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10-03-2008, 08:00 PM
| | Banned | | Join Date: Feb 2006 Location: West Coast of Canada | | | What do you use your (µ)POG for?
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Right now it mostly stays on these settings for phattening up my tonality to catastrophic seismicness:
Dry: Full on
Sub: 1 o'clock
Oct Up: off
What you use yours for? |
10-03-2008, 08:30 PM
| | | i use it for polyphonic octaves 
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"a man who counts his chickens before they hatch is wise..how can you count chickens the way they run amuck.."
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10-03-2008, 08:41 PM
| | | | I just like the color.
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Praise and Worship Bassist Club #373, Fender Jazz Bass Club #184, MXR Club #43, βΘИΞКЯŲŜĦĎИĞ® Tone # 43
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10-03-2008, 08:47 PM
| | βΘИΞКЯŲŜĦĎИĞ ŦΘИΞ® #1 | | Join Date: Mar 2008 Location: Florida | | | I use it with my Hematoma only. Sub full, suboctave 3o'clock, octave up 11o'clock. |
10-03-2008, 09:04 PM
| | Registered User | | Join Date: Dec 2006 Location: Australia | | | I use it in a pretty similar way to OptimusPrime except with a Fulltone Bassdrive. I also have been using it with my Bassballs - nice and dirty/funky! |
10-03-2008, 09:32 PM
|  | Registered User
Moderator for EHX Forums | | Join Date: Mar 2005 Location: Houston/Nacogdoches | | | The only its been used in a band setting is for big organ tones. Turn on the POG and the messdrive, and just let it sustain out in all its octave-goodness.
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Texas Bassist #10
Probably in a lot of other clubs as well.
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10-03-2008, 09:59 PM
| | Banned | | Join Date: Feb 2006 Location: West Coast of Canada | | Quote:
Originally Posted by tomvelsor  i use it for polyphonic octaves | Smartass   Quote:
Originally Posted by 250GBsOfAwesome I just like the color. | LOL. It is actually a very nice red.... |
10-03-2008, 11:37 PM
|  | Registered User | | Join Date: Aug 2007 Location: Oslo, Norway | | | I use it before my blowtorch with
dry: 12 o'clock
down: 9 o'clock
up: 12 o'clock.
It creates a really fat fuzzed out sound! |
10-03-2008, 11:45 PM
| | Registered User | | Join Date: Jan 2006 Location: Singapore | | | I use it as a splitter (ie, i use both outs) so my pog is set to unity octave-up and zero everything else.
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10-04-2008, 06:55 AM
| | Registered User | | Join Date: Oct 2007 Location: sheffield, england | | | i use it with my delay for some awesome sounds.
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aye
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10-04-2008, 07:03 AM
| | Registered User | | Join Date: Jun 2008 Location: Belgium | | I use it for Toccata et Fuga. (big POG)
I have yet to master the piece, but the parts I can play sound so cool. I'm thinking of adding a "rotary speaker effect to it. |
10-04-2008, 10:14 AM
| | Registered User | | Join Date: Jul 2004 Location: Milwaukee, WI | | Quote:
Originally Posted by OptimusPrime I use it with my Hematoma only. Sub full, suboctave 3o'clock, octave up 11o'clock. | Quote:
Originally Posted by Marshbass I use it in a pretty similar way to OptimusPrime except with a Fulltone Bassdrive. I also have been using it with my Bassballs - nice and dirty/funky! | Quote:
Originally Posted by McHaven The only its been used in a band setting is for big organ tones. Turn on the POG and the messdrive, and just let it sustain out in all its octave-goodness. | Quote:
Originally Posted by eyvindwa I use it before my blowtorch with
dry: 12 o'clock
down: 9 o'clock
up: 12 o'clock.
It creates a really fat fuzzed out sound! | Thank you, eyvindwa, for mentioning WHERE. There's a big difference whether you put POGs BEFORE or AFTER distortion.
I use mine AFTER.
Joe |
10-04-2008, 01:51 PM
| | Banned | | Join Date: Feb 2006 Location: West Coast of Canada | | Thanks for some of the ideas |
10-04-2008, 08:38 PM
| | βΘИΞКЯŲŜĦĎИĞ ŦΘИΞ® #1 | | Join Date: Mar 2008 Location: Florida | | Quote:
Originally Posted by DanielTulip Thanks for some of the ideas | I'm really considering putting mine in a loop with my Hematoma, because that's all I use it with. |
10-04-2008, 10:05 PM
|  | Master of Reality | | Join Date: Jul 2006 Location: San Diego, CA | | I use mine either into a filter for synthy destruction, or into a distortion box to make my guitarist feel redundant.
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10-05-2008, 03:49 AM
| | Registered User | | Join Date: Oct 2007 Location: sheffield, england | | Quote:
Originally Posted by Joe P Thank you, eyvindwa, for mentioning WHERE. There's a big difference whether you put POGs BEFORE or AFTER distortion.
I use mine AFTER.
Joe | after so it doesn't track very well? spose if you put it before most distortion will just clip
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aye
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10-05-2008, 12:01 PM
| | Banned | | Join Date: Feb 2006 Location: West Coast of Canada | | Quote:
Originally Posted by Unrepresented I use mine either into a filter for synthy destruction, or into a distortion box to make my guitarist feel redundant. | LOL Nice  |
10-06-2008, 10:39 AM
| | Registered User | | Join Date: Jul 2004 Location: Milwaukee, WI | | Quote:
Originally Posted by roflol after so it doesn't track very well? spose if you put it before most distortion will just clip | No - it tracks great!
I'd say that this property of 'tracking' really only applies to the "binary" "frequency divider" type of octaver (OC-2 type), where you get glitches and worbles. That is not an issue with the POGs.
The main reason I always use it AFTER distortion is because of the killer-fat sounding resonant Low Pass the (original) POG has. Even If you don't use the octaves - just the 'dry' signal. When you put the filter switch into the 'high-Q' position (position '3'), AFTER a distortion: Oh baby. Y'don't even know how your distortions can sound, until you've heard'em through a real-live RESONANT LOW PASS.
If I didn't have the LP (as in µPOG), I'd be more inclined to use it before.
Joe
Last edited by Joe P : 10-06-2008 at 10:42 AM.
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10-06-2008, 10:53 AM
| | Registered User | | Join Date: Jan 2008 Location: New Orleans, LA | | Quote:
Originally Posted by C'thulhu I use it for Toccata et Fuga. (big POG)
I have yet to master the piece, but the parts I can play sound so cool. I'm thinking of adding a "rotary speaker effect to it. | Working on that (with my HOG) for our Halloween show - it's a tough one for me  | | Thread Tools | Search this Thread | | | | 
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