| I bumped my Warwick corvette standard into a B-E-A-D about two months ago and am more than pleased with the results. Although there was a fair bit of physical modifications and tweaks, no modifications to any electronics were made and the result sounds very nature. (That said, I don’t spend much time thumping out open B's. Mostly, I like being able to work lower scales in higher positions and create that 'wow, NICE!' response when I do sink low; therefore, I use the <41Hz freqs very sparingly.)
Some 34” 4-strings modded to BEAD sound like the B string belongs on another instrument – a three-string bass with an alien hanging on the bottom end. In my opinion, this has more to do with the physics of the instrument, string selection, and set-up.
Important bits:
-Warwick’s standard passive MEC J pickups
-D’Addario ECB81-5 Chrome Flats: .065/.080/.100/.132 (I just tossed the G out.)
-Acoustic B100 (15”)
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