| Generally speaking you have your modulation effects after your overdrive/distortion/fuzz effects. But it's not a hard and fast rule.
If it were me I'd probably run them like this:
Korg Pitchblack
EBS MultiComp Compression
Tech 21 SansAmp Bass Driver DI
EHX Bass Big Muff
Gig-FX Sub-Wah
EHX XO Bass Microsynth
BBE Mind Bender Chorus
EHX Enigma Q-Balls
That wah can go either before or after fuzz effects, it's just a preference thing.
Generally the tuner first, because the most direct signal for tuning is the best, then the compressor so you have a smoother signal into the other effects, then the BDDI for tonal changes to your sound, then the muff for nice fuzz tones on your changed tone from the BDDI, then the microsynthe because for me having a synth before fuzz effects can sometimes make them sound kinda abrasive, whereas after you get the synth sound with fuzz underneath that can make it sound pretty massive, then the chorus to give it that watery warble and finally the q-balls because it affects the frequencies in your sound and putting this earlier can give you frequency spikes you may not like. The wah can really go at the start or after the synth, it's really up to you.
But really, these are just suggestions and reasons why I suggest them. At the end of the day they're your effects, it's your sound and your ears. Just experiment and see what works for you.
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Markbass Club Member #23
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