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  #1  
Old 11-08-2012, 05:10 PM
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G&L SB-2 Tone Mod

OK so there are a lot of opinions of how to do the SB-2 tone mod. I want to know what is the best method that doesnt involve drilling holes in wood. Please be specific about pot and values and links to buy such products might be helpful as well.

Thanks in advance TB!
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I said, Sarah, could you play an "E" there? She screamed "DON'T TELL ME LETTERS! SHOW ME WHERE TO PUT MY FINGERS!"
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I still think it would work, but I'm really, REALLY wrong about most things.
  #2  
Old 11-08-2012, 06:40 PM
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I've never heard of any of the mods requiring any wood modification; it's all pots and wiring. What intrigues me the most about the SB-2 is the "double tone mod," which is also the simplest one to wire. It involves the installation of stacked V/T pots for each pickup, and allows you to independently control the tone of each pickup.
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  #3  
Old 11-08-2012, 07:00 PM
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Could regular 60's Jazz bass concentric pot wiring be used for that? I'd guess so...

Bob
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  #4  
Old 11-09-2012, 09:04 AM
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Ok well I ordered some of the '62 jazz concentric CTS pots today. We will see how that goes.
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Originally Posted by gigslut View Post
I said, Sarah, could you play an "E" there? She screamed "DON'T TELL ME LETTERS! SHOW ME WHERE TO PUT MY FINGERS!"
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Originally Posted by Immigrant View Post
I still think it would work, but I'm really, REALLY wrong about most things.
  #5  
Old 11-09-2012, 09:05 AM
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Quote:
Originally Posted by plankspanker13 View Post
I've never heard of any of the mods requiring any wood modification
What I meant was not drilling for a side jack.
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Quote:
Originally Posted by gigslut View Post
I said, Sarah, could you play an "E" there? She screamed "DON'T TELL ME LETTERS! SHOW ME WHERE TO PUT MY FINGERS!"
Quote:
Originally Posted by Immigrant View Post
I still think it would work, but I'm really, REALLY wrong about most things.
  #6  
Old 11-09-2012, 10:47 AM
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Quote:
Originally Posted by plankspanker13 View Post
... and allows you to independently control the tone of each pickup.
Independently controlling the tone of each pickup isn't possible without either a pickup switch or an active preamp. If you have two tone controls, they will interact with each other. I would just go with a master tone control using a single stacked pot.
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  #7  
Old 11-09-2012, 12:54 PM
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This is why the Fender circuit includes the capacitors for each tone pot to filter.

Here's a link to the drawing: http://support.fender.com/service_di...0209C_SISD.pdf

See the 2nd sheet. .05 cap on the neck, .03 on the bridge.

Bob
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  #8  
Old 11-09-2012, 01:54 PM
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Interesting. Now I have two .047 caps, so I guess I'll have to find a .03 cap?
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I said, Sarah, could you play an "E" there? She screamed "DON'T TELL ME LETTERS! SHOW ME WHERE TO PUT MY FINGERS!"
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I still think it would work, but I'm really, REALLY wrong about most things.
  #9  
Old 11-09-2012, 02:53 PM
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You don't have to, although Radio Shack would certainly have one.

The bigger cap value will darken the tone. The .03 just keeps the bridge a little brighter.

Bob
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  #10  
Old 11-09-2012, 03:45 PM
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the double tone still causes each tone knob to affect everything, not just its own pickup. it also loads the signal more overall, darkening things a little.

the old fender setup uses resistors to isolate the pickups from each other to reduce the effect, which it does, but also at the cost of lost output.

i vote one stacked pot and one regular pot, for V/V/T.
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  #11  
Old 11-09-2012, 03:49 PM
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if you aren't doing blending, but rather "all P pickup" or "all P+J", you could go with a regular one volume/one tone arrangement but with push-pull pots to turn one pickup or the other off.

if you don't use the J pickup by itself, then one push-pull will suffice to switch it on or off, leaving the P pickup on all the time.
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  #12  
Old 11-09-2012, 03:59 PM
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Quote:
Originally Posted by walterw View Post
the double tone still causes each tone knob to affect everything, not just its own pickup. it also loads the signal more overall, darkening things a little.

the old fender setup uses resistors to isolate the pickups from each other to reduce the effect, which it does, but also at the cost of lost output.

i vote one stacked pot and one regular pot, for V/V/T.
I'm in this camp. There's a reason why Fender ditched to two tone control arrangement. Just doesn't work very well.
  #13  
Old 11-09-2012, 09:28 PM
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Tone mod

You dare question the sanctity of father Leo's original design? Shame on you Actually I'm kidding. On a serious note, careful not to treat your G&L like a fender, they are not the same animal. A good place to check out would be the g&l bass support site. Tons of useful info about SB2 tone mods there. You can find it at bassesbyleo.com
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  #14  
Old 11-10-2012, 07:15 AM
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this should help

http://www.bassesbyleo.com/forum/vie....php?f=4&t=455
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  #15  
Old 11-10-2012, 09:44 AM
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I think I am going to try the dual concentric pots ('62 jazz style) first and see how it goes. If it doesn't work I'll try the vol, vol/tone setup.
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Originally Posted by gigslut View Post
I said, Sarah, could you play an "E" there? She screamed "DON'T TELL ME LETTERS! SHOW ME WHERE TO PUT MY FINGERS!"
Quote:
Originally Posted by Immigrant View Post
I still think it would work, but I'm really, REALLY wrong about most things.
  #16  
Old 11-10-2012, 09:50 AM
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StrangerDanger,

Here's my opinion. The two tones may slightly affect each other, maybe. In a practical sense it would be extremely hard to tell since when either pickup's tone changes it will change the overall sound.

To me, I feel like this this setup gives me a lot more subtle control of the tone.

I haven't really had any issues with low output either.

Best of luck with the mod and I hope you really enjoy it!

Bob
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  #17  
Old 11-10-2012, 09:52 AM
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Thanks Bob. I'll be reporting back post mod.

And thanks everybody really. I like to hear all sides.
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Quote:
Originally Posted by gigslut View Post
I said, Sarah, could you play an "E" there? She screamed "DON'T TELL ME LETTERS! SHOW ME WHERE TO PUT MY FINGERS!"
Quote:
Originally Posted by Immigrant View Post
I still think it would work, but I'm really, REALLY wrong about most things.
  #18  
Old 11-10-2012, 11:28 AM
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If you're going the dual-tone route, I suggest using two resistors in series to get a bit of isolation between the pickup's tone controls. That's the only passive way of getting each tone control to affect its own pickup. The price is a loss of output, so you'll have to turn up the input gain on your amp.

It works something like this. Ignore the fact my wiring was made for a dual humbucker bass.
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Last edited by Stealth : 11-10-2012 at 11:36 AM.
  #19  
Old 11-10-2012, 11:35 AM
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Quote:
Originally Posted by Stealth View Post
If you're going the dual-tone route, I suggest using two resistors in series to get a bit of isolation between the pickup's tone controls.

It works something like this. Ignore the fact my wiring was made for a dual humbucker bass.
Cool, that's very helpful. Thanks!
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Quote:
Originally Posted by gigslut View Post
I said, Sarah, could you play an "E" there? She screamed "DON'T TELL ME LETTERS! SHOW ME WHERE TO PUT MY FINGERS!"
Quote:
Originally Posted by Immigrant View Post
I still think it would work, but I'm really, REALLY wrong about most things.
  #20  
Old 11-12-2012, 06:31 AM
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Would adding resistors to the pickup hots be better than rolling the volumes down? I find when you roll down the volume it cuts out some definition and treble.
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