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  #1  
Old 04-21-2009, 08:39 PM
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Up/Down Octave pedal

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So, there are plenty of octave pedals out there that generate one or two octaves below the original note (a few of which i own), but what besides the POG is a good pedal that offers both an above and below octave signal. Ideally I would like something that has a level control for each octave and a dry signal level or mix control. I have played the POG and like it but it is just too darn big for me to tote around. Have never played the micro pog but want to know what else is out there.

thanks for your input
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Old 04-21-2009, 08:41 PM
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HOG but I think that's even bigger.
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  #3  
Old 04-21-2009, 08:42 PM
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The only other one I know of is the Octron. I believe the big difference between the two is that the Octron is analog as opposed to digital. I've never used it though.
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Old 04-21-2009, 08:51 PM
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The Micro pog gets my vote. It tracks wonderfully.
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Old 04-21-2009, 08:53 PM
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Micro POG is your best bet.
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  #6  
Old 04-21-2009, 09:04 PM
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Micro Pog was my choice.
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  #7  
Old 04-22-2009, 04:58 AM
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MI Audio Pollyanna is another option.

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  #8  
Old 04-22-2009, 05:06 AM
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  #9  
Old 04-22-2009, 05:10 AM
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The HOG's level control is the same as that of the POG. It's each individual slider per octave/harmony.

Another few to add to the list are the Digitech Harmonizer & Whammy (in all incarnations), Boss PS-3 & PS-5, MI Audio Pollyanna, EHX BMS, and the Chunk Systems Octavius Squeezer.

That's not even mentioning all the multi-effect pedals that have this feature too...

Personally my #1 choice having played with a POG, HOG, and Micro POG, as well as owning a Digitech GNX4 which has built in whammy and harmonist features would have to be the Micro POG.

Last edited by TheMutt : 04-22-2009 at 05:19 AM.
  #10  
Old 04-22-2009, 07:05 AM
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I vote for the Micro Pog as well although the audible click of engaging and disengaging the pedal makes it useless for recording.
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  #11  
Old 04-22-2009, 07:09 AM
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Quote:
Originally Posted by jblock View Post
I vote for the Micro Pog as well although the audible click of engaging and disengaging the pedal makes it useless for recording.
That's why tools like Pro Tools and Logic are a beautiful beast.
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Old 04-22-2009, 07:19 AM
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I vote for the Micro Pog as well although the audible click of engaging and disengaging the pedal makes it useless for recording.
That's why every engineer & producer I've worked with records all the effected sections in seperate takes.

c-
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  #13  
Old 04-22-2009, 11:24 AM
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Originally Posted by idoru View Post
That's why every engineer & producer I've worked with records all the effected sections in seperate takes.

c-
isn't that the smart thing to do anyways? that's how i do all my recording too... effects in layers.

though i have very little experience with it...
micro-pog is definitely a powerful little beast.

the whole...
2 octaves down on a bass seems rather...
useless to me, and i'd definitely like to switch it over to a micro-pog instead, though the foxrox octron has some features (once you get inside it) that make it a more interesting thing to play with...

[spunj13]
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  #14  
Old 04-22-2009, 11:57 AM
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I used to get all bothered with clicks and pops, but nobody can hear them when you play if you click them on at the right spot.
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  #15  
Old 04-22-2009, 02:27 PM
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Just for the sake of completeness, there is the Eventide Pitchfactor as well. It's more of a multieffect, though....
  #16  
Old 04-22-2009, 03:14 PM
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I do a solo bass ambient looping thing and the clicks are too prominent. Still a great box for live playing for me.
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  #17  
Old 04-22-2009, 05:55 PM
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Micro Pog was my choice.
How is that working for ya?

...
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  #18  
Old 04-22-2009, 06:10 PM
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Originally Posted by Kenny Allyn View Post
How is that working for ya?

...
Haven't got it yet, bro...bought it from Jauqo III-X and he had a personal matter to attend to last week, so I should be getting it this week.

Thx for the tipoff, though...you were right about it! It's a doggone fine pedal.
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