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  #421  
Old 01-30-2013, 03:31 PM
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For set up I'd use something with a pretty flat response like headphones, studio monitors, etc rather than your bass amp if you're not going to use the bass amp for performance.
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  #422  
Old 01-30-2013, 03:34 PM
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Quote:
Originally Posted by Mike M. View Post
I understand what you're saying and you're right.

But as far as initially setting up the tones at home to use at church....that's where I'm not sure by which means would give me the best results.
For that I suggest from your bass, to the B3, to a set of headphones from the B3 (to best simulate the future IEM tone, unless you have access to the actual IEMs at home for that)
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  #423  
Old 01-30-2013, 06:31 PM
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Okay, so if I got one I'd set it up the tones (amps, cab's, settings) with headphones. I guess that makes sense.

It would be nice going into church with somewhat of an idea of what I'd like to hear that's coming out of the PA rather than going at it totally blind and guessing!

Thanks for your time.
  #424  
Old 01-30-2013, 07:12 PM
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Quote:
Originally Posted by OzzyGreg View Post
.


Seathal,
Definately the B3.
At least you can be sure that the effects are bass-focused. Sure the effects are named the same between the two units, but you never know.

If I linked the two together it would be to untilize the generic stuff like reverbs/delays etc. of the G3 while using the B3 for the bass effects I wanted.

I've never gotten around to A-B'ing all of the B3's effects against the G3's to see if my ears can tell any difference, but to be safe I'd buy the B3.

Greg
Splendid, that's what I wanted to know from somebody who has both. For its price, it's not a tremendous effort to buy a second unit if I ever feel like I need one. I plan to use reverb-delay, choruses and maybe a polyoctaver or some crunch effect for different textures.

Have you (or anyone) tried to use the Z-Organ and Synths to make an approach to a POG-like sound? (I don't mean replicate or substitute the POG sound, but creating some similar swelling effect with reverb and delay. For ambiental and post-rock music.
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  #425  
Old 01-31-2013, 12:12 AM
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Quote:
Have you (or anyone) tried to use the Z-Organ and Synths to make an approach to a POG-like sound?
No, I haven't personally, sorry. Synth sounds aren't my thing.
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  #426  
Old 01-31-2013, 12:20 AM
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Quote:
Originally Posted by Seathal View Post
Have you (or anyone) tried to use the Z-Organ and Synths to make an approach to a POG-like sound? (I don't mean replicate or substitute the POG sound, but creating some similar swelling effect with reverb and delay. For ambiental and post-rock music.
yes.
i experiment all the time some but i almost never got to record anything to share

i simply find some cool patch, or tweak some, and then go to looper i end up with a free improvisation that lasts up to 10 min long.

i can only recommend this pedal.

if you are in to experimental stuff and synth you should get your self the expression pedal for it too, it unlocks so much more to experiment with.
  #427  
Old 01-31-2013, 03:27 AM
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Soo, I finally have my B3.

I only fiddle with it a couple of hours so I donīt know much about it yet. I found it easy to set it and thatīs a big big plus for me as I donīt like pedals.

Comps. Are nice, not as nice as the hardware (but thatīs impossible) but very usefull.

Amps&cabs. Indeed I like what they do if you want a certain colour for recording specially. Iīll use them a lot.

Delays and reverbs are great. Does what I want them to do and I really like the early reflection one (donīt know how itīs called right now)

Choruses are fine too, though I have to fiddle more with them as I like to set it myself.

Flangers & Phasers. Not saying they arenīt good but in general are not my thing.

Distortion, Fuzz..etc. Not my thing either.

Ensamble. Really great stuff. I love whatīs doing when play chords.

Loop recorder. I have to fiddle with it more.

Drums. Good easy paterns to rehears. I wish it had more type of sounds. Are a little too compressed.

Tuner and mute with tuner. Great stuff. I really like the mute botton.

This mornign I installed the Edit&Share software and itīs so easy to set up. Thatīs a great plus too.

I love the idea of recording the effected stereo signal and the dry signal trough its DI at the same time. I will use this thing a lot.

In general I really like it but I have a lot to learn and fiddle with it more.

The Antīs preset is great for chordal work. And the M.Miller really reminde me of his tone. Great stuff.
  #428  
Old 01-31-2013, 07:08 AM
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Hey B3 denizens, I'm hoping somebody has got this one figured out: What's the best way to run this box with a wireless set-up? I was planning on using the fx loop but I saw that was problematic for folks with various amps. I'm using an Eden Metro combo, Sennheiser 172G3.
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  #429  
Old 01-31-2013, 08:05 AM
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I also noticed noise with amps, it stops when note is muted. Itīs like having a noise gate.

