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  #21  
Old 09-13-2012, 04:10 PM
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Quote:
Originally Posted by HolmeBass
Fender basses used to have foam mutes inside the bridge pickup cover- the so-called "ashtray".

I guess on a P-bass it's just a bridge cover, but I have a J bass so...
My '68 p-bass had foam under the bridge cover.
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  #22  
Old 09-13-2012, 05:46 PM
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So the question remains did these manufactures put these string mutes in the bridge just to dampen the output of the string or was it to immitate the sound of a stand up this becomes more interesting given that these string mutes were put mostly on older basses, maybe to accomadate the switch from stand up to the new fangled electric bass.
  #23  
Old 09-13-2012, 05:51 PM
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They put the mutes because that's what a bass was "supposed" to sound like back then. Remember that John Entwistle, Jaco, Fieldy, etc. had not yet come along to revolutionize the sound of the instrument.
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  #24  
Old 01-03-2013, 11:52 PM
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flatwounds, i tried all sorts of flatwounds and found the dadario chromes to be the best imo.and never without my boss bass limiter enhancer...works for me
  #25  
Old 01-04-2013, 01:16 AM
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http://www.youtube.com/watch?v=idC0N9wXyaE

I used the boss cs-2 on my fretless here as well as garageband reverb and chorus
  #26  
Old 01-04-2013, 01:25 AM
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And oh lord i have tried and failed. So i bought an upright.
  #27  
Old 01-04-2013, 04:20 AM
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Quote:
Originally Posted by Mushroo View Post
"mwah" is not caused by an effect but rather by setup and technique. There are many existing threads, but in a nutshell, mwah is facilitated by roundwound strings, low action, a coated fingerboard, using the bridge pickup, and using left-and-right-hand techniques that emphasize the mwah.
This. +1

If you're not doing it already, try fingering notes with the fleshy flat part of your finger rather than the finger tip as you would on a fretted bass. Takes a little getting used to, but really brings out the characteristic 'muah'.
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