concern at this point is whether or not sound crews will be peeved at mid-show EQ changes coming through their FOH desk or not. If anyone could share their live-show experiences with this thing I'd love to hear it.
__________________ Nearsighted monitor engineer: "What the hell is an Anemic F-1X?'"