I know that real amps do have noise but I want to know if you have the same issue with your B3.

Thanks!
  #430  
Old 01-31-2013, 08:06 AM
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Quote:
Originally Posted by BottomThumper View Post
Hey B3 denizens, I'm hoping somebody has got this one figured out: What's the best way to run this box with a wireless set-up? I was planning on using the fx loop but I saw that was problematic for folks with various amps. I'm using an Eden Metro combo, Sennheiser 172G3.
Iīd go:
Bass - wireless - Zoom B3 - Amp
  #431  
Old 01-31-2013, 08:45 AM
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Originally Posted by gastric View Post
I'm not immediately aware of any multi-screen multi-effect box that will show blank / empty slots for a patch. They always show some effect block there, simply bypassed.
Well, you can delete a whole patch in Edit&Share, and leave that patch spot blank, which shows 3 blank pedal spots, effectively bypassing the pedal without any effects shown. As soon as you want to add a single pedal in, though, it fills the other 2 blank spots (I think with the opti-comp pedal...). So yeah, you can have blank effects, but it's an all or nothing sort of thing.
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  #432  
Old 01-31-2013, 08:50 AM
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Quote:
Originally Posted by Emibass View Post
I also noticed noise with amps, it stops when note is muted. Itīs like having a noise gate.

I know that real amps do have noise but I want to know if you have the same issue with your B3.

Thanks!
Yes I have noise with certain amp sims and certain effects but that is to be expected. The amps/effects being emulated typically have that same amount of noise as well.
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  #433  
Old 01-31-2013, 05:32 PM
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Quote:
Originally Posted by ruins View Post
yes.
i experiment all the time some but i almost never got to record anything to share

i simply find some cool patch, or tweak some, and then go to looper i end up with a free improvisation that lasts up to 10 min long.

i can only recommend this pedal.

if you are in to experimental stuff and synth you should get your self the expression pedal for it too, it unlocks so much more to experiment with.
Thanks! That's precisely what I want to do. Experiment. Thank you and Ozzy for all the input
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  #434  
Old 02-01-2013, 01:37 AM
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Quote:
Originally Posted by Emibass View Post
Iīd go:
Bass - wireless - Zoom B3 - Amp
Yep. Into the instrument input of the amp.

If you would like to bypass the amp's preamp, you can use the effect return. You'll have to adjust the Global level on the B3, and it will not work with every amp, because effect loop levels are apparently not standardized.
  #435  
Old 02-01-2013, 09:14 AM
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This morning I had more time to fiddle with the B3 and I dig it more and more.

With the jazz, the SVT sound incredibly good. While some of you here said that the synths doesnīt sound that good, well the z-synth sounded very good with the jazz but sounded awfull with my L2500. Maybe it has to do with the thing that the jazz has flats on it....donīt know.

The looper is a wonderfull device, man I could do a whole little song and even recorded into the Cubase LE I have installed onto my mac.
  #436  
Old 02-01-2013, 10:45 AM
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How are the chorus and flanger in the Zoom B3?, do they allow you to adjust the bass coloration like the Boss CEB3 bass chorus or the MXR M83?
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  #437  
Old 02-01-2013, 11:12 AM
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Quote:
Originally Posted by jzbass6 View Post
How are the chorus and flanger in the Zoom B3?, do they allow you to adjust the bass coloration like the Boss CEB3 bass chorus or the MXR M83?
The choruses are great, IMHO, and the ensamble one is even greater for me when I play chords. Some do have a tone control so maybe thatīs for coloration...

Flangers are not my thing in general so Iīll let someone else to chime in.
  #438  
Old 02-01-2013, 11:15 AM
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I partial to the detune effect personally. Sounds great with lots of control.
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  #439  
Old 02-01-2013, 12:30 PM
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Quote:
Originally Posted by Emibass View Post
The choruses are great, IMHO, and the ensamble one is even greater for me when I play chords. Some do have a tone control so maybe thatīs for coloration...

Flangers are not my thing in general so Iīll let someone else to chime in.
I'm trying to decide whether I should go with the MXR M83 so I can control the chorus effect on the low end or spend $40 extra bucks on the B3 and get that option plus a few other things I've been gassing for like reverb, amp modeling and looping.
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  #440  
Old 02-01-2013, 12:38 PM
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Quote:
Originally Posted by jzbass6 View Post
I'm trying to decide whether I should go with the MXR M83 so I can control the chorus effect on the low end or spend $40 extra bucks on the B3 and get that option plus a few other things I've been gassing for like reverb, amp modeling and looping.
well, you can use the first slot for an eq and then the second for the chorus. This way you can controlo the low end of the chorus.
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